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CategoryIndie Film

Slamdance: Trammel

Dale (Dale A. Smith) visits the local pharmacy in his small town to chat with his buddy Mohammad (Mohammad Dagman). Dale is lonely and Mohammad is a great listener. As their conversation progresses, we learn about Dale’s tumultuous past.

Trammel is a sensitive portrait of loneliness. Directed by Christopher Jason Bell, this 11 minute short film, on the surface, is a window into a private conversation. But then it gives the viewer so much more. Through this conversation, we learn enough about Dale to empathize with him. He’s lonely and in desperate need of a friend. And when Mohammad isn’t there, we want to be there to listen to Dale. We want to be that friend. Empathy is an essential part of human nature that often gets overlooked. Trammel effectively brings it to light.

Trammel screened as part of the virtual 2021 SlLamdance Film Festival.

Wheels

“We work during the day. We dream at night.”

Max (Arnstar) is a Brooklyn DJ who dreams of making it big. But for now, he’s working at the local grocery store and relegated to playing music at kids’ birthday parties.  When he’s not working, Max is taking care of his grandma (Dorothi Fox) and trying to keep out of trouble. The latter is difficult to do when his brother Terry (Joshua Boone), fresh out of prison, gets caught up with a local gang. Max meets Liza (Shyrley Rodriguez), a dance teacher, and the two are drawn to each other. They both have the talent and the drive to make things happen but something is holding Max back.

Directed by Paul Starkman, Wheels is a sensitive portrayal of an artist’s struggle to survive and thrive despite his circumstances. The film has a decidedly classic sensibility with its black and white cinematography and ’70s TV style intro. It has a great sense of place with many beautiful shots of Brooklyn’s urban landscape. The music in the film is infectious and hooks you in. Arnstar and Rodriguez have playful chemistry on screen and Boone and Arnstar play well off each other as brothers who don’t see eye-to-eye but care for each other deeply. DJ Max is sincere and earnest and Arnstar brings an authenticity to the character that makes these elements shine through.

Wheels is available on iTunes, Vudu, Tubi, Amazon Prime and other streaming/rental services. Find out more information about the film on the official website.

Slamdance: Bare Bones

Meryem Lahlou’s short film Bare Bones is a magnificent piece of experimental cinema. It’s a visual masterpiece that in a mere 10 minutes makes the the viewer contemplate the meaning of their own existence. The film begs the question: who  are we when we all share the same face? Stripped of everything that gives us our individuality, what kind of existence would that be? In this 3D animated short, we see homogenous creatures in motion, moving about in minimalist spaces. A disembodied voice dissects the human experience.

The filmmaker was inspired to tell a story about identity. In her director’s statement Meryem Lahlou writes

“I chose to put humanity in a hostile and extreme context, where the earth has lost its abundance, where plastic is the most available resource, where the collective consciousness is reduced to survival.”

This film gave me serious Fritz Lang vibes. I couldn’t help but think of Destiny (1921)  and Metropolis (1927). The visuals in Bare Bones are absolutely stunning. Watch it once as a meditation and a second time as art.

Bare Bones was screened as part of the virtual 2021 Slamdance Film Festival. Learn more about the film here.

Slamdance: In France Michelle is a Man’s Name

Michael (Ari Damasco) travels back home to visit his estranged parents in the rural countryside. His mother (Olga Sanchez) and father (Jerry Carlton) are still coming to terms with Michael being their transgender son who previously went by Michelle. Michael and his father travel into the city where his father tries to initiate Michael into what he considers the standard right of passage into manhood.

In France Michelle is a Man’s Name is a quiet yet powerful short film about identity and the cruelty of our gender binary culture. Directed by Em Weinstein, the film explores themes of acceptance, understanding and the pressure of societal norms. I was particularly struck by Damacso and Carlton’s performances. They play well off each other. The tension between the two is palpable but so is the unspoken love they have for each other, even if it leads to the father’s misguided actions. 

In France Michelle is a Man’s Name was screened as part of the virtual 2021 Slamdance Film Festival.

Slamdance: Autoscopy

A sound engineer escapes into the Swedish countryside to record nature sounds. On this venture he stumbles upon an abandoned flotation device. After a night of sound mixing and imbibing homemade mushroom tea, he has an out of body experience that is out of this world.

Directed by Claes Nordwall, Autoscopy is a 14 minute short film that speaks to the mystery and magic of nature. It’s more than a short film, it’s an experience. It offers stunning aerial cinematography and out-of-this-world sound effects. The director writes “this short film stands on its own but is also intended as a proof of concept for a feature currently in development.” Now that’s a feature film I would watch!

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