Set in the outskirts of São Paulo, Brazil, Charcoal/Carvão tells the story of an impoverished family who make an almost Faustian bargain to lift themselves up out of their situation. Irene (Maeve Jinkings) cares for her ailing father but between that, raising her son Jean (Jean Costa) and dealing with her husband Jairo’s (Romulo Braga) reckless behavior, she is overwhelmed. When a nurse, Juracy (Aline Marta), offers Irene a shady deal to help the family, after much consideration Irene agrees. The plan involves getting rid of Irene’s father and secretly replacing him with Miguel (César Bordón), an Argentine drug lord who faked his own death and is now in hiding. Irene and her family keep up appearances. Jean goes to school, Jairo continues to work harvesting charcoal and Irene sells her chicken dinners. But the influx of cash and the looming danger that hangs over this volatile stranger, threatens to push the family over the edge.
“Charcoal is my attempt to understand how violence, religion and hypocrisy have taken over our lives and bodies in a way that we don’t’ even notice any more.”Carolina Markowicz
Written and directed by Carolina Markowicz, Charcoal/Carvão is an unrelentingly brutal film about the lengths people will go to escape their situation. The film is deceptively quiet which makes certain scenes all that more shocking. Bookended with religious scenes and music, the story aptly explores how desperation takes away our morals and basic humanity. The performances came across so natural that it’s easy to forget we’re watching actors playing roles and not real people living their lives. Markowicz does a brilliant job enveloping the audience in the world of her characters that it feels like we are right there with them.
Charcoal/Carvão is emotionally devastating and draining. It’s a film to watch. But only once.
Note to add: both Portuguese and Spanish are spoken in the film.
Charcoal/Carvão premiered at the 2022 Toronto International Film Festival.