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TIFF Review: Can You Ever Forgive Me?

by Raquel Stecher

Can You Ever Forgive Me?
dir. Marielle Heller
starring Melissa McCarthy, Richard E. Grant, Jane Curtin, Dolly Wells, Ben Falcone

Review:

Based on the real life story of author turned forger Lee Israel, director Marielle Heller’s film dives into the literary world of 1990s NYC, a golden era in publishing and literary artifacts. The story follows the once celebrated biographer (Melissa McCarthy) as she finds herself in dire straits. Her agent Marjorie (Jane Curtin) isn’t returning her phone calls because no one wants another biography about Fannie Brice. She’s behind on her rent, her cat is sick and flies feed off the squalor in her down trodden apartment. When Israel happens across a letter written by Dorothy Parker tucked away in a book, she sells it and discovers that she can make quite a bit of money off of selling these letters but she needs to get her hands on more. So she uses her writing talents and her newfound penchant for deceit to forge letters from celebrated figures including Noel Coward, Marlene Dietrich, Edna Ferber, Louise Brooks and others. She reunites with an old drinking buddy Jack (Richard E. Grant) who joins her adventures. As things spiral out of control, Lee proves to be ruthless and unapologetic criminal.

Melissa McCarthy embodies the persona of Lee Israel seamlessly. And Richard E. Grant threatens to steal the movie with his brilliant performance as the shifty sidekick Jack. They play off each other beautifully. When I was originally selecting my slate of TIFF films for coverage, I was looking for LGBT films and didn’t realize that this would be one of them. The movie explores Israel’s romantic relationships with women including a budding romance with the used book dealer Anna (Dolly Wells) she’s selling forged letters to. The film dives even deeper into Jack’s sexuality as a homeless gay man living in New York City during the 1990s.

I was expecting some humor in this film but it truly is a straightforward drama and not a comedy or even a dramedy. Can You Ever Forgive Me? is a captivating film about two unforgivable tricksters who will forge their way into your heart whether you like it or not.

Fox Searchlight Pictures will release Can You Ever Forgive Me? in theaters on October 19th.

I attended a special press and industry screening of Can You Ever Forgive Me? at the 2018 Toronto International Film Festival.

 

TIFF Review: The Quietude

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by Raquel Stecher

La quietud
dir. Pablo Trapero
Starring: Martina Gusman, Bérénice Bejo, Edgar Ramírez, Graciela Borges

Review:

Set in a country estate in Argentina, The Quietude tells the story of two sisters Mia (Martina Gusman) and Eugenia (BĂ©rĂ©nice Bejo). Eugenia travels back from Paris to The Quietude, the family’s expansive estate, when their father suffers a debilitating stroke. As the two pick up where they left off secrets start to bubble up to the surface: a pregnancy, extra marital affairs, fraud, toxic relationships and secret papers. This is more than just a story about rich people behaving badly. It’s about a family delving into a state of chaos as everything begins to unravel.

Pablo Trapero’s film takes the viewer on a wild ride they don’t even know they’re on. The story has several twists and turns and it borders on the edge of melodrama but never crosses the line into soap opera territory. The sexuality in the film is at times titillating and confusing. The gaze of the male director was palpable. There is a scene with the two sisters that to me felt more like a male fantasy than something that would occur between the characters. Gusman and Bejo (best known for The Artist) play their parts beautifully and in a rare instance in the history of cinema, they actually look like sisters. The standout performance is delivered by veteran actress Graciela Borges who plays the deeply tormented matriarch of the family.

Throughout the film, the family’s chaotic state is represented through reoccurring electrical outages that cause the lights to flicker and the music to screech to a stop. The Quietude is filled with absurd moments that become almost humorous. There is so much built up tension that at the film’s biggest climactic scene the audience let out a laugh. Less so because the scene was funny but because we needed to let something out.

The Quietude is dark and mysterious. While the male gaze was a bit heavy handed, I still felt like the female characters were interesting and the leads had some wonderful moments to shine.

Trapero’s film has been picked up by Columbia Pictures but no US release date has been announced. His film The Clan is available to watch on Netflix.

I attended a special press and industry screening of The Quietude at the 2018 Toronto International Film Festival.

