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CategoryLGBTQ

Posted BIPOC

Sundance: Am I OK?

Lucy (Dakota Johnson) and June (Sonoya Mizuno) are inseperable. When Lucy discovers that June is moving to London for her job, she’s beside herself. Especially because Lucy is starting to come to terms that despite many attempts at heteronormative relationships, she’s really not interested in men at all. June tries to help guide Lucy in her new journey of coming out of the closet but their disagreements on how Lucy should go about it and what will happen to their friendship when June leaves for London threatens to tear their relationship apart.

Directed by Stephanie Allynne and Tig Notaro Am I OK? is not your typical coming-out story and in that way it feels fresh and different. Lucy struggles with the intricacies of same sex attraction, especially the mixed signals she gets from her coworker. This film didn’t wow me but it was enjoying. Am I OK? is a heartfelt comedy about friendship and sexuality.

Note to add: I’m not sure when this was shot but there are several scenes that take place in the old 101 Coffee Shop which was a Hollywood treasure until it closed during the pandemic.  It’s now one of the locations for the Clark Street  chain.

Am I OK? premiered at the 2022 Sundance Film Festival.

Posted Film Festivals

AFI Fest: Coded: The Hidden Love of J.C. Leyendecker

J.C. Leyendecker was one of the most influential commercial artists working in the early 20th century. His work graced many magazine covers, including The Saturday Evening Post, and his character The Arrow Collar Man was one highly recognized figure in advertising. He influenced how illustrators approached advertising and magazine art and was an early inspiration for Norman Rockwell. But perhaps more importantly, Leyendecker, a gay man whose lover Charles Beach was the primary model for his work, coded his art with homoerotic imagery that was both subtle and subversive. 

Directed by Ryan White, Coded: The Hidden Love of J.C. Leyendecker is a fascinating portrait of a lesser known LGBTQ icon. The documentary explores his work, his long-term relationship with his partner/model Charles Beach and the many ways he influenced advertising and popular culture through art. It includes  interviews, examples of his art and animated sequences.The film tries to make a direct connection to the modern day representations of LGBTQ models in commercial photography but not very effectively. It’s 29 minutes long and I think it could be expanded into a feature length documentary to offer more biographical details and historical context.

Coded: The Hidden Love of J.C. Leyendecker premiered at the 2021 AFI Fest as part of their Meet the Press programming.

Posted Film Reviews

Ema

Reggaeton dancer Ema (Mariana Di Girolamo) is in a tumultuous relationship with her choreographer/husband Gaston (Gael García Bernal). The two seem hellbent at destroying their relationship, throwing verbal jabs at each other and pouring salt on emotional wounds. Their adopted son Polo (Cristián Suárez) has been taken away for his destructive behavior and rehomed with a new family. Ema is desperate to get Polo back and will go to great lengths, including targeting the two new parents, to get him back. She embarks on a journey of self-discovery and destruction in order to fulfill her deepest desires.

“Ema, you’re going to battle.”

Director Pablo Larraín’s erotically charged Ema sets the screen ablaze with its magnetic star Mariana Di Girolamo. Her unique look, donning bleach blonde shellacked hair and a piercing gaze, is mesmerizing and you can’t help but fall for her like the other characters do in her story. There are some heavy themes including toxic relationships, parenthood, polyamory, self-destruction, sadism and pyromania. Scenes are intercut with dance sequences that feel seamless.

It’s difficult to understand why some of the characters, particularly Gaston, are so hard on Ema. And at one point I was getting We Need To Talk About Kevin (2011) vibes but Polo’s mental health struggles are not at all explored. I wish Ema’s story came with more background  and context but that might have taken away from her mystery and charm.

TW: Depictions of fire and the aftermath of a serious burn. This film premiered at TIFF a couple years ago and while I wanted to watch it then I recently had burned my leg and couldn’t deal with any imagery of a burn victim (Ema’s sister after an accident) and fire (Ema sets objects on fire with a flamethrower). I’m glad I waited as I was much more prepared to watch the film this time around.

