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Pressing On: The Letterpress Film

“Printing is a privilege”

When Johannes Gutenberg invented moveable type in the 15th century, the world changed forever. The printing press ushered us out of the Dark Ages into the Age of Enlightenment. Fast forward today’s Information Age and we still have much to thank Gutenberg for how the printing press revolutionized the world. For centuries, letterpress, a form of of pressing ink into paper with the use of engravings carved into wood, metal, linoleum or zinc cut plates, was the standard for creating books, newspapers, magazines, brochures, pamphlets, posters and many other forms of printed words on paper. Over the years, the craft of letterpress was fine tuned byartisans who learned how turn type into an art form. Unlike today’s flash in the pan technology which quickly becomes replaced or obsolete, letterpress machines were improved upon in such a way they became timeless. A machine from a century ago could still function the way it was intended if handled with care. With the birth of offset printing in the mid-Twentieth Century and the advent of computers, letterpress became obsolete. But a group of letterpress printers who value the art and craft of the process are keeping it alive and hoping to pass on their knowledge to the next generation.

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Co-directed by Andrew P. Quinn and Erin Beckloff, Pressing On: The Letterpress Film is a love letter to this art form. It asks the question, why is there still a love for this obsolete technology? The documentary seeks out to answer this with interviews of letterpress printers, both professionals and hobbyists who honed their craft, appreciate the process and ultimately find joy in it. The film revels in the romanc and nostalgia of this form of graphic design. The beat up blocks, the machinery, the colorful designs, the beautiful typography are all part of a long tradition handed down from generation to generation. The interview subjects hail from mid-west and mid-Atlantic. We hear from people who operate independent presses whether at established shops or out of their garage. We learn about the long tradition of Hatch Show Print in Tennessee which made concert posters a collectible art and the Hamilton Museum which keeps the history of letterpress alive. I was particularly taken with the interviews with hobbyist Dave Churchman who collected, you could even say hoarded, letter press equipment. He passed away in 2015 and within the film we also hear from his son who was left in charge of the vast collection his father left behind.

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Dave Churchman

There is a “pressing” need to pass on the knowledge of the art of letterpress to the next generation so it won’t be lost. Today we can appreciate the unique aesthetic of letterpress as a form of graphic design (everything you do in your Adobe Suite is influenced by letterpress!) but can we save the process? When the master printers pass on, who will carry their torch?

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Pressing On: The Letterpress Film is a sensitive and reflective documentary that is clearly in love with its subject. It’s joyful about the form but melancholy about the future. If you have any interest in the history of technology, in graphic design or even in what drives people to pursue their passion, I would highly recommend watching this film.

Pressing On premieres on digital today. You can find it on iTunes, Vimeo or your favorite VOD platform. It’s also available on DVD and Blu-Ray which you can find on Amazon, Barnes and Noble and Best Buy!

Pressing On: The Letterpress Film Official Trailer

 

Aesthetic and Process: Exclusive Clip

Beauty Mark

A timely story for the #MeToo era, Beauty Mark (2017) explores the ramifications of sexual abuse and how the cycle affects multiple generations. Written and directed by Harrison Doran and inspired by a true story, Beauty Mark follows Angie (Auden Thornton), a down-on-her-luck single mom as she struggles to make ends meet. She’s the primary caretaker of her Autistic son Trey (Jameson Fowler) and has to deal with the prejudice that comes with raising a mixed race child. She’s also taking care of her addict mother Ruth Ann (Catherine Curtin) who refuses to work and can barely stay sober enough to take care of her grandson. When their home is condemned by the local authorities, Angie must secure the funds for a down payment for an apartment. Haunted by the memory of former pastor Bruce (Jeff Kober) who sexually molested her when she was 5 years old, she fights back hoping that suing him help her get the money she needs to keep her family off the streets. She reaches out to other victims but when faced with a system that protects abusers and driven by the urgency of her situation, she gets help from her stripper friend Lorraine (Laura Bell Bundy). Can Angie fight back or will she have to give in?

