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Slamdance: Memphis ’69

“But the music prevailed…”

Directed by Joe LaMattina, Memphis ’69 is a new documentary that serves as a time capsule for the 1969 Memphis Birthday Blues Festival held on the 150th anniversary of the city’s founding. Made up almost entirely of archival footage from the three day festival, a few title cards at the beginning give the film some context. The festival ran from 1965 to 1969 during a time of much racial strife in the city. It was one year after the Martin Luther King Jr.’s assassination and the KKK held a rally in the city concurrent with the event.

The folk and blues revival of the 1960s helped launch new stars of the genre but also allowed for the rediscovery of older blues performers. A wide range of blues, folk, country and even gospel musicians performed on stage for a motley crew of attendees. The attendance fluctuated throughout the three days but it never put a damper on the spirits of the musicians who played their hearts out. 

Memphis ’69 takes viewers on a time travel trip to this one-of-a-kind blues festival. It lingers over many of the performances and also captures the spirit of the time. All of the performers featured in the documentary are long gone and this film now serves as a tribute to them.

Performers featured in Memphis ’69 include:

  • Rufus Thomas
  • Bukka White
  • Nathan Beauregard (106 year old, blind performer)
  • Sleepy John Estes
  • Yank Rachell
  • Jo Ann Kelly
  • “Backwards” Sam Firk
  • Son Thomas
  • Lum Guffin
  • Rev. Robert Wilkins & Family
  • John Fahey
  • Sid Selvidge
  • Molloch
  • John D. Loudermilk
  • Furry Lewis
  • Piano Red
  • Jefferson Street Jug Band
  • The Insect Trust
  • Johnny Winter
  • The Salem Harmonizers
  • Mississippi Fred McDowell

Memphis ’69 was screened at Slamdance 25 and is nominated for a Grand Jury Prize for Best Documentary Feature.

Slamdance: Tungrus

Director Rishi Chandna’s 13 minute short documentary Tungrus follows the story of the mild-mannered Bharde Family from Mumbai, India and their “chicken from hell.” The Bhardes live in a small apartment, a father, mother, two sons, daughter and their cats. Six months ago, the dad brought home a young chick he bought for 10 rupees. He thought to himself “this will be a great toy for my cats.” The chick grew up to be a fearless rooster, causing ruckus in the Bharde’s constrained living quarters. Leaping, scratching, attacking, flying and pooping everywhere, this rooster is one giant menace. Why have they put up with this rooster for so long and how long will this chaos last?

Tungrus is a funny, quirky yet sober doc that works on numerous levels. One of the reasons I was drawn to this film was its exploration of family. One decision made by the dad has repercussions on everyone. On the one hand, the Rooster becomes a central part of the family unit. I know what it’s like to have that one disruptive family member who causes utter chaos. You love them despite their craziness. It’s the unspoken bond family members have with each other. On the other hand, family is both a fixed construct and one can mold and change. You are stuck with your blood relatives but you can also build a new family and rid yourself of certain members who cause dysfunction. The Rooster becomes a central figure of the Bharde family but the toxic environment he creates causes the patriarch to make a decision about the Roster’s fate, bringing the story to its tragic climax.

“Catching him… that’s actually an art.”

Tungrus is essentially a human story, because each character in the film must probe the nature of affection, of loyalty, and even the ethics of eating another creature.” 

Rishi Chandna

Tungrus is part of the Slamdance Documentary Shorts program and is part of The New York Times’ Op-Doc series. You can watch the film in its entirety on the NYT website.

Social Animals

“When image is everything, nothing is off limits.”

Technology has drastically changed our culture. The Instagram generation is creating a social dynamic unlike anything that we’ve ever seen. These youths are living their lives in the public arena well beyond the scope of their immediate IRL (in real life) social circle. Their online presence is highly strategic. Teens will go to great length for the attention that comes with likes, comments, follows and a reputation they can sell. It’s the new modern version of the pursuit of happiness. These teens eventually become addicted to the thrill and the reward that Instagram has to offer by portraying a contrived version of themselves. What repercussions will these teens face for sharing their lives online?

“Instagram opened the horizon for pettiness of my generation.”

Directed by Jonathan Ignatius Green, Social Animals is a new documentary that explores the world of Instagram teens by looking at three different case studies. First is @kalynslevin, an aspiring model with a rapidly growing following. She’s blonde, beautiful and incredibly rich; all the criteria you need to become Instagram famous. In her interviews she states that she’s just a regular person and wants her followers to see her as such. However, her carefully curated Instagram is built with the help of professional photographers and stylists and is more aspirational than anything based in reality. Second is @humzadeas, a New York City based teen who dreams of becoming a professional photographer. Instagram for him is a creative outlet where he can share his creative vision with the world. He becomes a daredevil, ascending great heights to capture incredible images of the cityscape and urban life. His adventurous spirit gets him in trouble.

@kalynslevin
@humzadeas
@emms_crockett

The most fascinating of the three is @emms_crockett, a Mid-West teen studying at a small Christian school. She feels peer pressure to use Instagram and when her ex-boyfriend and high school friends use it to bully her, the experience sends her on an emotional rollercoaster. We see the horrifying consequences which lead to a suicide attempt. Through her we see how social media platforms like Instagram can negatively affect a person’s mental health.

