Skip to content
Latest
Posted 1 Comment on The Spy Behind Home Plate Documentaries

The Spy Behind Home Plate

“He was a man apart… different from the others.”

Moe Berg was an extraordinary human being. The son of immigrant Jewish parents, he developed prowess as a baseball player, studied at Princeton, received his law degree at Columbia, traveled the world, spoke over 10 languages, was the star of the trivia show Information Please and just happened to be a spy for the U.S. government during WWII.

Aviva Kempner’s documentary The Spy Behind Home Plate paints a portrait of the human phenomenon that was Moe Berg. A catcher with a 15 year career in the Major Leagues, Berg went against his father’s wishes to pursue his baseball dreams. From those early days he already showed potential for a future career as a spy. He used Latin and Sanskrit to create secret codes for his fellow baseball players so they could communicate without informing the other team. Berg was part of a diplomatic mission to Japan, led by Babe Ruth, to train Japanese players and share the mutual love of the sport in an effort bridge the growing divide. Berg, the quintessential polyglot, spoke fluent Japanese and hung around in Japan then traveled to Asia and already started gathering intelligence photographing and filming in areas that were forbidden by the local government. During WWII, he was recruited for the OSS Operational Group. He had proven his chops with his fluency in a variety of languages, including German. 

A man of the world, Moe Berg was the epitome of brain and brawn. We learn about his extraordinary life through interviews with family members, experts, historians, filmmakers, athletes, sports columnists and figures as well as archival footage and photographs. This documentary is multi-faceted, much like the man himself. It’s a satisfying combination of baseball and WWII history but works on its own as a biographical documentary about a fascinating subject. The film gets a bit muddled with all of the details during Berg’s time in the OSS but those who are well-versed in military history will find much to enjoy here. Film buffs will appreciate the variety of clips from classic war movies included in the documentary.

The Spy Behind Home Plate is presented by The Ciesla Foundation. It released in theaters Friday and there are screenings nationwide through July and August. Visit the official website for information on screenings.

Posted Documentaries

The Lavender Scare

On April 27th, 1953 President Dwight D. Eisenhower signed Executive Order #10450. This order enabled his administration to orchestrate a witch hunt seeking out anyone in the federal government who might be homosexual. These employees were either encouraged to resign or outright fired. They were also denied employment in other branches and sectors of the government. Homosexuals were deemed a “security risk” and denied clearance. They were often threatened with exposure and coerced to name names much like the Communist witch hunt of the McCarthy era. This persecution, known as the “lavender scare”, continued for over four decades until the Clinton administration ended the ban. In the years in between, tens of thousands of employees lost their jobs. Careers ended and lives were forever changed. However in the midst of the Cold War paranoia of the lavender scare, the seed was planted for the gay rights movement. What originally was intended as a moral crackdown helped spur a rebellion against oppression.

Director Josh Howard’s new documentary The Lavender Scare examines a dark time in the history of our government and our culture. The film was inspired by David K. Johnson’s non-fiction book by the same name. Talking heads include Johnson himself, other historians, former government employees who were victims of the bans, their family members and even their persecutors. Notable figures include Joan Cassidy, who served as a captain in the Navy Reserve, and Frank Kameny, an astronomer turned activist. Kameny is by far the most interesting subject in the film. Known as the grandfather of the gay rights movement, he was the first person to fight back against the ban and organized a protest outside the White House in 1965.

“It’s a story that’s both tragic and triumphant. It tells of the heartbreak of those who lost their jobs and their careers – and even their lives – as a result of the government’s brutal tactics.
But it is uplifting as well. It shows how the policy of discrimination stirred a sense of outrage and activism among gay men and lesbians and helped ignite what was to become the gay rights movement.”

Director Josh Howard

Howard’s documentary is an interesting mix of first and second hand accounts, FBI files and other written documents as well as plenty of context about the era of the lavender scare. It’s narrated by Glenn Close and features the voices of Cynthia Nixon, Zachary Quinto, T.R. Knight and David Hyde Pierce.