“Ema is a paradigm: she’s a character of characters. Daughter, mother, sister, wife, lover and leader. She’s very powerful and presents a striking, beautiful sort of femininity. She’s motivated by relentless individualism, as she clearly knows what she wants and is capable of seducing those around her in order to line up her destiny. She wants to be a mother and have a family; perhaps what moves and motivates her the most is love.“

Pablo Larraín

Music Box Films will be releasing Ema on digital and VOD on September 14th. Visit the official website for more information.

Posted Film Reviews

La Dosis

Marcos (Carlos Portaluppi) is a nurse working the night shift at a private hospital. He takes pity on the patients who have no chance of survival and  secretly euthanizes them so they can die in peace. He’s able to commit his crime unnoticed until the arrival of a mysterious new nurse Gabriel (Ignacio Rogers). Marcos’ quiet existence is about to be thrust into utter chaos. Gabriel is a charmer, seducing the other night nurse Noelia (Lorena Vega) and ingratiating himself to upper management. But Gabriel is also killing patients and does it both with ill intentions and inhumanely. When the rise in patient deaths becomes noticeable, it’s time for Marcos and Gabriel to come face to face in a battle for survival.

Director Martin Kraut was inspired by a 2012 story about two Uruguayan nurses who were caught euthanizing patients. In an interview Kraut says:

“I am interested in investigating what happens when doctors and nurses know there is no chance of survival yet they must keep the bodies alive while they can: Keeping patients on life support or alive is also a very important and profitable business. This fact coupled with the immense power that some nurses like Marcos have while working the night shift, and who devote their time to the care of others in those conditions, can lead them to extreme situations.“

Martin Kraut

La Dosis is a restrained psychological thriller with a terrific slow build. The tension sneaks up on the viewer as the two nurses must confront their secrets. It does a great job exploring the toxic social dynamics that occur in a hospital environment between nurses, doctors, patients and management. There is an LGBTQ element to the story that isn’t explored enough to make any sense. It lacks in some character building, especially in regards to the main character Marcos. Overall, the direction, the performances, the moody lighting and slow build make this one to watch.

Kudos to whoever designed the movie’s poster because it not only captures the essence of the story and the dynamic between the two main characters, it’s also amazing how one eye can seem to belong to both men at the same time. Amazing!

La Dosis is distributed by Samuel Goldwyn Films available on demand and on digital.

Watch on Apple TV

Posted Female Filmmakers

I Carry You With Me/Te llevo conmigo

“That place destroys people with loneliness.”

Iván (Armando Espitia) is a divorced single father who dreams of becoming a chef. But in his small town in Mexico, the best job he can get, despite his culinary training, is relegated to a menial role at his local restaurant. One day, Iván attends an underground party with his best friend Sandra (Michelle Rodriguez). There he meets Gerardo (Christian Vázquez), a handsome young man who catches his attention with a laser pointer. The two hit it off instantly. Iván is still in the closet, knowing that coming out will hurt his chances of seeing his son. This complicates his relationship with Gerardo who is out, despite his father’s disapproval. When Iván is outed, he decides to make the treacherous journey across the border to become a chef in the United States. He risks it all for a chance at a new life. But will he ever see Gerardo or his son again?

Directed by Heidi Ewing, I Carry You With Me/Te llevo conmigo is a beautiful queer love story about two Mexican men who risk it all for a better life together.  Based on a true story, the film is both documentary and feature film with footage of present day Iván and Gerardo interspersed with narrative scenes played out by actors Armond Espitia and Christian Vázquez. This film is absolutely brilliant. It tackles immigration, homophobia, queer relationships, Mexican culture, and the isolating experience of the Mexican diaspora.

This film is both heart wrenching as it is uplifting. It sends its viewers through the emotional ringer and I found myself deeply invested in Iván and Gerardo’s story. Espitia and Vázquez really deliver with their performances. And to top it all off, the food Iván creates looks absolutely delicious. Don’t watch this film on an empty stomach. 

“For this film, I came to the conclusion that it needed to be told in a different format than what I’d done before. This story took place over generations and so the movie would need a sweeping, romantic quality to it. I wanted to see and feel their youth and experience their love. It felt deeply cinematic by nature and just needed a different treatment entirely.”

Director Heidi Ewing

I Carry You With Me/Te llevo conmigo is distributed by Sony Pictures Classics and is currently out in theaters and available on demand.

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