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Posted Film Festivals

AFI Fest: Coded: The Hidden Love of J.C. Leyendecker

J.C. Leyendecker was one of the most influential commercial artists working in the early 20th century. His work graced many magazine covers, including The Saturday Evening Post, and his character The Arrow Collar Man was one highly recognized figure in advertising. He influenced how illustrators approached advertising and magazine art and was an early inspiration for Norman Rockwell. But perhaps more importantly, Leyendecker, a gay man whose lover Charles Beach was the primary model for his work, coded his art with homoerotic imagery that was both subtle and subversive. 

Directed by Ryan White, Coded: The Hidden Love of J.C. Leyendecker is a fascinating portrait of a lesser known LGBTQ icon. The documentary explores his work, his long-term relationship with his partner/model Charles Beach and the many ways he influenced advertising and popular culture through art. It includes  interviews, examples of his art and animated sequences.The film tries to make a direct connection to the modern day representations of LGBTQ models in commercial photography but not very effectively. It’s 29 minutes long and I think it could be expanded into a feature length documentary to offer more biographical details and historical context.

Coded: The Hidden Love of J.C. Leyendecker premiered at the 2021 AFI Fest as part of their Meet the Press programming.

Posted Documentaries

AFI Fest: Meltdown in Dixie

The confederate flag flies boldly in front of Edisto River Creamery & Kitchen in Orangeburg, South Carolina. In a time when other markers of the South’s confederate past were being torn down, the owner of the creamery sought to take down this confederate flag. However, the flag pole and its commemorative marker sit on a tiny plot of land owned by a vocal member of a local Sons of the Confederacy chapter. Meltdown in Dixie is a short documentary directed by Emily Harold, chronicles the legal battle that ensued between the flag opposer and the flag owner. The creamery is now permanently closed but during filming it was open and struggling with backlash from the local community. The documentary treads very carefully, not casting judgement on either side and giving everyone a platform to speak. If anything it offers an insight into a disturbing mindset that still persists today.

Meltdown in Dixie premiered at the 2021 AFI Fest as part of their Meet the Press programming.

Posted 1 Comment on AFI Fest: Lead Me Home BIPOC

AFI Fest: Lead Me Home

Nobody deserves to be homeless. And yet, the United States is dealing with a serious homelessness crisis, exacerbated by the pandemic and bound to get worse. Directed by Pedro Kos and Jon Shenk, Lead Me Home is an empathetic and eye-opening look at the homelessness situation in three major American cities: Los Angeles, San Francisco and Seattle. It gives a face, a name and a story to these individual facing this crisis. It may not win over those who chose to turn a blind eye to the situation but it will reawaken a sympathetic spirit in those of us who do ultimately care. Lead Me Home is distributed by Netflix and will launch on the service November 30th. I hope this film will be submitted for Academy Award consideration because I think it’s a strong candidate for Best Documentary (Short Subject).

Lead Me Home premiered at the 2021 AFI Fest as part of their Meet the Press programming.

Posted BIPOC

AFI Fest: Golden Age Karate

From a very young age, Jeff Wall showed that he had the chops to be an athlete. When his mom enrolled him in karate classes he thrived. He won pretty much every competition he entered into and quickly moved up the ranks to earn his black belt. It wasn’t enough to just compete, he wanted to share his love with others. In Sindha Agha’s short film Golden Age Karate, we see Wall teach karate to elderly residents at a local nursing home. He empowers his students by teaching them something new and helping them get in tune with their bodies. This delightful and heartfelt documentary short is a glimmer of hope in an era of generational strife.

Golden Age Karate premiered at the 2021 AFI Fest as part of their Meet the Press programming.

Posted BIPOC

Double Exposure Film Festival: Elena

Elena is a 20-something social worker living in the Dominican Republic. She’s the daughter of a Haitian sugar cane worker and is struggling to get her government issued ID so she can continue her work. An ID would allow her to vote, give her more rights as a citizen and open up educational and career opportunities for her. But there is a deep-seated animosity that Dominicans feel towards Haitian immigrants. It’s one that is deeply entrenched into the history of the Hispaniola and is not changing anytime soon.

Directed by Michèle Stephenson, Elena is a moving short documentary about the strife between Haitians and Dominicans as told the story of one woman. I’m half Dominican and have studied the history of my mother’s homeland over the years. Anyone who has read Edwidge Danticat’s The Farming of Bones or knows anything about Dominican dictator Rafael Trujillo’s  government imposed massacre of Haitian immigrants will know that this has been a longstanding problem on the island. For others, Elena will serve as a gentle and worthwhile introduction to this ongoing conflict. Stephenson chose a great subject for this poignant documentary. I was thoroughly invested in Elena’s story and by the end felt I like I made a new friend.

Elena was part of the 2021 Double Exposure Film Festival.

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