Karl Marx’s Communist Manifesto in February 1848, comes a new film from celebrated director Raoul Peck. His previous film, the documentary I Am Not Your Negro, was a powerful look at the life of James Baldwin, the Civil Rights Movement and black representation in media (read my review here). Peck’s new film The Young Karl Marx premiered at the 2017 Berlin International Film Festival and is coming to theaters soon.
Description:
“At the age of 26, Karl Marx (August Diehl) embarks with his wife Jenny (Vicky Krieps) on the road to exile. In 1844 Paris they meet young Friedrich Engels (Stefan Konarske), son of a factory owner and an astute student of the English proletariat class. Engels brings Marx the missing piece to the puzzle that composes his new vision of the world. Together, between censorship and police raids, riots and political upheavals, they will preside over the birth of the labor movement, which until then had been mostly makeshift and unorganized. This will grow into the most complete theoretical and political transformation of the world since the Renaissance – driven, against all expectations, by two brilliant, insolent and sharp-witted young men.”
The Young Karl Marx premieres on February 23rd at the Metograph in New York City and the Laemmle Royal in Los Angeles. National release to follow.
Available on VOD and iTunes on February 6th. List of upcoming screenings can be found here.
“Since the Americans left Paris, I’m the King of Jazz.”
Based on a true story, Django follows the story of celebrated Romani jazz guitarist Django Reinhardt (Reda Kateb) as he tries to navigate the treacherous political climate of occupied France during WWII. Singled out for his incredible talent, Django and his Hot Club de France Quintet have been invited to go on tour in Hitler’s Germany. But the invitation isn’t voluntary and it comes with a rather strict protocol. Django doesn’t take it seriously until his lover and confidante Louise (Cécile de France) warns him of the possible ramifications of his actions. Django plans to flee Paris with his pregnant wife Naguine (Bea Palya), his mother Negros (Bimbam Merstein) and the fellow musicians who agree to go with him. The plan is to cross over into Switzerland but in German occupied territory that’s easier said than done.
Directed by Etienne Comar, Django (2017) is an atmospheric film that juxtaposes the beautiful music of a talented artist with the brutality of WWII. The film only explores a few months of Django Reinhardt’s but this is a crucial time when he in grave danger but also at the apex of his career. Some have complained that we really don’t get to know Django but this film does tell quite a lot but in more subtle ways. For example, years before the story took place Django Reinhardt suffered burns to his hands and arms due to the flammable artificial flowers his first wife sold to feed the family. He had scars all over his hands and two of his fingers were paralyzed. Doctors told him he’d never play again. We get a glimpse about this part of his life through a scene when German doctors are examining him before his scheduled tour.
The cinematography in this film is stunning. There are some exquisite shots in this film. I was quite enamored with the first performance where we see Django and his quintet before in front of a glittery gold curtain. The camera pans around the musicians and the audience and often settles on Django’s hands as he performs his magic on the guitar.
The persecution of gypsies during WWII is not often explored so I was glad that this film went into depth on that matter. Although Django is Romani Gypsy, his status as a talented musician makes him an exception to the Germans only if he’ll follow their rules. If he doesn’t, he becomes an easy target for their wrath. The film is very adept at exploring the different facets of his culture, his personality and his life. The disparity between the countryside and the city, the performance halls and the underground night clubs show how this character navigated between very different worlds. From the very outset we learn that he can be a difficult guy, perennially late and can be both tough and loving to those in his inner circle.
This movie has received mixed reviews and been rather polarizing among critics. The film meanders much in the same way a jazz song tends to take its time so the listener can savor and take it all in. As a jazz lover myself I was comfortable with this pace and let the story take me along for the ride. There has been a resurgence in interest in Django Reinhardt and jazz nuts especially will definitely want to see this.
Django is a beautiful and atmospheric film that is in no rush to tell its story of a jazz legend in a critical moment in his life.
