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Posted Female Filmmakers

2023 Slamdance Film Festival: Short Films

One of the great joys of attending the Slamdance Film Festival is getting to see so many creative and experimental short films. I always love to see what these independent filmmakers have to offer.

Here is a selection of my favorites from this year’s line-up.

TOOTH (4-1/2 minutes)

Directed by Jillian Corsie, written by Katie Gault

Cast: Janine Peck

Teeth are a great source of anxiety. At some point everyone is plagued by intrusive thoughts about their teeth. Am I brushing enough? Is my dentist judging me for how much I (don’t) floss? Am I grinding my teeth into oblivion?

For director Jillian Corsie, her intrusive thought was “What would happen if I were brushing my teeth and they all fell out?.” Her writer friend Katie Gault’s response was “Well, they’d come to life and kill you, of course.”

This idea blossomed into the short horror comedy TOOTH. We see a woman (Janine Peck) diligently clean her teeth day after day. Brush, floss, gargle, repeat. And the teeth… we’ll they’ve had enough of the abuse. And now it’s time for revenge. 

This is such a brilliant short horror film. It really taps into our shared fears of dental hygiene. I especially enjoyed watching the 3D animated teeth (which are real teeth that came from the director’s mouth!) go to town on their victim. So much fun. And not for the squeamish!

MY EYES ARE UP HERE (15 minutes)

Directed by Nathan Morris, Written by Arthur Meek and Aminder Virdee

Cast: Jillian Mercado and Ben Cura

A drunken hookup leads to a morning adventure in this sexy romantic dramedy. A fashion model (Jillian Mercado) traveling to London for work wakes up in bed next to the studio assistant (Ben Cura) she met the day before. The condom broke during their late night rendezvous which leads to a trip to the pharmacy for the morning after pill. Along the way, she faces challenges of discrimination and accessibility as she navigates the city as a disabled person. This is a very sweet film about attraction and empathy. Great chemistry between the two leads.

LOLLYGAG (10 minutes)

Written and Directed by Tij D’oyen, Produced by Cameron Morton

Cast: Isaac Powell, Alex Sarrigeorgiou and Gaby Slape

Lollygag relishes in voyeurism, hedonism and the macabre. A young woman peers through her window over at the young man next door. He’s tall, dark and handsome. Lounges by the pool all day and is visited by numerous lovers. Instead of interacting with her neighbor, the woman decides she’ll stick with her fantasy even when things get gruesome. This Greek horror comedy definitely has Yorgos Lanthimos vibes. A delicious treat for the morbidly curious who relish the details but can’t stand the gore.

DON’T WORRY ABOUT IT (12 minutes)

Directed by Melissa Kong

Cast: Hanah Chang, Allyson Womack

Hannah (Hanah Chang) is dealing with a lot. Her father recently passed away and she’s not handling it well. Also, she suffers from contamination OCD which leads her to have a high level anxiety of things to be clean and results in excessive hygiene compulsions. At the behavioral health center she works with counselor Callie (Allyson Womack) on a level 7 exposure: eating a chocolate chip cookie off of a toilet seat. Don’t Worry About It offers a nice balance of comedy and awareness. There are plenty of humorous moments to enjoy especially with Hannah’s interactions with the other patients. The viewer can’t help but feel invested in Hannah’s journey and will root her on while she struggles to reach her goal.

Posted Documentaries

Sundance: The Disappearance of Shere Hite

If it’s true that sex researcher Shere Hite revolutionized how we view women’s sexuality, then why isn’t she better known? A new documentary by director Nicole Newnham brings writer Shere Hite back into the spotlight where she belongs. 

When The Hite Report was published in 1976 it caused a major stir. Hite had canvassed hundreds of women with a series of intimate questions about their sex lives and how they personally achieve orgasm. Women responded back anonymously and Hite collected these quite illuminating responses into a book. The biggest takeaway from the responses: intercourse was not the primary way women reached orgasm. Hite received nothing but vitriol from men and from the press for her research. Pushing back against the patriarchy and revealing the truth about women’s sexuality made her a controversial figure. As her notoriety grew, Hite began to withdraw, eventually to leave the US behind and never look back.