I do wish there was a bit more information about the post WWII when the LGBT community moved to Washington D.C. in search of government work. There were some other bits of history I wanted to know more about (Kinsey Report findings, the AIDS epidemic of the 1980s, etc.) but I felt like the documentary did a surface level look and not a deep dive. There was perhaps too much going on and it lost focus. However, this film serves as an important primer on a lesser known aspect of our government’s history. The Lavender Scare doesn’t leave us in despair but fills us with hope that this dark history is behind us and we can learn from it for a better future.

The Lavender Scare released in NY and Los Angeles this month in time for the 50th anniversary of the Stonewall Riots. Visit the official website to check out dates for future screenings. It will have it’s nationwide PBS premiere on June 18th.

Posted Film Reviews

Starfish

“People are going to die anyways. Their stories don’t have to.”

Aubrey

If you could turn your grief into a horror film, what would it look like? A.T. White’s new film Starfish transforms the mourning process into a cosmic and post-apocalyptic drama that is as quiet and spare as it is fraught with tension and mystery.

After the sudden death of her best friend Grace (Christina Masterson), Aubrey (Virginia Gardner) travels back to her hometown for the funeral. The small town seems even smaller one day when Aubrey wakes up in Grace’s apartment to discover she’s the only one left. Extra-terrestrial creatures had invaded and killed everyone in town and possibly everyone else on earth. It isn’t until she comes face-to-face with one of the deadly creatures that she hears another human voice by way of a walkie talkie. Before Grace passed away, she uncovered a series of mysterious transmissions by which the creatures transported themselves to earth. Through a series of mixtapes she created a way to save Aubrey and save the world. The voices through the walkie talkie help Aubrey but eventually she must face the barren landscape and escape the creatures on her own. 

Starfish was written, directed, edited, produced and composed by A.T. (Al) White. This film is quite unlike anything you’ve ever seen before. It’s more of a mood than it is a cohesive story. White plays with different mediums and one scene is even told through animation. We’re never quite sure if what we’re seeing is reality or Aubrey’s dissociation as a result of her grief. I love how the film plays with our perceptions, distorts the story and both confuses and intrigues us at every turn. One beautiful shot projects an imagined scene on the ceiling. Another scene takes Aubrey out of her reality and onto a movie set where she sees a version of herself talking to a director and surrounded by a film crew. Very meta. The time setting is left ambiguous but there are some clues in the technology used including an old TV set, the FM/AM radio that receives the mysterious transmissions, a rotary phone, cassette tapes, etc.

Overall the film is quite intimate. We never stray far from Aubrey as she guides us through her world. The star Virginia Gardner is up to the task and delivers a beautiful and haunting performance. 

I interpreted the film as a metaphor for grief and mourning. When someone you love dies, it feels like they’ve abandoned you and you’re left to fend for yourself. I know I felt this way when my father passed. What they leave behind, in the case of Starfish it’s the mixtapes Grace leaves Aubrey, helps us get through the pain and the days to come. I could identify with the themes of loneliness and abandonment. 

As someone who doesn’t watch horror, I found this one to be manageable. There was enough to frighten me but not too much to overwhelm. It’s a film both horror enthusiasts and avoiders can appreciate.

Starfish is available on digital VOD through iTunes, Amazon, GooglePlay, FandangoNow and other platforms in select territories. The film is dedicated to Sayako Grace Robinson who passed away in 2014 and all profits the director makes from the film are to be donated to cancer research.