TIFF Review: Assassination Nation

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by Raquel Stecher

Assassination Nation
dir. Sam Levinson
starring: Odessa Young, Hari Nef, Suki Waterhouse, Abra, Joel McHale, Bella Thorne, Bill Skarsgard, Maude Apatow

“You had it coming, America.”

When a movie starts with a preview of trigger warnings you know you’ll be in for a wild ride. Sam Levinson’s Assassination Nation was one of my most anticipated films of TIFF and it delivered on many fronts. This modern take on the Salem witch trials is dark, twisted, raunchy and violent. It follows the story of four teens as they navigate their senior year with all the peer pressure that comes with it but kicked up several notches when key members of the community get hacked. Led by Odessa Young, the four young women including Hari Nef, Suki Waterhouse and Abra, the town of Salem begins to spiral out of control and they become the target of the community’s blood thirsty need for their brand of justice. On the surface this might seem like another scary movie to watch on Halloween but on a deeper level it delivers some cutting critiques about modern day society. It explores peer pressure, the sexualization of young women, toxic masculinity, privacy, doxxing, public shaming, mob mentally, misplaced righteousness and distrust of authority. And if you’re like me and shy away from horror films, this one has some violence but there is so much to enjoy from the visual imagery, costumes, lighting cinematography, typography that makes it well worth the gory scenes. I loved the female empowerment message and found myself pumping my fist in the air and cheering the protagonists on. Assassination Nation is not one to miss.

Neon releases Assassination Nation in theatres on September 21st.

I attended a special press screening of Assassination Nation at the 2018 Toronto International Film Festival.

My Final TIFF ’18 Picks

by Raquel Stecher

Working on my itinerary for TIFF ’18 was a monumental task. This year’s slate consists of 343 total films: 255 feature length films, 88 shorts. The shortest film is 43 seconds (The Invisible Cinema) and the longest 14 hours (La Flor). 83 countries are represented and 34% of the films are directed by women (and 136 films have a female lead).

Going through the complete list of films was overwhelming. There are so many films I wanted to see. How was I going to chose? I broke it down to the basics. I concentrated on the films screening on the days I would be attending: Thursday-Monday. Then I broke it down by day. The maximum number of films I could watch in one day is 4-5 so I aimed for 4. Then I created a list of what in particular I was looking for:

  • Strong female protagonists, women directors
  • Foreign films, especially those from Central and South America
  • Indie films with a good hook
  • LGBT stories, especially ones with female leads
  • Period pieces
  • A few big movies for good measure and a press conference or two

And here is what I came up with. These are the films that are on my final schedule. I added a few of my back-ups for good measure.

What do you think? Which of these films are you excited about?

 

Colette

Colette
dir. Wash Westmoreland
Keira Knightley, Dominic West

This is my number one pick for the festival. This biopic on Colette, author of the Claudine stories and Gigi, offers a look at gender dynamics and female empowerment through the lens of literary history. I’m also particularly interested in the period costuming and detail.

 

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Tell it to the Bees
dir. Annabel Jankel
stars Anna Paquin, Holliday Grainger

An adaptation of Fiona Shaw’s novel, this post-WWII drama set in Britain tells the story of a doctor/beekeeper who falls in love with a struggling single mom. I’m always on the look out for a good LGBT story and this one is already getting some decent buzz. On Instagram, star Anna Paquin referred to this movie as her “passion project.”

 

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Stockholm
dir. Daniel Syrkin

On the cusp of winning the Nobel Prize, a world renowned economist is found dead. Four of his closest friends, determined to get him the prize he deserved, work tirelessly to conceal the death until the laureates are announced. I haven’t been able to stop thinking of this film. I need to know what happens!

 

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Assassination Nation
dir. Sam Levinson
stars Odessa Young, Hari Nef, Suki Waterhouse and Abra

I usually shy away from horror films but this one sounds so good that I can’t pass it up. Levinson’s new film takes the Salem Witch Trials and gives it a modern twist. Set in present day Salem, MA, the story follows four high school teens as their community turns against itself after a series of social media hacks. I’ve watched the trailer more times than I care to admit.