“It’s not about sex. It’s about power.”

 

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Catherine Curtin as Ruth Ann in Beauty Mark
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Auden Thornton and Jameson Fowler in Beauty Mark

Star Auden Thornton delivers in her performance of the sympathetic and complex Angie. There are two distinct phases in Angie’s story line. There is one of an overworked mom at her wits end, searching for a way to fight back. Thornton’s physical appearance contrasts greatly to the second phase when she breaks down from sheer exasperation and finds a job as a stripper. There are several heartbreaking scenes throughout the film that linger long enough to give viewers a sense of the desperate circumstances Angie is dealing with. I was particularly impressed with Catherine Curtin as the strung out grandmother who is both a pathetic and repulsive figure. I enjoyed her performance in Victoria Negri’s film Gold Star. Curtin is a modern-day Shelley Winters and one to watch.

Beauty Mark is an engrossing movie with a poignant message. It’s a warning, a call-to-action but most importantly a candid look about a serious problem that’s been swept under the rug for far too long.

Beauty Mark is available to own or rent on digital HD today.

Update: Beauty Mark is now available on DVD. You can purchase on Amazon, Barnes & Noble and Best Buy.

“A powerful film. Survivors must no longer be silent.” – Ashley Judd

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Official Trailer

 

Six L.A. Love Stories

6 couples, 6 different stories, 1 afternoon in L.A.

Directed by Michael Dunaway, 6 L.A. Love Stories is a raw and bare bones look at the complexities of love and relationships. It offers six different vignettes, not interconnected in any way other than they all take place in Los Angeles. Ashley Williams and Ross Partridge play strangers at a pool party whose conversation gets off to a rocky start. Matthew Lillard plays a husband who just discovered his wife, Carrie Preston, has been cheating on him. Jennifer Lafleur is a stage manager who reconnects with her ex-girlfriend, a motivational speaker played by Ogy Durham. Jamie Anne Allman is a Hollywood studio exec meeting up for a drink with her struggling actor ex-boyfriend Marshall Allman (both actors are a couple in real life). Director Michael Dunaway and actress Alicia Witt play a divorced couple who rediscover their emotional and physical connection. And the final vignette, which is my personal favorite, follows a Will Rogers scholar, Stephen Tobolowsky, as he battles with a Will Rogers estate tour guide, Beth Grant, who is strictly by the book.

6 L.A. Love Stories offers multiple insights into relationships, how they can go wrong and how couples can reconnect. Three of the couples are exes, two are meeting for the first time and one is at a crossroads in their journey. Legendary director Peter Bogdanovich has a small role as a speaker in the Lafleur/Durham vignette. He delivers a motivational speech using a “big stick”, in reference to president Teddy Roosevelt. His daughter Antonia Bogdanovich served as producer and production designer on the film.

Available on DVD, digital and VOD today from Random Media, 6 L.A. Love Stories is a quiet unassuming indie film that offers a genuine look at relationships.

Six L.A. Love Stories from Random Media on Vimeo.

Race

This post is sponsored by DVD Netflix.

Race

Station: Sports Biopic
Time Travel Destination: 1933-1936 Ohio and Berlin, Germany
Conductor: Stephen Hopkins

“There ain’t no black and white. Just fast and slow.”

One man can change the course of history. In 1936, that man was Jesse Owens.

Director Stephen Hopkins’ biopic Race (2016) explores the pivotal years when Owens begins his track and field career at Ohio State University in 1934 to when he won an four gold medals for the United States at the 1936 Berlin Summer Olympics. The journey in between is a fascinating story of a talented young man given the opportunity to practice his talent while also facing the hardships of growing up black during the Great Depression. He faces prejudice at every turn. It’s through the support and tough love he receives from his coach that Owens is given a platform to shine.

