Skip to content

TagIndie Films

Posted Film Reviews

Vanilla

Elliot (Will Dennis), is an entrepreneur who is strictly by-the-book. His days are scheduled by the minute. He took a chance and gave up a career as a consultant to develop an ice cream delivery app in which users literally scream their orders into their phones. Needless to say, it’s not going well.

Kimmie (Kelsea Bauman) is a wannabe stand-up comedian who is nothing if not a free spirit. By day she works at a bakery and by night as a cam girl. Kimmie meets Elliot when she buys his van. While they say opposites attract, perhaps Kimmie and Elliot are too far apart on the spectrum and when Elliot makes a move on Kimmie, she turns him down. 

But that changes soon when Kimmie’s boss has to close down the shop due to a rat infestation, she tries to sell the van back to Elliot. However, Elliot desperately needs the money for his app. What ensues is one long first date in the form of the road trip to New Orleans to sell the van. 

Filmmaker Will Dennis’ Vanilla is a sweet and quirky comedy about being true to yourself. Elliot and Kimmie are well-defined characters. Kimmie is stand-offish, always trying to protect herself from being too vulnerable. Elliot is just too nice for his own good. Dennis, who directed, wrote and starred in the film, finds many ways to work ice cream into the plot. There are some quirks I found to be a bit too ridiculous including the storyline with Elliot’s mom and the I Scream for Ice Cream app. With that said, Vanilla has a lot of charm and is a tasty treat for summer.

Vanilla is available today on VOD from Gravitas Ventures.

Posted Film Reviews

She’s Allergic to Cats

Mike Pinkney (himself) is a wannabe filmmaker living in a rat-infested apartment in Hollywood. By day he works at a dog grooming salon run by a groomer who is a bit too into his job. By night he works on his craft, developing an idea for an all-cat remake of Carrie. He meets Cora (Sonja Kinski) Mickey Rourke’s daughter’s assistant and the two hit it off. They go on a first date that seems to be building momentum. But little does he know that she’s allergic to cats. Between the rats and the cats, Mike’s world is spiraling out of control. 

“I live in Hollywood. I moved here to make movies. But instead I groom dogs.”

She’s Allergic to Cats is a lo-fi, out of its gourd, tragicomedy. Written and directed by Michael Reich, this film is semi-autobiographical, self-funded and Reich’s feature film debut. Reich has directed several short films as well as music videos for bands such as My Chemical Romance, The Shins and Ryan Adams. According to the official press release, the film was “shot in 4K on Red Cameras and run through DVD players, MiniDV, and VHS tapes” giving it a unique, lo-fi visual style.

Audiences who love weird and wacky films will want to check this one out. You really have to have a bit of patience with this one and just go with the flow. Pinkney is a perfect fit for playing the oddball hero. The scenes with Kinski (daughter of Nastassja Kinski) add a horror movie element to the film. She’s quite mesmerizing in her portrayal of Cora. I was hypnotized by that one extended shot of Kinski holding an old DVD copy of Congo (1995). I love that this film, which is awful but a pivotal film of my youth, gets its own small storyline.

She’s Allergic to Cats originally premiered in 2016. It is now available on VOD from Amazon Prime and iTunes.

Posted Female Filmmakers

SXSW: I Will Make You Mine

Rachel (Lynn Chen), Erika (Ayako Fujitani) and Yea-Ming (Yea-Ming Chen) have one thing in common: Goh Nakamura. All three women have romantic ties to the singer-songwriter. Rachel lives a cushy life with her wealthy caucasian husband. His marital indiscretions sour the relationship and Rachel rekindles her feelings for her childhood friend. Erika is a professor and Goh’s ex-wife. They have a daughter together, Sachiko (Ayami Riley Tomine), and the two are reunited when Erika makes arrangements for her father’s funeral. Yea-Ming is a free spirit. Like Goh, she’s a singer-songwriter. She’s been trying for years to make it in the music business and she gets some inspiration from Goh when he’s back in town.