The Disappearance of Shere Hite features extensive interviews with those who knew Shere Hite best as well as archival clips of her many appearances in the media. The film effectively brings Shere Hite back in the limelight and serves double duty as both a biographical documentary and a scathing expose on how women are treated by the media.

 

The Disappearance of Shere Hite premiered at the 2023 Sundance Film Festival.

Posted Film Reviews

Sundance: Eileen

Set in 1960s Boston, Eileen stars Thomasin McKenzie as the title character, an assistant working at a juvenile detention center. Eileen spends her days taking care of odds and ends at the prison and her nights by taking care of her alcoholic and emotionally abusive father. When psychologist Rebecca (Anne Hathaway) joins the prison staff, Eileen is smitten. Rebecca is blonde, well-dressed, well-mannered and speaks in a lilting Mid-Atlantic accent. Eileen and Rebecca form a close bond that turns sinister as they take an interest in a local criminal case.

Directed by William Oldroyd and based on the novel by Ottessa Moshfegh, Eileen is a solid drama with two very captivating leads. McKenzie and Hathaway play off each other much like Rooney Mara and Cate Blanchett do in Carol (2015). There are somethings about the film that worked and some things that didn’t. The LGBTQ storyline is left ambiguous which is a bit of a disappointment. There is a tonal shift that takes this from dramatic love story to murder mystery. Earlier scenes hint at something being afoot but the story’s twist will still catch viewers by surprise. New Zealand born actress Thomasin McKenzie really nails the Boston accent. She doesn’t overplay. Instead it’s a bit more subtle and natural which Massachusetts locals, like myself, will appreciate.

Eileen premiered at the 2023 Sundance Film Festival.

Update: Eileen has been acquired by NEON and will be released theatrically in Fall 2023.

Posted Documentaries

Sundance: STILL: A Michael J. Fox Movie

It all started with a pinky finger. One day Michael J. Fox noticed one of his pinky fingers was randomly twitching. That twitch progressed to more involuntary movements in his body. His body became something foreign to him. Something he was fighting against instead of working with. The loss of control was worrisome. In 1991 when Fox was 29 years old, he was diagnosed with early onset Parkinson’s, a degenerative disease that affects body movements. He spent the next several years hiding his condition, choosing to conceal his hand or constantly keep it in motion to distract from what was really going on. As one of the biggest names in pop culture at the time, thanks to his roles in Back to the Future, Teen Wolf and Family Ties, it must have been difficult to grapple with this new condition while also wanting to continue thriving in his career. There is so much more to Michael J. Fox than his Parkinson’s diagnosis.

Directed by Davis Guggenheim, STILL: A Michael J. Fox Movie blends biographical documentary style and narrative storytelling to paint a portrait of an extraordinary man. The film contains a lengthy sit down interview with Guggenheim and Fox, footage of Fox’s present day life with his wife and family, re-enactments and archival clips. I was particularly impressed with the film’s transitions and how they found just the right clips to match the narrative. Fox is depicted as an empathetic figure but not one who wants or needs your pity.

STILL: A Michael J. Fox Movie will stream on Apple TV+.

 

STILL: A Michael J. Fox Movie premiered at the 2023 Sundance Film Festival.

Posted BIPOC

Sundance: Cassandro

Saúl (Gael García Bernal) is a gay wrestler who performs for his local lucha libre matches. Wanting to evolve from his typical role as a El Topo, he develops the persona of Cassandro, a flamboyant “exótico” whose feminine energy taunts his more macho luchador opponents in the ring. Exóticos usually elicit boos from the audience and ultimately lose the match. But Cassandro wants to change that. As Saúl/Cassandro works with a new trainer on his skills, he grapples with his relationship with his in-the-closet boyfriend, his distant and homophobic father and his ailing mother.

Directed by Roger Ross Williams, Cassandro is based on the true story of wrestler Saúl Armendáriz, known as the Liberace of lucha libre. Gael García Bernal delivers one of the most spirited performances I’ve ever seen. He truly embodies this character, giving Saúl gravitas and Cassandro verve. The film conveys a strong message of acceptance and joy in individual expression. This one will be a crowd pleaser for sure.

Cassandro premiered at the 2023 Sundance Film Festival.

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