Stephan James stars as Jesse Owens. We watch Owens progress from an unskilled runner with a natural talent for speed to a highly-trained master of short sprints and the long jump. Owens carries a big weight on his back. He has a big family to support as well as his girlfriend Ruth (Shanice Banton) and their daughter Gloria. He’s the first in his family to go to college. And not only that, he represents all his fellow African-American men and women through his glory as an athlete but to also fight against prejudice and racism not only in his country but also in Nazi Germany. This is no small feat. Owens has a monumental task in front of him and we are there to root him on.

“A man has to present an image to the world.”

The title of this movie Race has a double meaning. It represents Jesse Owens’ track and field career and also being African-American in a time of systemic racism. The film explores both aspects of Owens life and how running helped him transcend prejudice. Not only would Owens break records in his sport but he also paved the way for African-American athletes to come.

I was quite impressed with Race (2016). Star Stephan James did well by Owens in honoring his legacy and portraying a young talented man who had this overwhelming burden to bear. The portrayal is complex and James plays Owens in a highly sympathetic manner. I very much enjoyed the relationship between Owens and his coach Snyder, played by Jason Sudeikis. I’ve only seen Sudeikis in comedic roles so it was great to see him in a drama playing a mentor. Little is known about the actual historic figure so what Sudeikis brings to the table is what we all hope their relationship would have been. James and Sudeikis play off each other effectively on screen and I looked forward to each new scene with the two. I was also particularly taken with the real life Luz Long and Jesse Owens friendship as portrayed by David Kross and James. I immediately went to research this online and the portrayal in the film is very close to what happened in real life. Long was a German track and field athlete who helped Owens even though it went against Nazi ideology.

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“God spared you for a reason.”

Jeremy Irons, one of my favorite actors who has frequently graced the screen in many a period piece, plays Avery Brundage, the US Olympic Committee chairman who negotiates with the Nazis. Barnaby Metschurat plays Joseph Goebbels as a cold, calculating Nazi who is annoyed by Germany’s need for having the United States at their Olympics. He draws the audience’s necessary anti-Nazi ire. I questioned the storyline about Leni Riefenstahl, the Nazi filmmaker played by brilliantly by Clarice van Houten. I wondered in the filmmakers were too lenient with her portrayal as a more sympathetic figure.

Visually this film does it’s best to represent the mid 1930s as it would have looked. It’s history CGI’d with a sepia filter. Much of what we see is layered so it feels more fantastical than real. But because the story is based on true events this really doesn’t take away from the movie’s message. The 1930s style costumes are magnificent and I was particularly taken by the colorful wardrobes worn by Shanice Banton and Chantel Riley. Clarice van Houten dons finger waves, cloche hats, blouses and equestrian pants.

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Race put me through the ringer emotionally. I went through the gamut of experiencing joy, anxiety and anger and I spent most of the final 30 minutes of the film streams of tears coming down my face. This is an amazing film because it’s an amazing story.

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Race (2016) is available to rent from DVD Netflix.

The Young Karl Marx

The Young Karl Marx

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Station: 19th Century Political Biopic
Time Travel Destination: 1843-1848, Cologne, London, Manchester, Paris, Brussels, Ostend, etc.
Conductor: Raoul Peck

 

The Young Karl Marx

“In early 1843, Europe, ruled by absolute monarchs, wracked by crises, famine and recession, is on the verge of profound change.”