 

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Vita & Virginia
dir. Chanya Button
stars Gemma Arterton and Elizabeth Debicki

Based on a true story, this film explores the relationship between Vita Sackville-West and legendary author Virginia Woolf. I’d love to compare this one with Colette, another literary biopic with an LGBT angle. Especially considering that Vita & Virginia has a female director and Colette does not.

 

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A Star is Born
dir. Bradley Cooper
stars Bradley Cooper and Lady Gaga

I’m curious to see how this iteration of A Star is Born compares with the previous films from 1937, 1954 and 1976. I hope to write and possibly create a video comparing and contrasting all four versions. Stay tuned!

 

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Red Joan
dir. Trevor Nunn
stars Judi Dench, Sophie Cookson

As I said in my original look at the TIFF selections, the biggest draw for me for this movie is Dame Judi Dench.  Red Joan is Trevor Nunn’s return to film directing. His last work was Twelfth Night: Or What You Will (1996). The story follows the semi-true, semi-fictionalized story of a British physicist turned KGB spy.

 

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Prosecuting Evil: The Extraordinary World of Ben Ferencz
dir. Barry Avrich
featuring Ben Ferencz

Avrich’s new documentary follows the story of 98 year old Ben Ferencz, the last surviving Nuremberg Trial prosecutor. Ferencz has made it his life’s work to fight against racism and Neo-Nazi sentiment. This looks fascinating! I enjoyed Avrich’s documentary on price gouging in the art world entitled Blurred Lines.

 

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The Quietude
dir. Pablo Trapero
stars Martina Gusman, Berenice Bejo, Edgar Ramirez

Trapero’s new film, set in Argentina against the backdrop of a military dictatorship, follows the story of two sisters who reunite after their father’s stroke. Secrets and long-held grievances threaten chaos where there was calm.

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The Wedding Guest
dir. Michael Winterbottom
stars Dev Patel

Michael Winterbottom’s adaptation of Thomas Hardy’s novel Jude the Obscure, Jude (1996), was a big influence on me in my teen years.  The Wedding Guest follows the story of a British man with a secret agenda who travels through Pakistan and India. The plot description is as mysterious as the movie promises to be.

 

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Belmonte
dir. Federico Veiroj
stars Gonzalo Delgado

This Uruguayan drama follows the story of an artist who tries to reconcile his work with being a single father to his young daughter. Based on the trailer this looks like a sweet and possibly melancholy father-daughter story. I’m also curious to see how it explores work-life balance.

 

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The Good Girls
dir. Alejandra Marquez Abella
stars Isle Salas, Flavio Medina

Set in 1982 Mexico during the country’s debt crisis, Abella’s film explores the story of a rich socialite whose perfect world starts to fall apart. I made it a point to add some Spanish-language films and I love that this film is a period piece directed by a woman and with a female lead protagonist. It checks off of a lot of criteria on my wishlist.

 

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Can You Ever Forgive Me?
dir. Marielle Heller
stars Melissa McCarthy, Richard E. Grant, Jane Curtin

I have an extensive background in book publishing and this story of Lee Israel, bestselling author turned literary forger, is right up my alley. It hits a bit close to home so while I’m sure the story will make me uncomfortable, I think it has a lot of potential to enlighten and entertain.

 

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Widows

dir. Steve McQueen
stars Viola Davis, Liam Neeson, Colin Farrell, Michelle Rodriguez

I’m not 100% sold on this one. It’s co-written by Steve McQueen and Gillian Flynn so you know it’ll be ruthlessly violent. I’m quite sensitive to the content but am thoroughly intrigued by the idea of widows taking over a heist for their criminal husbands. The all-star cast doesn’t hurt either. McQueen’s film is a remake of the 1983 British mini-series by the same name. Maybe I should watch that instead?

 

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The Man Who Feels No Pain
dir. Vasan Bala
stars Abhimanyu Dassani

This Bollywood action flick looks like it can deliver big on entertainment value. Abhimanyu Dassani stars in his debut as literally a man who feels no pain. This gives him an advantage as a street fighter. The story follows him from childhood to his adult years as he vows to defeat 100 foes. The trailer is quirky and fun. I definitely need to see this movie!

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Climax
dir. Gaspar Noe
stars Sofia Boutella

Inspired by a true story, Climax follows a dance troupe’s party spirals out of control after they drink sangria spiked with LSD. Because it’s directed by Gaspar Noe you know it’ll be weird and shocking. The story is set in 1996 and features mostly non-actors Noe on YouTube or in a Paris nightclub. This is part of TIFF’s Midnight Madness line-up.

