dir. Federico Veiroj
Starring Gonzalo Delgado
Belmonte is a man in crisis. A celebrated artist, he paints surreal images of naked men on oversize canvases. Belmonte sells his paintings to wealthy patrons but bemoans the commercialization of his work. When he’s not dealing with the art world he’s a single dad making an effort to have a meaningful relationship with his daughter Celeste (Olivia Molinaro Eijo). But his ex-wife is about to have a new child and when Belmonte asks her for more time with Celeste, she pushes back because she wants their daughter to be fully immersed in her own family life. The story follows Belmonte as he grapples with single parenthood and the art world. It also explores his relationship with women and the touch of madness that many great artists deal with.
Veiroj’ film is both a tender portrait of a single father trying to connect with his young daughter and a quirky portrait of a borderline tormented artist. I say borderline because he hasn’t gone off the depend but he begins his slow descent. I found the scenes with Belmonte and Celeste quite touching. I wish the film had spent more time exploring his artistic process but I did get a sense of how Belmonte functions in his given career and how artists must strike a balance between the creation which is key to their passion and the more commercial aspects of the business side of things (patrons, exhibits, catalogs, shmoozing, etc.). While the film makes sure to explore Belmonte’s sex life I felt that this really didn’t add anything to the story, except for some titillation, and could have been removed without affecting the overall movie.
This is the first Uruguayan film I’ve seen and I’d love to see more. I’d recommend Belmonte to anyone who has an appreciation for Latin American cinema, which inherently defies conformity. It’s an unconventional film that requires some patience and acceptance from the viewer. I particularly loved the sweet father-daughter story which is truly the heart of this film.
I attended a press and industry screening of Belmonte at the 2018 Toronto International Film Festival.
dir. Pablo Trapero
Starring: Martina Gusman, Bérénice Bejo, Edgar Ramírez, Graciela Borges
Set in a country estate in Argentina, The Quietude tells the story of two sisters Mia (Martina Gusman) and Eugenia (Bérénice Bejo). Eugenia travels back from Paris to The Quietude, the family’s expansive estate, when their father suffers a debilitating stroke. As the two pick up where they left off secrets start to bubble up to the surface: a pregnancy, extra marital affairs, fraud, toxic relationships and secret papers. This is more than just a story about rich people behaving badly. It’s about a family delving into a state of chaos as everything begins to unravel.
Pablo Trapero’s film takes the viewer on a wild ride they don’t even know they’re on. The story has several twists and turns and it borders on the edge of melodrama but never crosses the line into soap opera territory. The sexuality in the film is at times titillating and confusing. The gaze of the male director was palpable. There is a scene with the two sisters that to me felt more like a male fantasy than something that would occur between the characters. Gusman and Bejo (best known for The Artist) play their parts beautifully and in a rare instance in the history of cinema, they actually look like sisters. The standout performance is delivered by veteran actress Graciela Borges who plays the deeply tormented matriarch of the family.
Throughout the film, the family’s chaotic state is represented through reoccurring electrical outages that cause the lights to flicker and the music to screech to a stop. The Quietude is filled with absurd moments that become almost humorous. There is so much built up tension that at the film’s biggest climactic scene the audience let out a laugh. Less so because the scene was funny but because we needed to let something out.
The Quietude is dark and mysterious. While the male gaze was a bit heavy handed, I still felt like the female characters were interesting and the leads had some wonderful moments to shine.
Trapero’s film has been picked up by Columbia Pictures but no US release date has been announced. His film The Clan is available to watch on Netflix.
I attended a special press and industry screening of The Quietude at the 2018 Toronto International Film Festival.