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Posted Documentaries

Fantasia Festival: Feels Good, Man

When cartoonist Matt Furie created Pepe the Frog, he had no clue that his seemingly benign humanoid frog character would take over the internet and evolve into a symbol of hate speech. Directed by Arthur Jones, the documentary Feels Good, Man chronicles the long journey that Furie’s creation took over the years and it offers revelations about fringe internet culture that are eye-opening and alarming.

Furie’s story is an extraordinary one. This mild-mannered artist is the opposite of who you might think would be behind an internet hate meme. He draws images of toys, creates children’s books which he reads to his daughter and drew Pepe the Frog as a vessel through which to make jokes about bodily functions. The problem with the image of Pepe is that it could easily be co-opted; anyone could draw him, his identity could easily be adapted to trending memes and Furie did not and could not take ownership of Pepe in a significant way in order to control how his creation was used online.

I won’t go into  all the specifics of how Pepe morphed from hand drawn comic book character to a symbol of radicalization. The documentary does such a good job revealing each and every stage of Pepe’s evolution that it’s what makes this film so engrossing. Pepe went from a “Feels Good, Man” meme, to a mascot for outsiders, to a trolling personality then is now a symbol for dangerous radicals, white supremacists and the alt-right. Jones’s film does an exemplary job demonstrating how Pepe became a key element in Donald Trump’s presidential election campaign. We also see Furie fighting back and disconnecting from the creation that became bigger than himself. The documentary features interviews with Furie, his family and friends, fellow cartoonists, psychologists and other experts.

Feels Good, Man is a riveting documentary that offers many insights into the dangers of internet culture. 

Feels Good, Man is part of the virtual 2020 Fantasia Festival.

Posted Female Filmmakers

Bull

14-year-old Kris (Amber Havard) is restless. With her mother in jail, she and her sister are spending the summer with their aunt. To impress the local kids, she breaks into the house of neighbor Abe Turner (Rob Morgan), a rodeo clown away at work. Kris hosts a wild party leaving Abe’s home a total disaster. It’s obvious that Kris is going down the same path as her mom, one of crime and recklessness. A deal is made in which Kris will pay for her break-in by cleaning Abe’s house and doing chores for him. Kris is swept up in the world of the rodeo and develops an interest in bull riding. Abe, tortured by old injuries and a penchant for drink, sees his livelihood slipping away from him. Will Kris and Abe be able to help each other before their lives spiral out of control?

Directed and co-written by Annie Silverstein, Bull is a meandering drama that explores the pains of self-destruction. The film takes its time with its characters. There is no rush to get to any big event or final conclusion. This allows viewers to really settle into this world. The film’s major weakness is having a principal character, Kris, with no redeeming qualities. It’s clear that she’s following in her mother’s footsteps and is lacking the guidance to put her on the right path. But there is very little, if anything, to make us empathize with her plight. Abe is a more dynamic and complex character. By the end, the film left me frustrated and ready to move on.

Bull is available on VOD through Samuel Goldwyn Films. You can watch it on Amazon Prime, iTunes and other platforms.

Posted Film Festivals

SXSW: Short Films

While the 2020 SXSW Film Festival was canceled the films still live on. Recently SXSW announced their collaboration with Amazon Prime for an online film festival. They are currently in the process of allowing filmmakers to opt-in or opt-out and will host the festival at the end of April. As someone who refuses to use Amazon Prime, I was happy to see that you don’t have to have the service to attend the festival. It’s free to the public and all you need is an Amazon account.

Something that did not get as much fanfare was SXSW’s other collaboration with MailChimp which is hosting SXSW short films on their website. MailChimp Presents SXSW 2020 Shorts #SupportheShorts offers a variety of short films that would have been screened at the film festival. The categories include: Animated (7), Documentary (11), Made in Texas (8), Midnight (8), Narrative (15), Texas High School (15). It’s not clear how long these shorts will be available to view online. I hope it will be long term. Because I had press pass for the festival I was able to view many of these shorts ahead of time. Three of them I reviewed on this site. 

If you love short films as much as I do and want to know which SXSW shorts to watch, here are some recommendations:

Basic — dir. by Chelsea Devantez

A hilarious short about pettiness and dating in the era of social media. I laughed out loud and watched this one on repeat. A must see!

Read my full review of BASIC here.

Blackheads — dir. by Emily Ann Hoffman

A highly satisfying animated short film about a woman dealing with a break-up, a bad therapist and a giant blackhead.

Read my full review of Blackheads here.

Figurant — dir. Jan Vejnar

A short Czechian drama about a middle-aged man whose curiosity got the better of him as he finds himself hired for a mystery job. Amazing build-up and cinematography.

Read my full review of Figurant here.

Blocks — dir. by Bridget Moloney

An overwhelmed mom vomits lego blocks. Sounds crazy right? The overall theme of finding time for oneself really struck a chord with me. Don’t let the whacky concept turn you away from this one!

The Claudia Kishi Club — dir. by Sue Ding

In the 1980s/1990s there was a noticeable lack of Asian-American characters and those that existed were stereotypes. Claudia Kishi of The Babysitters Club books was a noticeable exception. A group of Asian-American artists and creators discuss the character’s impact.