 

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Loro
dir. Polo Sorrentino
stars Toni Servillo

I’m always drawn to strange and twisted foreign films. The Italian film Loro looks like it fits that category to a T. Sorrentino’s movie tells the story of controversial tycoon/politician and his over-the-top world. This looks bonkers in the best way possible. Just watch the trailer and you’ll see what I mean.

 

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Rafiki
dir. Wanuri Kahiu
stars Samantha Mugatsia and Sheila Munyiva

The newest offering from Kenyan director Wanuri Kahiu, this film explores the romantic relationship between two young women in a culture that rejects and a country that bans homosexuality.

 

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Sew the Winter to my Skin
dir. Jahmil X.T. Qubeka

Based on the true story of outlaw John Kepe, Qubeka’s film is Robin Hood meets 1950s South Africa. The protagonist steals from rich white colonists to give to the indigenous poor. I have to make the difficult decision of whether to watch this film at TIFF or attend the Share Her Journey rally. I won’t be able to do both!

 

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The Old Man & The Gun
dir. David Lowery
stars Robert Redford, Sissy Spacek, Danny Glover, Casey Affleck, Elisabeth Boss

Robert Redford recently announced that The Old Man & The Gun will be his final film. The film legend is retiring and I can’t pass up an opportunity to watch his grand finale.

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I’d like to offer a special thank to you to TIFF for their Media Inclusion Initiative for 2018. They made 200 additional press spots available for under-represented journalists including people of all genders, sexual orientations, ethnic backgrounds and abilities. I am honored to have been selected as one of those journalists. And an extended thank you to the initiative’s sponsors which include Netflix, 20th Century Fox, Rotten Tomatoes and others.

See you in Toronto!

Benched

“This is about the playing. Not the winning or losing. It’s about having fun.”

Michael (Garret Dillahunt) is eager to work as assistant coach for his son’s little league baseball team. But he gets more than he bargained for with head coach Don (John C. McGinley). These two are as different as could be. Michael was a curling champ in his youth and fondly remembers the spirit of the game and has long forgotten any wins. Don, on the other hand, remembers every game and holds personal grudges when circumstances led to a catastrophic loss. Their coaching styles clash, confusing the kids who don’t know who to listen to. Should they buy into Michael’s brand of everyone-is-a-winner mentality? Or should they listen to coach Don who believes every game is a fight for glory? As the season progresses we learn more about the complicated histories of these two coaches. Michael is a recent widower starting fresh in a new town. Don is having marital issues causing him to put more of his focus on the game. Will the two find a way to work together to help the team make it to the championships?

 

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Benched is the feature film directorial debut for Robert Deaton and George Flanigen. Unlike other movies about elementary school sports, the focus here is not on the kids but on the adults. I thought this was a curious choice for the filmmakers. Besides some scenes singling out a couple of the kids in particular and a thorough introduction to each team member, we really don’t know much about them as characters. They’re not who were rooting on. Instead it’s the two coaches, both of whom are navigating through a transitional period in their lives.

Adding just a touch of estrogen to the film is Jlynn Johnson who plays Carolyn, a love interest for both Michael and Don. I wish her character was more complex but there wasn’t much room in the film for her part to bloom and blossom.

The clash between Michael and Don is a sort of metaphor for a divided America. Michael is the stereotypical lazy liberal, accepting of many, encouraging of any effort and sees all the kids as equals in their field. Don is the hard-nosed conservative with a winners-versus-losers mentality who is very vocal about the team’s hierarchy. They learn from each other and ultimately have to compromise. Perhaps the message here is a political one rather than one of personal motivation.

If you’re looking for a positive sports movies featuring kids overcoming obstacles, then look elsewhere. Benched is a much different movie. It’s a complex study of disparate individuals, in this case, two adults. The film starts off a bit cheesy and awkward but once it picks up I found it quite engrossing. The baseball scenes were fun to watch and I found myself rooting on the team. If you like sports movies and want to try something a bit different, give Benched a shot.

 

 

Benched is screening in select theaters today and also available on VOD.

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