On the heels of his critically acclaimed documentary I Am Not Your Negro (2016), director Raoul Peck brings audiences something vastly different but still as potent in its political message. The Young Karl Marx (2017) tells the story of two German philosophers: Karl Marx and Friedrich Engels, their friendship, trials and tribulations and the birth of Communism and Marx’s Communist Manifesto. August Diehl stars as Karl Marx, the headstrong and arrogant writer who is constantly getting in trouble for his radical ideas. Struggling to make ends meet for his growing family, Marx is battling the internal struggle of his passion for social justice and making a decent living. His partner is his equally headstrong wife, former socialite Jenny von Westphalen-Marx (Vicky Krieps), who gave up her comfortable life for the love of Marx and his ideas. They try to make a go of it in Paris but are soon exiled from France. In the meantime, another young philosopher Friedrich Engels (Stefan Konarske), lives a conflicted life in Manchester, England. He works for his father, a successful mill owner and tyrant to his workers, and is constantly butting heads with him. Inspired by outspoken worker Mary Burns (Hannah Steele)’s protest of his father’s treatment of the mill workers, Engels seeks out justice. Marx and Engels meet and become fast friends. Over the next few years they fight for the proletariat and against the bourgeoisie. They know something big is about to happen and won’t let anything or anyone get in their way.

The Young Karl Marx

The Young Karl Marx

Peck’s biopic could have easily been called The Young Karl Marx and Friedrich Engels because it focuses almost equally on both historic figures. However, it would have been a convoluted title and Marx is the one whom is best known to contemporary audiences. While you don’t have to be pro-communism to appreciate the political message of this film you do have to have some interest in liberal philosophy, political history and social justice. Even Peck within the confines of the movie, leaves room for doubt. In one scene Arnold Ruge (Hans-Uwe Bauer) warns Marx to not follow in Martin Luther’s footsteps, when Luther broke down Catholic dogma only to help usher in an equally intolerant religion. I thought this to be quite powerful.

I consider myself very liberal so I was fascinated by the story of these two important 19th century figures. If you enjoyed Elizabeth Gaskell’s social justice novel North & South (or its mini-series adaptation), about the working poor of mill town Manchester, England around the same time of Engels and Marx, you’ll want to see The Young Karl Marx. Especially if you have an interest in the political message of that story and want to explore it more deeply.

Written by Pascal Bonitzer and Raoul Peck, the original screenplay really hones in on a dark time in European history. I was especially impressed in the character portrayals of Marx and Engels. These are two figures caught in conflicting worlds. Marx is torn between stability and his passion. Engels is caught between his bourgeoisie upbringing and his desire to help the proletariat. Both Diehl as Marx and Konarske as Engels play their parts with great tenacity and attention to detail. I was particularly impressed how the filmmakers incorporated two strong female characters in what could have solely been a movie about two men. Actress Vicky Krieps, best known for her stand out performance in the Academy Award nominated Phantom Thread (2017), is a delight as Marx’s wife Jenny. Even when she hangs out in the background she makes her voice heard and everyone, especially Marx, respects her for it. Mary Burns, played by Hannah Steele, is feisty, brash and outspoken and Engels falls head over heels for her and rightly so. In the movie they marry but in real life Engels felt marriage was repressive construct of culture and they were lifelong romantic partners instead. In the film though you still get a sense that their union is anything but ordinary.

The Young Karl Marx felt as real as a biopic set in different parts of Europe could possibly be. Lots of on location shooting helps. Peck and his team filmed in France, Belgium and Germany. There is a keen attention to period detail and I always felt like I was thrust into the world of 1840s Europe and not a movie about 1840s Europe. But one thing that stands out about this film is that it’s trilingual. German, French and English are spoken interchangeably throughout the film depending on the location, circumstances and characters in the scene. This is truly European. I myself am trilingual (English, Spanish and Portuguese) with many family members in Europe who all speak more than one language. I love that Peck’s film embraces multiple languages instead of having one language pretend to be all three. The end result is an exercise in attention and comfort with subtitles that is truly worth the effort.

The film ends a month before Revolutions of 1848. It’s a time capsule of just a few years in Marx and Engels’ lives but an important one that helps us begin to understand what is to follow.

Raoul Peck’s The Young Karl Marx is a powerful, multi-lingual biopic that explores inequality and class struggles within the context of the lives of two influential philosophers. Highly recommended.

The Young Karl Marx debuted in New York and LA last week and a national roll out is to follow.

 

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