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Posted Documentaries

Double Exposure Investigative Film Festival: Baby God

Dr. Quincy Fortier was a fertility specialist based in Las Vegas in the mid 20th Century. He helped countless women battle infertility. Little did they know that the babies they had, thanks to Fortier’s “treatment”, were also biologically his. Years later, in an age of advanced DNA technology, his offspring find themselves on a harrowing journey of self-discovery.

Directed by Hannah Olson, Baby God is an engrossing and shocking documentary about deceit, manipulation and fractured identity. Dr. Fortier passed away in 2006 at the age of 93 and during his lifetime he got away with using his own sperm to fertilize his patients. It was only in his final years when his patients and their children started to catch on and he was brought to court numerous times. After his death, his actions continue to have ripple effects. The documentary investigates the culture in which Dr. Fortier was able to operate and how he was able to get away with this for so long. Unfortunately, there was no law against what he did and he was not the only doctor to have “worked” in this manner. Fortier genuinely thought he was helping these women.

In the film, we hear from his children, the offspring he raised with his wife, his two adopted daughters, and the half-siblings who discovered their origins in the most shocking of ways. We also hear from the women he treated as well as two of his Las Vegas colleagues. It’s easy to relegate Fortier’s actions to a mid-century naivete. But this documentary clearly demonstrates that Fortier was a deeply disturbed man. 

“Do you want to say your father was a monster? And what does that say about you?”

Baby God can be disjointed at times. I would have preferred a more structured approach rather than its more free-flowing slow build. There was so much to grasp in terms of information, context and meaning that we, the audience, require more guidance. It’s still a highly compelling film that will leave viewers in a state of shock and awe. A must see.

Baby God recently screened at the 2020 virtual Double Exposure Film Festival and is slated to be released on HBO.

Posted Documentaries

The Way I See It

“I look at myself as a historian with a camera.”

Pete Souza

Director Dawn Porter (John Lewis: Good Trouble) delivers again with another political documentary wrought with emotion. Inspired by the best-selling book, The Way I See It tells the story of Pete Souza, former photographer for the Ronald Reagan and Barack Obama administrations.

On that fateful day in January 2017 when Donald Trump was sworn in as president and Obama left the White House, Souza sensed  that the country had lost something substantial. Having spent four years photographing Obama in moments both historic and intimate, Souza thought he was ready to retire. But he just couldn’t keep quiet as he saw the rapidly changing political climate. He started an Instagram account to share some of his photos and it quickly turned into his form of resistance.

In an age when we are exposed to a constant stream of video content, we forget how powerful a still photograph can be. Souza’s photographs capture a mood, an emotion and offer insight and context. Fleeting moments frozen in time. With his Instagram, Souza delivers biting political commentary with posts that are perfectly timed to respond to whatever is happening in the news. He uses the past throw shade at the present.

The Way I See It may be the most important documentary you’ll see this year. It is heartbreaking and emotional in its nostalgia of an era that is quickly slipping away from our collective memory. Porter offers us not only a biography of a photographer but also of his most captivating subject: Barack Obama. While there is also attention paid to Souza’s work in the Reagan administration, this film is more pointedly political and will appeal more to viewers with liberal points of view rather than conservative ones. Souza’s story will awaken your empathy, no matter how dormant, and will empower you to get out and VOTE.

The Way I See It is available in select cinemas. Visit the Focus Features website for more information.

Posted Female Filmmakers

Fantasia Festival: Diabla

When 17-year-old Nayeli (Ruth Ramos) is raped by the neighborhood gringo Rayan (Cesar Mijangos), she seeks help from her brother Uri (Daniel Fuentes Lobo). Uri sides with his friend rather than his sister calling her a whore. Spurned by her brother, she visits the local coven of witches to enact her revenge. Not only is Rayan about to pay the price for his violent act against Nayeli but Uri will have to watch it all go down.

