Set in the outskirts of São Paulo, Brazil, Charcoal/Carvão tells the story of an impoverished family who make an almost Faustian bargain to lift themselves up out of their situation. Irene (Maeve Jinkings) cares for her ailing father but between that, raising her son Jean (Jean Costa) and dealing with her husband Jairo’s (Romulo Braga) reckless behavior, she is overwhelmed. When a nurse, Juracy (Aline Marta), offers Irene a shady deal to help the family, after much consideration Irene agrees. The plan involves getting rid of Irene’s father and secretly replacing him with Miguel (César Bordón), an Argentine drug lord who faked his own death and is now in hiding. Irene and her family keep up appearances. Jean goes to school, Jairo continues to work harvesting charcoal and Irene sells her chicken dinners. But the influx of cash and the looming danger that hangs over this volatile stranger, threatens to push the family over the edge.
“Charcoal is my attempt to understand how violence, religion and hypocrisy have taken over our lives and bodies in a way that we don’t’ even notice any more.”
Written and directed by Carolina Markowicz, Charcoal/Carvãois an unrelentingly brutal film about the lengths people will go to escape their situation. The film is deceptively quiet which makes certain scenes all that more shocking. Bookended with religious scenes and music, the story aptly explores how desperation takes away our morals and basic humanity. The performances came across so natural that it’s easy to forget we’re watching actors playing roles and not real people living their lives. Markowicz does a brilliant job enveloping the audience in the world of her characters that it feels like we are right there with them.
Charcoal/Carvãois emotionally devastating and draining. It’s a film to watch. But only once.
Note to add: both Portuguese and Spanish are spoken in the film.
Charcoal/Carvão premiered at the 2022 Toronto International Film Festival.
After Raquel’s mother died at the hands of an abusive ex, Raquel (Valentina Herszage) and her father move back to his hometown. There he starts a small community grocery store and Raquel develops a friendship with teens at the local evangelical church. Raquel is deeply religious and receives a calling to explore her spirituality through her own church and study of the bible. This upsets the local religious leader and her daughter who encourage the community to retaliate against Raquel and her father.
Directed by Mariana Bastos, Raquel 1:1 is a bold exploration of female agency and spirituality. Raquel is not portrayed as a victim of religious repression rather a victim of righteous entitlement. The thematic elements are subtle but still hold power.
Raquel’s past trauma is presented through sound as the particulars of her mother’s death are detailed through her thought process. The story is part coming-of-age story and part religious horror.
Given the political and social climate of Brazil the filmmakers are waiting for a good opportunity to screen Raquel 1:1 in their home country. I hope this film gets wide distribution because it’s a unique and compelling film about religion, trauma and the fight to be true to oneself.
Raquel 1:1 had its world premiere at the 2022 SXSW Film Festival.
“What happens to brown girls who never learn who to love themselves brown?”
Dominicans have a long and tortured relationship with their hair. As a Dominican-American woman I know this all too well. My mother and grandmother were both hairstylists who specialized in relaxing Dominican hair to a more culturally appealing state. Wearing one’s hair “natural” was looked down upon. The pain of not being something acceptable and having to change yourself to fit an aesthetic is passed on from generation and the harm lingers for years.
This is why I’m grateful for the precious gift that is The Ritual of Beauty (2022). Directed by Shenny De Los Angeles and Maria Marrone, is a short documentary that sheds light on the social custom of straightening hair and how it keeps Dominican women from loving themselves. The doc focuses on a young Dominican woman who is on a journey to embrace her natural hair. And in doing so, she examines the stories of her mother and grandmother whose different relationships with their own hair spoke volumes of what they thought about themselves. The doc is haunting and poetic and revealing. A truly amazing film.
The Ritual to Beauty was part of the 2022 Slamdance FIlm Festival line-up.
Nature sings in Francisca Alegría’s magical realism film The Cow Who Sang a Song into the Future. Magdalena (Mia Maestro) has emerged from the waters where she committed suicide many years ago. She visits the members of her family who all have different reactions to seeing her. Magdalena doesn’t speak but brings an energy with her that sparks electricity and makes the cows, the bees, the fish and other elements of nature sing beautiful music. While herr family is confused by her presence, Magdalena offers no closure; just reconnection.
This hauntingly beautiful Chilean fable reminds us that we are one with nature and we must protect it. It’s not a film to make sense of. Rather one to simply experience.
The Cow Who Sang a Song into the Future premiered at the 2022 Sundance FIlm Festival.
When Oscar de la Hoya and Julio César Chávez went head-to-head in the boxing ring, it was an event. Referred to as the “Ultimate Glory”, this 1996 match not only pitted two of the most talented boxers against each other, it also started a cultural war. Julio César Chávez was the pride and joy of Mexico. He holds the record of the longest undefeated streak which began with his very first professional match. He was a champ that Mexicans could get behind. Oscar de la Hoya represented the expats. The Mexicans who left their home country years ago to seek opportunities in the States. De la Hoya showed promise at an early age and admired the great Chávez. But the Mexicans scored de la Hoya. Despite his 100% Mexican heritage and being fluent in Spanish, they felt he wasn’t Mexican enough. Not like Chávez. So when it came to that fateful day in 1996, Chávez stood with his country rallying behind him. But de la Hoya came armed with youthful vigor and a secret weapon: a brilliant coach who taught him how to take Chávez down.
Directed by Eva Longoria Bastón, La Guerra Civil expertly demonstrates not only the importance of the Chávez vs de la Hoya fight but also how the careers of these two boxing champions were intrinsically tied to their cultural identities. Both Chávez and de la Hoya were interviewed for the documentary along with sports journalists, latinx celebrities, family members and various experts. There is an air of familiarity in the film. Perhaps the friendly vibe prevented the documentary from going more in-depth into serious matters involving the two subjects including their drug addictions and various tragedies. These are briefly mentioned but not discussed at length.
The documentary is bilingual with interviewees speaking English and Spanish.
La Guerra Civil premiered at the 2022 Sundance Film Festival.