Representation matters. When a young Edward Dwight Jr. saw a photo of an African-American jet pilot in the newspaper, everything he dreamed about suddenly became a possibility. That one photo sparked something inside him and Dwight set out to achieve his dreams. He proved to be an excellent pilot and served as a captain in the Air Force. Dwight was selected as a NASA astronaut trainee by the Kennedy administration, the first African-American to be chosen. And while he was an exceptionally trained pilot, he never made it passed phase two of the training. It’s clear that the world wasn’t ready for a black astronaut. Dwight could have let this disappointment drag him down but instead he reinvented himself.
Directed by Ben Proudfoot, The Lost Astronaut is an intimate short documentary that profiles an extraordinary man. This 14 minute film is part of The New York Times series Almost Famous while profiles subjects in similar circumstances. The extreme close up on Dwight’s face as he recounts the story of his life makes the viewer feel like Dwight is an old friend that we care deeply about. What’s so exceptional about Captain Edward Dwight Jr.’s story is that his career happened during what the director refers to as “collision of the space race and the civil rights movement.” Had he been born a few decades earlier he may never have become a pilot. Had he been born a few decades later he might have become a NASA astronaut.
The Lost Astronaut was screened as part of the Meet the Press program for the 2020 virtual AFI Fest.
Directed by Mariel Sharp and Kaye Adelaide, Don’t Text Back! is a highly satisfying queer horror-comedy short film about toxic masculinity and the literal horrors of dating.
Kelly (Danielle LaPointe) is a 30-something woman who is seeking the help of an energy healer Jaren (Nancy Webb). She’s in dire straits as the necklace she wears is strangling her and cannot be removed. It tightens every time the guy she’s seeing texts her and only lets up when she texts him back. Jaren helps Kelly uncover that her heteronormative relationship with a men’s right group activist is toxic on many levels. But Kelly needs to discover something about herself first before she can be free.
Gratifying and funny, Don’t Text Back! is a must see for any woman who has felt the effects of toxic masculinity… so pretty much everyone. And I definitely want to see much much more from this filmmaking duo!
Don’t Text Back! had its Canadian premiere at the virtual 2020 Fantasia Film Festival.
While the 2020 SXSW Film Festival was canceled the films still live on. Recently SXSW announced their collaboration with Amazon Prime for an online film festival. They are currently in the process of allowing filmmakers to opt-in or opt-out and will host the festival at the end of April. As someone who refuses to use Amazon Prime, I was happy to see that you don’t have to have the service to attend the festival. It’s free to the public and all you need is an Amazon account.
Something that did not get as much fanfare was SXSW’s other collaboration with MailChimp which is hosting SXSW short films on their website. MailChimp Presents SXSW 2020 Shorts #SupportheShorts offers a variety of short films that would have been screened at the film festival. The categories include: Animated (7), Documentary (11), Made in Texas (8), Midnight (8), Narrative (15), Texas High School (15). It’s not clear how long these shorts will be available to view online. I hope it will be long term. Because I had press pass for the festival I was able to view many of these shorts ahead of time. Three of them I reviewed on this site.Â
If you love short films as much as I do and want to know which SXSW shorts to watch, here are some recommendations:
A short Czechian drama about a middle-aged man whose curiosity got the better of him as he finds himself hired for a mystery job. Amazing build-up and cinematography.
An overwhelmed mom vomits lego blocks. Sounds crazy right? The overall theme of finding time for oneself really struck a chord with me. Don’t let the whacky concept turn you away from this one!
In the 1980s/1990s there was a noticeable lack of Asian-American characters and those that existed were stereotypes. Claudia Kishi of The Babysitters Club books was a noticeable exception. A group of Asian-American artists and creators discuss the character’s impact.
A retro style documentary with highly stylized re-enactments. Features a former sex worker describing her experience with escort message board review culture.
Two exchange students from Iceland and Spain have a summer affair in Germany. What starts off as a meaningless fling blossoms into something much deeper.
Perfect viewing for our quarantine culture. A woman calls up her new love interest for a sexy Facetime session. But things don’t turn out quite how she expected them to.
A riveting documentary short about an ex-convict who starts a fight club to encourage youths to take out their battles in a boxing ring. His efforts help reduce needless violence and eventual incarceration.
A middle-aged man (Dennis Levant) sees workers line up for a day job. Not knowing what the job is but eager for some paying work, he lines up with them. He signs in and is asked to remove all of his clothes and dress up in an old military uniform. A make-up artist puts a fake scar filled with blood on his forehead. A prop guy gives him a holster and rifle. The group of men head out into a field. The man’s scar begins to bleed and the shots begin to fire. What exactly did he get himself into?
“Short film is a full-fledged format that can capture and point out something that would not work on a feature scale.”
Jan Vejnar
Directed by Jan Vejnar, Figurant is a short drama from Czechia about curiosity, expectation and disappointment. It’s 13 minutes and 45 seconds long and holds its mystery long enough to engage the audience even though we figure out pretty quickly what’s going on. It’s expertly choreographed, especially the battle scene where we witness a POV shot that’s unlike anything I’ve seen before in a film.
Figurant was set to have its US premiere at the SXSW film festival. You can get updates on the film over on the official Instagram page.
Sophia just broke up with her boyfriend. When she calls up her therapist, Dr. Blady, to discuss the matter, Sophia is hit with some outdated advice about gender roles and romantic relationships. It doesn’t help that she can’t get her mind off of her ex or the huge blackhead on her nose. Sometimes you just need to clear your life of toxic people… and clogged pores.
Watching Blackheads is as satisfying as squeezing a clogged pore and watching all the pus come out. I couldn’t help but connect with the story of a woman struggling with anxiety, a bad therapist and self-destructive tendencies. And for those of you who love to pop a zit, the climax of the film features a glorious stop motion extraction. Blackheads clocks in at 7 minutes and 46 seconds and features stop animation with 2D animation. It’s directed by Emily Ann Hoffman, a fine artist and animator who, according to her website, explores “female sexuality, body and vulnerability through a comedic lens.” I’m definitely impressed with Blackheads and eager to see more work from Hoffman.
Blackheads was set to premiere at this year’s SXSW film festival. Filmmaker Emily Ann Hoffman is making Blackheads available to the public on Vimeo from 3/15 to 3/16. You can watch it here. For more information about Hoffman’s work, visit her online portfolio.
