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CategoryShort Films

Sundance 2026 Shorts

Here are my favorites from this year’s Sundance Film Festival lineup of short films:

Albatross
dir. Amandine Thomas

When being a caretaker becomes too much, a wife entertains the attention of a Mexican mariachi player and briefly leaves her husband behind at a restaurant. What some might interpret as a lapse in judgement others might see a cry for help. This story may be polarizing but those who understand will see it as a poignant tale about the burdens of caring for someone in cognitive decline and the importance of self care.

Agnes
dir. Leah Vlemmiks

An older lady desperate for community takes an offer from a new neighbor to attend a social club. But a misunderstanding leads her to another kind of club much more suited to the liveliness she’s looking for.  This short is the epitome of the phrase “you’re only as old as you feel.” It hits on the isolation felt by the elderly and exemplifies the importance of seeking joy and community.

The Baddest Speechwriter of All
dir. Ben Proudfoot and Stephen Curry

You probably know Martin Luther King Jr.’s I Have a Dream speech he delivered on the March on Washington in 1963. But do you know about Clarence B. Jones, MLK’s lawyer, advisor and speechwriter who contributed to that famous speech? This intimate documentary spotlight an important albeit reluctant contributor to the Civil Rights Movement. It includes a tightly framed interview with Jones, archival images and footage as well as animated illustrations. At about 29 minutes, it seems perfectly suited for a one episode doc on PBS.

Balloon Animals
dir. Anna Baumgarten

I thoroughly enjoyed this off kilter comedy about two  jaded grocery store employees having fun playing F*ck-Marry-Kill and some helium as they help a customer with balloons for a birthday party. It’s a story that doesn’t take itself too seriously but also feels validating for those who feel like they’re at the bottom rung of their social existence.

Poster image of Candy Bar by Nash Edgerton, an official selection of the 2026 Sundance Film Festival. Courtesy of Sundance Institute.

Candy Bar
dir. Nash Edgerton

Nash Edgerton continues to flex his mastery of the short form subject in this new film that showcases his signature brand of deranged humor. Damon Herriman plays a man on a date with his wife at the movies. While complaining about the cost of concessions, he is approached by a young girl (Zumi Edgerton) who insists that he looks like her recently deceased father. She asks him to roleplay her exchanging the goodbyes she never got to experience. The man accepts only to then discover the girl’s true intentions. Keeping in line with his trilogy Spider (2007), Bear (2011) and Shark (2011), Candy Bar is delightfully twisted. I particularly loved that the girl is played by Nash Edgerton’s real life daughter and the actor Herriman, who also wrote the script, looks a bit like him.

Ivar
dir. Markus Tangre
Ivar is a Norwegian stop animation short about a woman who is annoyed by everything her husband does but a moment of clarity reignites her empathy. The payout in that final scene makes a big impact.

Image courtesy of Sundance Film Institute

Jazz Infernal
dir. Will Niava
A jazz trumpeter from the Ivory Coast travels to Montreal, Quebec to stay with his aunt and reconnect with his jazz legend father. Everything about his trip seems to go awry especially when he encounters two rogue artists who take him on an adventure. I usually think that short films should stand on their own but this one really seems like an audition for a feature-length film. The antics are not believable but the vibe, the setting and especially the main character makes you want to linger.

Once in a Body/Una vez en un cuerpo
dir. María Cristina Pérez González

A  dynamic, visual representation of the concept that “the body keeps the score,” this animated short portrays a woman whose past trauma is personified by a strange being trapped inside of her. Her body changes as her unhappiness causes chaos in her body. Women will get it.

Sauna Sickness
dir. Malin Barr

Set in a remote part of Sweden on New Year’s, a couple enjoying a stay at a cabin (and a tryst in the sauna) find themselves locked out in the cold. The man enjoys the comfort of the sauna and makes the woman walk to the neighboring cabin in order to ask for help. The woman is not only burdened with this task but also faces danger when she encounters a couple who see her as a sexual conquest. Sauna Sickness is a psychological thriller about the vulnerability of women in a society where the looming threat of male violence regularly puts us in danger.

Together Forever
dir. Gregory Barnes

A young Mormon man struggles with his sexuality when he finds he’s more attracted to the male DJ than his own bride. As the couple attempts to consummate their relationship on their wedding night, the groom tries to find a way to avoid the inevitable. With the ongoing discourse on compulsory heterosexuality, this little glimpse into sexual intimacy in an otherwise rigid world seems very timely.