I Will Make You Mine is a beautifully sensitive and lyrical film. It explores the deep emotional bonds of the past and how they can be reignited years later. The film was written, produced and directed by Lynn Chen who also stars as Rachel. It was shot in black-and-white and is Chen’s debut as a screenwriter and director of a feature film. Music is an important part of the film and both Goh Nakamura and Yea-Ming Chen (who play versions of themselves) perform. Yea-Ming sings a beautiful rendition of the title song and the credits roll with Goh performing a touching acoustic number.

“The feeling I most want to share with I Will Make You Mine is hope. Hope that it’s not too late to be the person you dreamed you would be.”

Lynn Chen

I Will Make You Mine was set to have its world premiere at the 2020 SXSW Film Festival. Gravitas Ventures is releasing the film on demand and digital on May 26th. You can pre-order the film on iTunes.

Posted Documentaries

SXSW: Good Ol Girl

“Texas is the place where so much of the entire West was born. There is that sense of freedom. And it has to do with ownership of space.”

Joyce Gibson Roach, Folklorist and author of The Cowgirls

Directed by Sarah Brennan Kolb, Good Ol Girl explores the struggle between long-held traditions and female independence and the slow fade of rural life. This documentary profiles three cowgirls as they try to forge a life for themselves in a man’s world. These are women who want to show that they can compete with the guys and do what they do but still be a woman in their own right.

Mandy is a rancher who raises beef cattle and bison. She’s religious and firmly traditional. She struggles with the internal battle of opposing desires: to thrive as an independent business woman and to be a wife and mother. 

Sara is the next in line to run the family ranch. However, she bucks with tradition and decides to pursue her dream of becoming a lawyer. 

Martha desperately wants to work in agriculture but can’t find a job. With the encroaching suburbs, land is far more valuable for housing development than it is for ranching making job options scarce.

“I was born and bred to be a cowgirl.”

Martha Santos

Filmmaker Kolb grew up in Texas and says this about what she observed:

“Strict adherence to ‘traditional’ gender roles, political powerlessness over one’s own body, and the assumption that a woman’s place was safe inside a ranch-style house, permeated the lives around me. Like most women, I discovered that accepting the dissonance between the person you are on the inside, and the face you present to the world, is part of growing up.”

Good Ol Girl effectively demonstrates the struggle these women face to live within the confines of their strictly gendered upbringing while also seeking independence through their respective careers. The documentary felt uneven at times. Mandy’s story was far more interesting. For those of you sensitive to footage of dead animals, there is a particularly jarring scene where Mandy discovers one of her heifers died during childbirth. I still can’t get that image out of my mind.

Good Ol Girl was set to have its world premiere at the 2020 SXSW Film Festival. Visit the official website for more information.

Posted Film Festivals

SXSW: Blackheads

“Don’t you ever want to do anything destructive?”

Sophia just broke up with her boyfriend. When she calls up her therapist, Dr. Blady, to discuss the matter, Sophia is hit with some outdated advice about gender roles and romantic relationships. It doesn’t help that she can’t get her mind off of her ex or the huge blackhead on her nose. Sometimes you just need to clear your life of toxic people… and clogged pores.

Watching Blackheads is as satisfying as squeezing a clogged pore and watching all the pus come out. I couldn’t help but connect with the story of a woman struggling with anxiety, a bad therapist and self-destructive tendencies. And for those of you who love to pop a zit, the climax of the film features a glorious stop motion extraction. Blackheads clocks in at 7 minutes and 46 seconds and features stop animation with 2D animation. It’s directed by Emily Ann Hoffman, a fine artist and animator who, according to her website, explores “female sexuality, body and vulnerability through a comedic lens.” I’m definitely impressed with Blackheads and eager to see more work from Hoffman.

Blackheads was set to premiere at this year’s SXSW film festival. Filmmaker Emily Ann Hoffman is making Blackheads available to the public on Vimeo from 3/15 to 3/16. You can watch it here. For more information about Hoffman’s work, visit her online portfolio.

JustWatch.com