Skip to content

CategoryFemale Filmmakers

Posted Documentaries

SXSW: Good Ol Girl

“Texas is the place where so much of the entire West was born. There is that sense of freedom. And it has to do with ownership of space.”

Joyce Gibson Roach, Folklorist and author of The Cowgirls

Directed by Sarah Brennan Kolb, Good Ol Girl explores the struggle between long-held traditions and female independence and the slow fade of rural life. This documentary profiles three cowgirls as they try to forge a life for themselves in a man’s world. These are women who want to show that they can compete with the guys and do what they do but still be a woman in their own right.

Mandy is a rancher who raises beef cattle and bison. She’s religious and firmly traditional. She struggles with the internal battle of opposing desires: to thrive as an independent business woman and to be a wife and mother. 

Sara is the next in line to run the family ranch. However, she bucks with tradition and decides to pursue her dream of becoming a lawyer. 

Martha desperately wants to work in agriculture but can’t find a job. With the encroaching suburbs, land is far more valuable for housing development than it is for ranching making job options scarce.

“I was born and bred to be a cowgirl.”

Martha Santos

Filmmaker Kolb grew up in Texas and says this about what she observed:

“Strict adherence to ‘traditional’ gender roles, political powerlessness over one’s own body, and the assumption that a woman’s place was safe inside a ranch-style house, permeated the lives around me. Like most women, I discovered that accepting the dissonance between the person you are on the inside, and the face you present to the world, is part of growing up.”

Good Ol Girl effectively demonstrates the struggle these women face to live within the confines of their strictly gendered upbringing while also seeking independence through their respective careers. The documentary felt uneven at times. Mandy’s story was far more interesting. For those of you sensitive to footage of dead animals, there is a particularly jarring scene where Mandy discovers one of her heifers died during childbirth. I still can’t get that image out of my mind.

Good Ol Girl was set to have its world premiere at the 2020 SXSW Film Festival. Visit the official website for more information.

Posted Female Filmmakers

SXSW: Crestone

A group of SoundCloud rappers live in isolation in the desert of Crestone, Colorado. The end of the world is nigh and this group of friends spend those final days making music, getting tattoos, eating the last of their food stores and smoking weed. In Crestone they reconnect with themselves and their music. Their seclusion sparks their creativity. However, they ignore the warning signs that they must flee their remote haven. In the midst of it all, a woman director is filming them for her documentary, capturing their spirited rebellion.

“Performing and being became indistinguishable.”

“What does music sound like if there is no one left to repost and share it?”

Directed and co-written by Marnie Ellen Hertzler, Crestone is a hybrid feature film/documentary putting real SoundCloud rappers (Huckleberry, Keem, Mijo Mehico, Benz Rowm, RyBundy, Sadboytrapps, Champloo Sloppy, and Phong Winna) in an imaginary pre-apocalyptic world. Crestone is Hertzler’s debut feature film and it’s quite an auspicious start. Hertzler mixes filmmaking styles, enhances visuals with added designs and creates an inherently contradictory cinematic world by placing internet musicians in a remote natural landscape. So many of us right now are living in seclusion as the coronavirus spreads across the globe. In a weird way, I felt a connection with this group of rappers whose lifestyle is so completely different from my own with the exception of that I too am stuck in isolation and working on my craft.

“I am drawn to this group of people as a filmmaker because of their ability to completely and confidently reinvent themselves over and over. Their transformation isn’t simply a wardrobe change or a new playlist; it is an entire upheaval of their previous lives.”

Marnie Ellen Hertzler

Crestone was set to have its world premiere at the 2020 SXSW Film Festival. Visit the official website for more information about this movie.

Posted Documentaries

SXSW: The Donut King

Filmmaker Alice Gu’s new documentary The Donut King follows the dramatic rise and fall of Ted Ngoy, a Cambodian refugee who started a donut empire and the enduring legacy of one of America’s most beloved pastries.

Ngoy fled his native country in the mid-1970s during the Cambodian Civil War. He and his family made their way to California where they were taken in by a sponsor. It was there that Ngoy had his very first donut. It was love at first bite.

He immediately inquired about how to start his own donut shop and someone recommended that he get training at Winchell’s, a popular West Coast donut chain. He became a master donut maker and businessman, managing a Winchell’s and eventually opening his own shop. Ngoy was devoted to his business and made it a family affair. He kept overhead low and made shrewd business decisions. The smartest move he made was working with other Cambodian refugees by helping them finance their own donut shop. They would apprentice with him, learning the craft and in return “Uncle Ted” as he was affectionately called would co-own the shop. At one time Ngoy co-owned over 60 successful donut shops in the 1980s and became a millionaire. It was only a matter of time before the trappings of wealth lead to his downfall.