One thing Emma points out in one of her interviews is how she gave the audience too much power. Perhaps it’s something that’s overlooked but I would love to see a documentary, perhaps a follow-up one to this, that explores the nuances of interaction and how it affects both sides. In Social Animals, several teens, beyond the three profile, go into detail about the methods they use to rig the system for the most return on their efforts.

As an adult who was a teenager in the 1990s, I’m incredibly grateful that I didn’t have smart phones or social media. Many people of my generation and others will agree. I dealt with bullying, stalking, sexual harassment and more types of emotional and mental abuse but I’m so grateful it didn’t play out online where classmates, friends, family and members of the public could see it. 

Social Animals is a relevant documentary that relies on the voices of the Instagram generation to shine a spotlight on this new social dynamic. It lacks some focus and could benefit from some more in-depth study. We may not fully understand yet how to analyze the social of social media. This is a start.

Social Animals is available from Subconscious Films is available on iTunes and VOD with a release date on Netflix scheduled for later this year.

Transformer

“How am I ever going to find peace being comfortable in my own skin?”

Matt “Kroc” Kroczaleski was caught between two worlds. He always knew he wanted to be a woman and he wanted to be strong. But he didn’t know how he could reconcile those two things being biologically born a man. Over the years Matt found success as a Marine and then as a champion bodybuilder and powerlifter where he won competitions and graced the cover of bodybuilding magazines. He became a legend in that world, idolized for his ability to develop huge muscles and to lift some really heavy weight. He had his fair share of struggles overcoming a difficult childhood, then surviving testicular cancer, depression and a divorce. Now a single father of three sons, he made sure they would grow up with an attentive and involved father. But something was missing for Matt. He could no longer fight against his true authentic self.

Transformer - 7.jpg
Janae Marie Kroczaleski

“I felt like the person I was was completely constructed. There was a whole bunch that was missing. I didn’t know if there was anything about me that was authentic.”

Michael Del Monte’s documentary Transformer, follows 43-year old Matt as he transitions to become Janae Marie. It’s an intimate portrait of a transgender individual grappling with how to function in society, relationships and career. Janae struggles the stability of being a man and instability of being a transgendered woman. And because Janae spent so many years as a visibly muscular and masculine man, she must deal with how to present her femininity but still train as a body builder. Having the majority of her hair, Janae must wear wigs and depend on make-up and clothes to present as feminine as possible even when a deep voice, wide jaw and wide muscular build fight against that.

What stands out about Janae’s story is the dichotomy between femininity and muscularity. She is a woman who founds success in the bodybuilding world as a man and its a world that she can’t seem to leave behind. In the documentary, we see Janae switch back to male many times until she finally decides to stay as Janae forever and moves forward with facial surgery that will help her connect with that feminine self that seems just out of her grasp.

“If all else fails your Matt Kroc.”

The film follows Janae through her transition, how she currently stands in the bodybuilding world and her relationships with her father (who refuses to accept), her mother (who is starting to accept) and her sons (who are completely supportive).

Transformer is an important LGBTQ documentary and its most significant message is for transgender individuals life is a constant struggle. However, as an audience we don’t really learn too much about the transgender community or the bodybuilding world and how it rejects transgender athletes. Its focus is squarely on Janae’s story. I would love to see another documentary that shines a spotlight on the gender bias in the bodybuilding world and how female and transgender athletes are treated.

Transformer is in select theaters today and is available to purchase on iTunes, Amazon prime, YouTube, Vimeo and other digital platforms. You can find more information on the official website.

Transformer

TIFF Review: Prosecuting Evil

ProsecutingEvil

by Raquel Stecher

Prosecuting Evil: The Extraordinary World of Ben Ferencz
dir. Barry Avrich

Review:

99-year-old Ben Ferencz is the last surviving Nuremberg prosecutor. At the tender age of 27 and at the very beginning of his career as a lawyer, Ferencz went head-to head with some of the most notorious Nazi criminals of WWII. Born in Romania to Hungarian Jews, Ferencz and his family fled Transylvania for asylum in the United States. Raised on the Lower East Side of Manhattan, teachers quickly took noticed of the gifted young Ferencz. He went on to study in the City College of New York and Harvard Law School and during WWII where he served abroad in an anti-aircraft artillery unit before he was transferred to Gen. Patton’s Third Army where he investigated war crimes and visited concentration camps to collect evidence. Horrified by what he saw, he made it his lifelong mission to give back to humanity by prosecuting international crimes.

Director Barry Avrich’s newest documentary Prosecuting Evil, covers the whole scope of Ferencz’s life and career through interviews with colleagues, Ferencz’s son and Ferencz himself. It also includes archival footage from the Nuremberg trials and disturbing images from the Holocaust. Ferencz has been a tireless champion for humankind and even at the age of 98, when this doc was filmed, there were no signs of stopping. Ferencz has an important message from the past to deliver to the future. This can and is happening again. We must fight for humanity.

Prosecuting Evil is a beautiful and poignant documentary about one of the most important living figures from WWII. My heart swelled with emotion and I left the theater very moved. Ferencz is fierce and fearless. He’s a sweet man but not someone you want to mess with. If you have any interest in the history of WWII or humanitarian efforts of if you’ve heard of Ferencz and want to learn more about him, this documentary is essential viewing.

I attended a press and industry screening of Prosecuting Evil at the 2018 Toronto International Film Festival.

 

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