Double Exposure Investigative Film Festival: Baby God
Dr. Quincy Fortier was a fertility specialist based in Las Vegas in the mid 20th Century. He helped countless women battle infertility. Little did they know that the babies they had, thanks to Fortier’s “treatment”, were also biologically his. Years later, in an age of advanced DNA technology, his offspring find themselves on a harrowing journey of self-discovery.
Directed by Hannah Olson, Baby God is an engrossing and shocking documentary about deceit, manipulation and fractured identity. Dr. Fortier passed away in 2006 at the age of 93 and during his lifetime he got away with using his own sperm to fertilize his patients. It was only in his final years when his patients and their children started to catch on and he was brought to court numerous times. After his death, his actions continue to have ripple effects. The documentary investigates the culture in which Dr. Fortier was able to operate and how he was able to get away with this for so long. Unfortunately, there was no law against what he did and he was not the only doctor to have “worked” in this manner. Fortier genuinely thought he was helping these women.
In the film, we hear from his children, the offspring he raised with his wife, his two adopted daughters, and the half-siblings who discovered their origins in the most shocking of ways. We also hear from the women he treated as well as two of his Las Vegas colleagues. It’s easy to relegate Fortier’s actions to a mid-century naivete. But this documentary clearly demonstrates that Fortier was a deeply disturbed man.
“Do you want to say your father was a monster? And what does that say about you?”
Baby God can be disjointed at times. I would have preferred a more structured approach rather than its more free-flowing slow build. There was so much to grasp in terms of information, context and meaning that we, the audience, require more guidance. It’s still a highly compelling film that will leave viewers in a state of shock and awe. A must see.
Baby God recently screened at the 2020 virtual Double Exposure Film Festival and is slated to be released on HBO.
Documentaries, Female Filmmakers, Film Festivals, Film Reviews
Raquel Stecher View All