Shorts Spotlight: The Last Observers

The Last Observers
dir. Maja Mikkelsen
25 min.

Karin Persson and Lennart Karlsson have spent nearly forty years observing the patterns of migratory birds in Falsterbo, the most southern part of Sweden. They live and work in a lighthouse; tracking birds, observing clouds and reporting their findings to local weather stations. With the rapid development of technology, their unique service is no longer needed. Now it’s time for this husband-and-wife team to say goodbye to a career that brought them a lousy salary but a happy life.

The Last Observers is a short documentary made by Karin and Lennart’s daughter, filmmaker Maka Mikkelsen. This is a magnificent film. It captures so beautifully the tenderness this couple has for each other and the joy that their work and their time in nature brings them. It also serves as a gentle reminder that climate change is a looming danger and that technology can never replace the human heart and mind.

If you enjoyed films like Fire of Love (2022) or Songs of Earth (2023), make sure to check out The Last Observers.

Shorts Spotlight: Ma mère et moi

Ma mère et moi
dir. Emma Branderhorst
19 minutes

A tender portrait of a mother and daughter parting ways.

On their road trip to Marseilles, where Kees (Celeste Holsheimer) is going to college, mom (Hannah van Lunteren) is clearly not quite ready to let go of her only child. Director Emma Branderhorst beautifully captures this fledgling dynamic where a young person is both eager for independence but sad about losing familiar comfort.

Mermaid, Bitch

“I have scales. This is so f***ed!”

True friendship endures many challenges. But what if one of those challenges happens to be a mermaid transformation?

Written, produced and directed by Victoria Negri (Gold Star), the short film Mermaid, Bitch is a quirky and heartfelt fantasy-comedy about a young woman who wakes up to discover she’s sprouted a mermaid tail overnight. Lily (Alexi Pappas) calls her bestie Ruby (Ruby McCollister) in a panic. After a night of shenanigans and a potentially transformative tarot reading, Lily is now a mermaid and she needs help. Lily and Ruby set out on an adventure through the streets of Los Angeles to get Lily out to her new home: the ocean. Will their friendship survive this radical shift?

“You’re assuming that it is so easy to just become something else and instantly become an advocate for whatever it is that you are and that’s actually really hard to do.”

Mermaid, Bitch is sweet and laugh-out-loud funny. The story can be interpreted as a metaphor for personal transformation and embracing a new identity and the struggles that come with that. It also delivers a nice message about how to be a supportive friend through life’s obstacles.

I can’t help but think that the young adults who grew up reading the Emily Windsnap books as kids would find this story, especially with its Gen Z type of humor, absolutely hilarious.

Alexi Pappas—Olympic athlete and star of the film Olympic Dreams (2019)—and Ruby McCollister play off each other beautifully both giving their characters a unique interpretation of youthful angst. I quite enjoyed seeing the director Victoria Negri‘s cameo as the seemingly judgmental passerby who is surprised by Lily’s mermaid tail.

Mermaid, Bitch is currently available on Omeleto on YouTube. You can watch the full movie below.

Dear Aloha

“Aloha sustains Hawai’ians by reminding us who we are.”

Hawai’i is one of the most beautiful places on earth and the Kanaka (Native Hawai’ians) feel a strong connection to their homeland. However, over the years life on the islands has become too expensive for the Kanaka to live and thrive. Many move to the mainland to raise their families including director Cris Romento’s family who moved to Vancouver, Washington over thirty years ago. In Romento’s short documentary Dear Aloha, she interviews members of the Hawai’ian diaspora, in particular her father Eric who still mourns losing his homeland. He still feels the pride of his homeland as many in the diaspora do.

The film explores this displacement of Hawai’ians and the ongoing fight for the Kanaka to stay. A tender and bittersweet film with a lot of heart and a bit of hope for the future. I would love to see this expanded into a full-length feature. There are many films about immigration but not enough about diasporas. And the plight of the Hawai’ian diaspora is one that definitely needs to be spotlighted.

Description: “Two Native Hawai’ians living in the Pacific Northwest reflect on how Aloha sustains them amidst distance, loss, and longing.” (source)

Dear Aloha is part of 2025 SIFF’s cINeDIGENOUS festival program.

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