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Posted Documentaries

Sundance: Pretty Baby: Brooke Shields

Actress and model Brooke Shields achieved a level of fame that is unparalleled today. From the late 1970s and through the 1980s, Shields was a recognized face on television, film and advertising. From adolescence she was considered one of the most beautiful girls in the world. Unfortunately, this lead to her becoming one of the most sexualized children in all of entertainment history. Shields garnered controversy with her ad campaign with Calvin Klein and provocative roles in films like Pretty Baby (1978) and Blue Lagoon (1980). Powerful men in the industry took advantage of Shields’ beauty, fame and passive nature. And behind Shields’ controversial success was her mom and manager Teri Shields, who believed that her child really special and that Brooke should be shared with the world.

Director Lana Wilson’s Pretty Baby: Brooke Shields is an eye-opening documentary about Shields’ extraordinary life and the dangers minors face in the media. Produced by ABC News Studios, this doc will be released in two one-hour segments. The first hour is incredibly uncomfortable to watch. Although its clear there was backlash even then about Shields and how her mother was handling her career, it’s still shocking to see just how much these industries were allowed to get away with. It shines a much needed light on some hard truths. The second half explores Shields’ adult years including her two marriages, her battle with postpartum depression and how her career evolved over time. The biggest surprise is when Shields reveals that she was raped at the age of 20 by someone in the film industry (who goes unnamed).

Talking heads include Shields herself and her close friends including Laura Linney, Drew Barrymore and Judd Nelson. A one time watch at best.

Pretty Baby: Brooke Shields premiered at the 2023 Sundance Film Festival.

Posted BIPOC

Sundance: Radical

This crowd pleaser will have viewers reaching for the tissues. Directed by Christopher Zalla,  Radical is based on the true story of Sergio Juárez Correa, a teacher from Matamoros, Mexico who made a huge impact on the sixth grade students at Jose Urbina Elementary School. Eugenio Derbez stars as Sergio, a newcomer to the area who has a “radical” teaching methodology. When he takes over the sixth grade class of an impoverished school, he throws all the rules out the window. His unconventional methods spark the curiosity of kids who were otherwise expected to drop out of school within the next few years.

The movie spotlights three kids in particular. Nico is being groomed to become part of the local drug cartel. But he soon takes an interest in science, especially in boats, and hopes he can stay in school a bit longer to avoid a life of crime. Lupe is the oldest sibling of four and the expectation is that she help her parents with the care of her youngest. She is really interested in philosophy, especially the work of John Stuart Mill, but her intellectual journey puts her at odds with her family’s expectations. Sergio’s top student is Paloma, a bright young mind with an interest in aerospace engineering. She shows a lot of potential but is beholden to her responsibility as the sole caretaker of her sick father.

Eugenio Derbez really shines as the Sergio. He conveys a great sense of empathy and caring that demonstrates the impact a good teacher can have on students. The film as a whole really celebrates education. It also offers a sobering revelation that potential does not necessarily guarantee opportunity. 

I could see Radical movie being the next CODA. However, given the limited appeal of foreign-language movies—Radical is in Spanish—I worry that not enough people will watch this terrific film. Radical is a bit on the longer side and could use some trimming. The ending is both awe-inspiring and heart-breaking. My hope is that this reaches a broader audience and that this will help the school get the resources it needs.

Radical premiered at the 2023 Sundance Film Festival.

Posted Film Reviews

Sundance: L’Immensità

Clara (Penelope Cruz) and Felice (Vincenzo Amato) move their family, including their three young kids, to a new apartment building. It’s the 1970s and the city of Rome is in flux. New construction attracts wealthy families and transient workers who live almost side by side. On the other side of the reeds outside the new apartment building, Adriana (Luana Giuliani), who now goes by the name Andrew, meets Sara (Penelope Nieto Conti), a young Romani girl. Sara accepts Andrew as a boy and they form a tender bond despite the social expectations that threaten to keep them apart. At home, Andrew’s family is falling apart. Felice cheats on Clara and beats her. He also refuses to accept Andrew’s identity as a boy. Clara escapes her tumultuous marriage by tapping into her inner child and connecting with her children through music and play. Throughout it all Andrew struggles to shed his identity as Adriana and be embraced as his true self.

