World renowned chef José Andrés’s humanitarian efforts are the subject a new documentary by director Ron Howard. We Feed People chronicles Andrés and his team at the World Central Kitchen as they provide much needed food to communities suffering from aftermath of natural catastrophes.
Andrés is a remarkable chef in his own right with 30 restaurants in the US, several cookbooks, his own cooking show and bragging rights for introducing Spanish tapas to the American dining scene. But his work as a humanitarian has elevated him to veritable hero status. The story begins with the 2010 earthquake in Haiti. Andrés heard of the disaster and traveled there to help provide food to Haitians in need. He realized that not only was food necessary for disaster relief, these people needed real meals, not just shelf-stable rations. Andrés realized that meals that could be made on site, were easily transportable and were part of the already established local cuisine would bring sustenance and comfort to the people. The documentary captures the work of the World Central Kitchen in Puerto Rico after Hurricane Marica, Guatemala after a volcanic eruption, the Bahamas after Hurricane Dorian, Arizona during COVID and more.
If We Feed People is the official application for Andrés’s future Nobel Peace Prize it’s a good one at that. Howard’s documentary clearly demonstrated that Andrés is one of the great humanitarians of our time. However it does not glamorize Andrés. We witness the stress, the financial burden and the many challenges that come with the important work Andrés has done. This film will move audiences to tears and hopefully inspire some to take on their own philanthropic cause.
We Feed People is awe-inspiring and simply brilliant.
“I’m good in seeing opportunity when others see mayhem.”
We Feed People had its world premiere at the 2022 SXSW Film Festival. It’s distributed by National Geographic Films.
Written and directed by Morrisa Maltz, The Unknown Country stars Lily Gladstone as Tana, a young native woman who, upon learning of her grandmother’s death, sets out in her car to travel from Minnesota to Texas. She’s been estranged from her Oglala Lakota family and this journey is a way to reconnect with her roots and herself. Set against the backdrop of the 2016 election, Tana navigates vast open space of the midwest and southwest. Along the way she reconnects with her community, interacts with strangers, attends a friends wedding, develops a romantic connection and even has a couple of scares.
There is a poetic beauty to this film. The cinematography is absolutely stunning with some fantastic shots of the open highway, wintry landscapes and the Gladstone traversing the natural space of her final destination. The Unknown Country takes a hybrid approach melding elements of a feature film and a documentary. Tana’s story is fictional but the events happening around her are real. Interspersed throughout the film are documentary vignettes that tell the story of real people Tana meets during her travels.
Made over three years, the project began with a concept of a beginning and ending and everything in the middle came to be organically. In Morrisa Maltz’s director’s statement she writes:
“We feel very proud that the film shows people and aspects of humanity in the American Midwest that are often overlooked. In such a continuously divided America, we did our best to create a film that shows a patchwork of people and places that can bring us together as humans, rather than to further divide us.”
Unknown Country had its world premiere at the 2022 SXSW Film Festival.
Directed by Frank Marshall and Ryan Suffern, Jazz Fest: A New Orleans Story is a joyous celebration of the famed music festival and its home base. Started in 1970 by George Wein, who also founded the Newport Jazz Festival, the New Orleans Jazz and Heritage Festival has celebrated music of all types, exposing its attendees to a rich and diverse array of performers. New Orleans has always been a cultural center for music and art and the festival pays homage to that. The documentary tells the history of the festival and shares performances from the 50th anniversary in 2019. There is also archival footage of festivals past and interviews with notable artists. Performers include Earth, Wind and Fire, Al Green, Irma Thomas, Ellis Marsalis and family, and more. I could have done without the performances by Katy Perry, Pitbull and other more popular entertainers as I felt that was an attempt to appeal to a wider audience. I wanted to see more of the indie artists and legacy performers instead.
This is not a historical biography and there is just a smattering of background and context offered. Instead, the documentary takes the viewer into the world of the festival as though they were stopping at the different stages and tents to take in the various offerings. There is also a lot of appreciation for New Orleans , its history, its music and its people.
Jazz Fest: A New Orleans Story had its world premiere at the 2022 SXSW Film Festival. It’s distributed by Sony Picture Classics.
After Raquel’s mother died at the hands of an abusive ex, Raquel (Valentina Herszage) and her father move back to his hometown. There he starts a small community grocery store and Raquel develops a friendship with teens at the local evangelical church. Raquel is deeply religious and receives a calling to explore her spirituality through her own church and study of the bible. This upsets the local religious leader and her daughter who encourage the community to retaliate against Raquel and her father.
Directed by Mariana Bastos, Raquel 1:1 is a bold exploration of female agency and spirituality. Raquel is not portrayed as a victim of religious repression rather a victim of righteous entitlement. The thematic elements are subtle but still hold power.
Raquel’s past trauma is presented through sound as the particulars of her mother’s death are detailed through her thought process. The story is part coming-of-age story and part religious horror.
Given the political and social climate of Brazil the filmmakers are waiting for a good opportunity to screen Raquel 1:1 in their home country. I hope this film gets wide distribution because it’s a unique and compelling film about religion, trauma and the fight to be true to oneself.
Raquel 1:1 had its world premiere at the 2022 SXSW Film Festival.
“What happens to brown girls who never learn who to love themselves brown?”
Dominicans have a long and tortured relationship with their hair. As a Dominican-American woman I know this all too well. My mother and grandmother were both hairstylists who specialized in relaxing Dominican hair to a more culturally appealing state. Wearing one’s hair “natural” was looked down upon. The pain of not being something acceptable and having to change yourself to fit an aesthetic is passed on from generation and the harm lingers for years.
This is why I’m grateful for the precious gift that is The Ritual of Beauty (2022). Directed by Shenny De Los Angeles and Maria Marrone, is a short documentary that sheds light on the social custom of straightening hair and how it keeps Dominican women from loving themselves. The doc focuses on a young Dominican woman who is on a journey to embrace her natural hair. And in doing so, she examines the stories of her mother and grandmother whose different relationships with their own hair spoke volumes of what they thought about themselves. The doc is haunting and poetic and revealing. A truly amazing film.
The Ritual to Beauty was part of the 2022 Slamdance FIlm Festival line-up.