Posted Female Filmmakers

The Fever and the Fret

High school student Eleanor Mendoza (Adelina Amosco) is tormented by her peers. Why? Because of large birthmarks on her face. They taunt her, harass her, spread rumors about her and physically abuse her. One student in particular, Carly (Vanessa Carmona), really has it out for Eleanor. As a result Eleanor has become incredibly withdrawn and barely speaks to her peers. Ms. Gutierrez (Kathleen Changho) reaches out to Eleanor but can’t help her to the fullest extent because of Eleanor’s lack of communication. To escape the torment, Eleanor finds solace working on her art at home where she lives with her grandmother (Shirley Cuyagan O’Brien) and in her affair with an older man, Alex (Rod Rodriquez) who runs the restaurant where Eleanor works part-time. As things escalate, Eleanor is overwhelmed by the pain and enters an altered state. In this alternate world, she imagines herself in a desolate and beautiful natural space. She’s essentially alone but is joined by an imaginary child who represents her younger self in various stages of development. When a confrontation with Carly turns ugly, Eleanor world starts to fall apart. Will she be able to find her voice again and stand up for herself? Can she find any semblance of happiness in the real world?

Directed and written by Cath Gulick, The Fever and the Fret is a powerful anti-bullying tale that isn’t afraid to dive into the pain and the torment victims suffer and the feeling of helplessness as those who hold social power continue to victimize them. Adelina Amosco delivers a powerful yet subdued performance as Eleanor. The camera spends much time on Eleanor’s face which is marked also her countenance carries a map of the world. We see the inner turmoil through her eyes, through her tears and through her silence. Every minute of this film is powerful. For anyone whose been the victim of bullying, myself included, you’ll be able to relate to Eleanor even if your situation wasn’t as dire as hers. 

The film’s villain Carly is played by Vanessa Carmona who delivers a seamless performance as the privileged bully who expects to get away with her bullying because Eleanor is “weird.” Her lies eventually catch up to her and I found that resolution so emotionally gratifying. 

Gulick imagined her 76 minute low-budget indie film as a fairy story where realism meets dark magic. She say “I imagined a girl who was tormented during the day but who could travel to another dimension at night… The story of a young girl who is discounted by other people in the ordinary world, but has her own secret reality is something that has always resonated with me.” 

Eleanor’s world is black and white yet when she escapes to this alternate world the film switches to color. To me The Fever and the Fret was more realism than magical realism. Eleanor’s escape into the altered state felt less like fantasy and more like self-preservation.

The Fever and the Fret has a diverse cast and crew. It’s directed, written, edited and produced by women, features mostly Asian-American actors. One of the producers, Victoria Negri is one of my favorite up-and-coming filmmakers. She wrote, directed and starred in one of my favorite indie films, Gold Star.

The Fever and the Fret is available to watch on Amazon Prime. It’s screened at the Queens World Film Festival, LA Asian Pacific Film Festival and Lighthouse International Film Festival and has received jury prizes and honorable mentions. Visit the official website for more information.

Posted Female Filmmakers

Albatross Soup

Can you solve this riddle?

‘A man walks off a boat. He walks into a restaurant and orders the albatross soup. He takes one bite, pulls out a gun and kills himself. Why did he kill himself?’

This is not your average riddle. It’s a thought experiment that encourages participants to develop their own tale, build on the riddle’s bare bones, fill in the gaps, create a backstory for its main character and to use their creativity solve the mystery in their own way.

Director Winnie Cheung’s Albatross Soup is an animated short film that visualizes the process of solving the riddle. An omniscient voice, who holds all the answers, is grilled by participants with a variety of questions and gives yes or no answers. Their voices narrate the film and the animated scenes play out the different possible scenarios until they come to the final conclusion.

Albatross Soup is a documentary layered on top of a surreal animated fantasy. It’s filled with bright, bold colors and shape-shifting scenes. It doesn’t ask the viewer to participate. Instead we’re just along for the ride. If you’re burning to solve the riddle yourself, do so beforehand then enjoy the psychedelic journey.

Over 50 participants were recorded for the short film and the audio was edited by New York Times audio producer Alexandra Young. The visual elements consist of hand drawn illustrations by Fiona Smyth and animation by Masayoshi Nakamura. Albatross Soup was screened at various festivals including Sundance, Fantastic Fest and the Fantasia International Film Festival. 

Albatross Soup recently premiered on Vimeo as a Staff Pick. You can watch the film in its entirety here.

JustWatch.com