Penelope Nieto Conti and Luana Giuliani in L’Immensità. Courtesy of Sundance.

 Directed by Emanuele Crialese, L’Immensità is a heartfelt coming-of-age story that treats its subjects with great reverence and care. It’s as much a story about a preteen coming into his identity as it is about a grown woman’s struggle with adulting. There are a handful of musical numbers that, while not really necessary, add levity to the film. Cruz and Giuliani both deliver strong performances. The audience is given enough context about the characters’ situation and the social atmosphere of their given place and time while still maintaining an air of mystery. 

L’Immensità is an autobiographical story about director Crialese’s own upbringing. When this film premiered at the Venice Film Festival, Crialese revealed that he is a transgender man and that Adriana/Andrew’s story is his own. While I would have liked to have learned more about Andrew’s trans journey, I also appreciated the delicate handling of the matter. It’s an important part of the story but not the film’s main focus. L’Immensità reminded me a bit of Céline Sciamma’s film Tomboy (2011) which also explores gender identity in a similar way.

L’Immensità was screened at the 2023 Sundance Film Festival.

Posted BIPOC

Sundance: Little Richard: I Am Everything

“I let it all hang out… every bit.”

Little Richard

Little Richard was a Rock ‘n’ Roll icon. He called himself the “brown Liberace” but really he couldn’t be compared with anyone else. He was a groundbreaking in his delivery and had a style all his own. He rocked a pencil thin mustache, a tall bouffant and his signature wardrobe. Songs like Good Golly Miss Molly, Tutti Frutti and Long Tall Sally have become bonafide classics. But Little Richard was never really given his due for just how influential he was.His explosive energy made him a force to be reckoned with on stage and inspired countless musicians including  The Beatles, Elvis, David Bowie, James Brown, The Rolling Stones and more.

A new documentary sets out to set the record straight about who Little Richard really was. Directed by Lisa Cortés, Little Richard: I Am Everything paints the portrait of a man who was a walking contradiction. The film goes into depth about his music career, his early influences, how he molded his image and took the nation by storm and the many times he went unrecognized for being a trailblazer. It also explores LIttle Richard’s sexuality and how it often conflicted with his deeply religious beliefs.

The documentary is a bit on the long side and includes some stylistic elements and flourishes that seemed unnecessary.  And ending felt rushed. With that said, the film was quite engrossing. It does a tremendous job demonstrating his impact on the industry as well as the dichotomy between his private and public life. 

Talking heads include Mick Jagger, John Waters, Billy Porter, Tom Jones, Nile Rodgers, scholars, historians, family members and more.

Little Richard: I Am Everything premiered at the 2023 Sundance Film Festival. It will air on CNN and stream on HBO Max at a future date.

Posted Female Filmmakers

Sundance: Sometimes I Think About Dying

Office worker Fran (Daisy Ridley) lives a simple and quiet life. Her days consist of work, cottage cheese, glasses of wine and Sudoku. She’s painfully shy which makes partaking in office culture, her only social sphere, all that more awkward. During quiet moments she daydreams about death, imagining the various ways her dead body could be discovered. Things change when Robert (Dave Merheje) joins the office. He’s sociable, funny and he’s taken an interest in Fran. Thus begins a courtship that requires an incredible amount of patience for Robert as he tries to lure Fran out of her shell. 

Directed by Rachel Lambert, Sometimes I Think About Dying is on the surface a story about female loneliness. Fran, brilliantly played by Daisy Ridley, is an introvert severely lacking in social skills and awareness, preventing her from establishing meaning relationships with other people. However, the movie’s strength lies in how it captures corporate monotony and contemporary work culture. Lambert’s film examines every minutiae when it comes to work interactions. There is much to take away from how the film depicts the intricacies of office politics from meaningless rituals to strict expectations on behavior.  Ridley and Merheje play off each other beautifully and it’s easy to become invested in their relationship. I appreciated that Lambert leaned more on a slow build up with the two protagonists rather than rely solely on the shock value of cringey behavior.

Sometimes I Think About Dying premiered at the 2023 Sundance Film Festival.

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