Modern Whore — dir. by Nicole Bazuin

A retro style documentary with highly stylized re-enactments. Features a former sex worker describing her experience with escort message board review culture.

I’m Happy, I Promise — dir. by Mimi Cave

A whacky short comedy, told through a series of phone calls, about a nut-obsessed man who tries to ignore his past indiscretions.

Summer Hit — dir. by Berthold Wahjudi

Two exchange students from Iceland and Spain have a summer affair in Germany. What starts off as a meaningless fling blossoms into something much deeper.

Single — dir. by Ashley Eakin

A disability romance about a feisty young woman won’t take shit from anybody, including her blind date. The ending was so satisfying! 

Face to Face Time — dir. by Izzy Shill

Perfect viewing for our quarantine culture. A woman calls up her new love interest for a sexy Facetime session. But things don’t turn out quite how she expected them to.

Lions in the Corner — dir. by Paul Hairston

A riveting documentary short about an ex-convict who starts a fight club to encourage youths to take out their battles in a boxing ring. His efforts help reduce needless violence and eventual incarceration.

Posted Female Filmmakers

SXSW: I Will Make You Mine

Rachel (Lynn Chen), Erika (Ayako Fujitani) and Yea-Ming (Yea-Ming Chen) have one thing in common: Goh Nakamura. All three women have romantic ties to the singer-songwriter. Rachel lives a cushy life with her wealthy caucasian husband. His marital indiscretions sour the relationship and Rachel rekindles her feelings for her childhood friend. Erika is a professor and Goh’s ex-wife. They have a daughter together, Sachiko (Ayami Riley Tomine), and the two are reunited when Erika makes arrangements for her father’s funeral. Yea-Ming is a free spirit. Like Goh, she’s a singer-songwriter. She’s been trying for years to make it in the music business and she gets some inspiration from Goh when he’s back in town.

I Will Make You Mine is a beautifully sensitive and lyrical film. It explores the deep emotional bonds of the past and how they can be reignited years later. The film was written, produced and directed by Lynn Chen who also stars as Rachel. It was shot in black-and-white and is Chen’s debut as a screenwriter and director of a feature film. Music is an important part of the film and both Goh Nakamura and Yea-Ming Chen (who play versions of themselves) perform. Yea-Ming sings a beautiful rendition of the title song and the credits roll with Goh performing a touching acoustic number.

“The feeling I most want to share with I Will Make You Mine is hope. Hope that it’s not too late to be the person you dreamed you would be.”

Lynn Chen

I Will Make You Mine was set to have its world premiere at the 2020 SXSW Film Festival. Gravitas Ventures is releasing the film on demand and digital on May 26th. You can pre-order the film on iTunes.

Posted Documentaries

SXSW: My Darling Vivian

Vivian Liberto Cash, Johnny Cash’s first wife and the mother of his four daughters, passed away on May 24th, 2005. This was a few months before Walk the Line (2005), the critically-acclaimed and award-winning Cash biopic starring Joaquin Phoenix, Reese Witherspoon and Ginnifer Goodwin, was released. Vivian didn’t live to see the film nor did she want to. The script circulated and the way it portrayed Vivian was far from the truth. It created a myth about Vivian as a vindictive woman who tried to get in the way of Cash’s music career.

In reality, Vivian Liberto was a complex woman. A strong-minded woman who was fiercely private and devoted to her husband and her children. The daughter of Italian-American Catholics in San Antonio, Texas, Vivian first met Johnny Cash in 1951 when she was a teenager and he was an Air Force cadet. They had an instant connection and exchanged love letters when Cash served abroad. When he returned in 1954, they married. Cash’s career took off. They moved to California and into Johnny Carson’s old home. They had four children together: Rosanne, Kathy, Cindy and Tara. Vivian had a difficult time with Cash’s fame. It was intrusive and put Vivian on guard. Cash spent more and more time away from the family, started using drugs and started a relationship with singer June Carter that would eventually lead to Vivian and Johnny’s divorce. Vivian wasn’t the perfect mother but she did what she could to raise her four children. She re-married and wrote a book about her life. But her desire for privacy meant the world didn’t really know or understand Vivian. By the time her book published, it was too little too late. A new myth would eclipse the truth.

Filmmaker Matt Riddlehoover’s new documentary My Darling Vivian sets the record straight about the woman behind the legend. The film features extensive home footage and photos. Only Vivian’s four daughters Rosanne, Kathy, Cindy and Tara are interviewed. There are no other talking heads, no other family members, friends, pop culture experts, historians etc. This documentary keeps it in the family. It’s easy to watch this film and immediately get defensive of Vivian. You might reconsider your feelings on Walk the Line and how it portrayed her. Of course there is some bias but I was impressed how frank and open the four daughters were about their mother. They discussed both the good and the bad about their parents. My Darling Vivian is a well-rounded and fairly intimate film about a misunderstood woman.

My Darling Vivian was set to have its world premiere at the 2020 SXSW Film Festival. Visit the official website for more information.

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