The Donut King is a wild ride. Ted Ngoy’s story is quite remarkable and the ups and downs will keep viewers glued to the screen. Gu’s documentary does a fantastic job building a portrait of this visionary, flaws and all, with extensive interviews with Ngoy himself, his wife, his two kids, other family members and colleagues. The Donut King is slick, alternating from talking head interviews, to short animations, archival footage and sexy shots of big fluffy donuts. If you watch this film and don’t immediately crave a donut, something is wrong with you. The biggest takeaway, however, is Ngoy’s journey as an immigrant forging a path for himself in America and helping others do the same.

The Donut King was to premiere at the 2020 SXSW Film Festival. It received a Special Jury Recognition for Achievement in Documentary Storytelling. Find out more information about the film at the official website.

Posted Female Filmmakers

Union

During the American Civil War, over 400 women, disguised as men, served for both the Confederate and Union armies. Directed, written and starring Whitney Hamilton, Union is the fictional story of one of these women. Grace Kieler (Whitney Hamilton) takes on the identity of her dead brother Henry and goes to battle. Henry (who I will continue to identify as he) is injured in battle and under arrest. Henry’s brother helps him escape a death sentence and all Henry wants to do is get back to his love Virginia (Virginia Newcomb). Virginia doesn’t care that Henry is biologically a woman. With her brother pressuring her to marry an older man, Virginia and Henry secretly wed. The timeline moves back and forth from the present day, to the past as well as to the far future to tell Virginia and Henry’s love story. They will sacrifice everything to be together. Joined by the trauma of their past and their devotion to each other, can they stay together under the threat of the war and a society that doesn’t understand their love? Can Henry rescue Jesse (Carron Clark), the son of his old lover who was orphaned during the war?

“It took us 3 and half years to film the movie. We shot in historic homes and on various battlefields in Alabama and Pennsylvania. I had to become a Civil War reenactor and pass as a man in preparation for the role. I fought with the Alabama Division of Reenactors portraying both the North and the South at various events including the 150th anniversary battle of Gettysburg that appears in the opening of the film.”

Whitney Hamilton

While it took me a while to get into this film, about twenty minutes in I found myself completely captivated by Henry and Virginia. Hamilton and Newcomb have great chemistry and Newcomb in particular delivered a powerful performance. Civil War enthusiasts will be drawn to the level of detail that goes into the reenactments. And for people like me, they will be drawn to the unconventional love story.

Union takes great care to highlight a little known aspect of our country’s history and to show that love has always been and will always be love.

Union is available today on Blu-ray and DVD. It’s also available on digital on HBO, itunes, VUDU, Fandango, Direct TV, Youtube, Google Play, Amazon Prime and elsewhere.

Posted Female Filmmakers

SXSW: I’ll Meet You There

“The yearning of the dance was the yearning of the spirit to be reconnected with god.”

Written and directed by Iram Parveen Bilal, I’ll Meet You There is a moving portrayal of a family trying to reconnect with each other. The story follows three generations of a Pakistani-American family living in Chicago. Majeed (Faran Tahir) is a city cop tasked with investigating the local mosque’s potential terrorist ties. It’s a great opportunity for his career but it also means he’ll have to bridge the divide between himself and his faith while also betraying his community. Majeed is a widower trying to raise his teenage daughter Dua (Nikita Tewani) on his own. Dua is a dancer, something she inherited from her mom, who teaches dance at a local nursing home and is preparing to audition for Julliard. But as she connects with her Muslim faith she realizes that her culture and passion for dance are at odds with each other. She takes private lessons with her aunt Shonali (Sheetal Sheth) to learn the dance style her mother used to perform. Dua must hide her freer lifestyle from her grandfather Baba (Qavi Khan). Baba has been estranged from his son Majeed since the death of his daughter Fatima, Dua’s mother. Baba’s traditional ways are at odds with Dua’s more modern lifestyle and Majeed finds himself in the middle of a contentious family dynamic. At the heart of it all is their love for each other which transcends the generational divide.

“I’m a better filmmaker and human being because this film exists; by its existence, this project is questioning mainstream discourse on Muslim American identity, immigrant assimilation and the question of nationalism.”

Iram Parveen Bilal

I’ll Meet You There is a heartfelt film with complex characters who grow and change as the story progresses. It’s a sweet, sensitive film that adeptly explores all the nuances of Pakistani culture and the Muslim community. For Pakistani-Americans it offers a mirror and for everyone else a window into a culture that is not our own. I’m drawn to films like this one that explore the family dynamic and how individuals forge their own destinies. I highly recommend I’ll Meet You There to anyone who wants to broaden their horizons or just wants a sincere family tale.

I’ll Meet You There was set to premiere at the 2020 SXSW Film Festival. 

JustWatch.com