Directed by  Ashley George and set in present day Mexico, Diabla packs a punch in a mere 17 minutes and will linger in your mind long after the film is over.  For female viewers especially, Diabla will serve as a visual representation of all of the revenge fantasies that we have for the men in our lives who have hurt us in one form or another. In this way, Diabla is highly gratifying even when it shocks and disturbs.

Ashley George’s impressive short horror film speaks directly to women who have been hurt physically and emotionally by men.

Diabla is part of the virtual 2020 Fantasia Film Festival.

Posted 1 Comment on Fantasia Festival: Don’t Text Back! Female Filmmakers

Fantasia Festival: Don’t Text Back!

Directed by Mariel Sharp and Kaye Adelaide, Don’t Text Back! is a highly satisfying queer horror-comedy short film about toxic masculinity and the literal horrors of dating.

Kelly (Danielle LaPointe) is a 30-something woman who is seeking the help of an energy healer Jaren (Nancy Webb). She’s in dire straits as the necklace she wears is strangling her and cannot be removed. It tightens every time the guy she’s seeing texts her and only lets up when she texts him back. Jaren helps Kelly uncover that her heteronormative relationship with a men’s right group activist is toxic on many levels. But Kelly needs to discover something about herself first before she can be free.

Gratifying and funny, Don’t Text Back! is a must see for any woman who has felt the effects of toxic masculinity… so pretty much everyone. And I definitely want to see much much more from this filmmaking duo!

Don’t Text Back! had its Canadian premiere at the virtual 2020 Fantasia Film Festival.

Posted Documentaries

John Lewis: Good Trouble

“The vote is still the most powerful non-violent instrument or tool we have in a democratic society and we must use it.”

John Lewis

We live in turbulent times and it’s difficult to stay optimistic when the future looks grim. One man in particular has been able to sustain a sense of hope and determination that things will change for the better. Over the course of nearly 60 years of public service, this man has paved the way forward with his philosophy for non-violent protest and his own indestructible resolve for doing good. That man is Civil Rights leader and U.S. Representative for Georgia John Lewis. And he has one piece of advice for you: “get into good trouble, necessary trouble.”

Protestors and police officers on Bloody Sunday, in JOHN LEWIS: GOOD TROUBLE, a Magnolia Pictures release. © Spider Martin. Photo courtesy of Magnolia Pictures. 

Directed by Dawn Porter, John Lewis: Good Trouble chronicles the life and political career of an extraordinary man. Something that is key to making a good documentary is access. In this film there is seemingly unfettered access to John Lewis himself. We also hear from his brothers and sisters, his staff and many big names in politics. Talking heads include Elijah Cummings (to whom the film is dedicated), Hillary and Bill Clinton, Alexandria Ocasio-Cortez, Ilhan Omar, Nancy Pelosi, Eric Holder and others. The film conveys a sense of gratitude and appreciation for John Lewis’ work and we hear this through the words of politicians and every day people who approached Lewis to offer words of gratitude and appreciation. At the center of it all is Lewis who guides the viewer through his life’s journey.

Porter’s documentary covers the broad spectrum of Lewis’ career in civil service and politics. Lewis got an early start in the Civil Rights Movement when he wrote a letter to Martin Luther King Jr. at the age of 17. Soon he was a member of the Freedom Riders and was one of the key figures protesting on Bloody Sunday in Selma, Alabama. He was arrested 45 times, often severely beaten by aggressors. Lewis’s transition to politics was a natural one. He studied non-violence as a philosophy and has been a staunch believer in that form of protest ever since. He’s been a member of Congress since 1987 and as the film so aptly demonstrates, Lewis is still as active in politics as when he first started.

“John Lewis has consistently delivered a message of doing your best, being honorable, and respecting others for the past 65+ years. I think it’s really needed at this particular moment in history.”

Dawn Porter
Photo courtesy of Magnolia Pictures

John Lewis: Good Trouble serves as a much needed call-to-action during troubling times.

John Lewis: Good Trouble is available in virtual cinemas and on demand today. Visit Magnolia Pictures’ website for more information.

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