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CategoryShort Films

Posted Documentaries

SXSW: Sophie and the Baron

Directed by Alexandria Jackson, Sophie and the Baron is a sweet documentary about an intergenerational friendship that developed into a unique artistic collaboration. Baron Wolman was Rolling Stone’s first chief photographer. Throughout the 1970s he captured iconic images of Woodstock and performers like Johnny Cash, Jim Morrison, Janis Joplin and Jimi Hendrix, just to mention the Js! Sophie Kipner is an artist who specializes in blind contouring. For Wolman photograph was a means of quieting the chaos. For Kipner, blind drawing was a way to get out of the way of her own artistic expression. These two artists unite in a one-on-one collaboration where Kipner reimagines Wolman’s photographs through her unique art style.

Sophie and the Baron is simply  a delight! And I would love to see a full-length documentary on Baron Wolman’s career.

Sophie and the Baron had its world premiere at the virtual 2021 SXSW Film Festival. Visit the official website of the film for more information.

Posted Female Filmmakers

Slamdance: I think it’s enough, isn’t it?

As the COVID-19 pandemic rages on and the number of deaths rises, we’re quickly becoming numb to the tragedy. We have to remember that the people who’ve died are not just statistics. They were individuals with friends and families, with hopes and dreams. These are people who still had a life ahead of them only to have it ripped away by the virus.

Director Emily Shir Segal brings one story to light with her four minute short film I think it’s enough, isn’t it? She narrates the story of how her father came to die of COVID as we watch home videos of them from years past. The juxtaposition between images of happier days and the story of a sad and lonely end aptly demonstrates just how cruel this pandemic truly is.

I think it’s enough, isn’t it? screened as part of the virtual 2021 Slamdance Film Festival.

Posted Film Festivals

Slamdance: Inside the Storm

Nadav (Ben-Oved Berkovich) is reeling from a bad breakup with Neta. Seeking solace, he meets up with a former lover, Amit  (Harel Glazer), whom he hasn’t seen in a while. Their reunion is raw and intense. Any feelings they have for each other must be kept secret. The next day Nadav and Amit pretend like nothing happened and Nadav has to decide what to say to Neta.

Directed by Daniel Bloom, Inside the Storm is a quiet and spare short film about the decisions we make during times of heightened emotion. It’s minimalist film, with only a handful of scenes. The camera lingers on the subject; nothing is rushed. The film as a whole reminded me of a few key scenes from Barry Jenkins’ Moonlight. 

Inside the Storm screened as part of the virtual 2021 Slamdance Film Festival.

Posted BIPOC

Slamdance: Trammel

Dale (Dale A. Smith) visits the local pharmacy in his small town to chat with his buddy Mohammad (Mohammad Dagman). Dale is lonely and Mohammad is a great listener. As their conversation progresses, we learn about Dale’s tumultuous past.

Trammel is a sensitive portrait of loneliness. Directed by Christopher Jason Bell, this 11 minute short film, on the surface, is a window into a private conversation. But then it gives the viewer so much more. Through this conversation, we learn enough about Dale to empathize with him. He’s lonely and in desperate need of a friend. And when Mohammad isn’t there, we want to be there to listen to Dale. We want to be that friend. Empathy is an essential part of human nature that often gets overlooked. Trammel effectively brings it to light.

Trammel screened as part of the virtual 2021 SlLamdance Film Festival.

Posted Female Filmmakers

Slamdance: Bare Bones

Meryem Lahlou’s short film Bare Bones is a magnificent piece of experimental cinema. It’s a visual masterpiece that in a mere 10 minutes makes the the viewer contemplate the meaning of their own existence. The film begs the question: who  are we when we all share the same face? Stripped of everything that gives us our individuality, what kind of existence would that be? In this 3D animated short, we see homogenous creatures in motion, moving about in minimalist spaces. A disembodied voice dissects the human experience.

The filmmaker was inspired to tell a story about identity. In her director’s statement Meryem Lahlou writes

“I chose to put humanity in a hostile and extreme context, where the earth has lost its abundance, where plastic is the most available resource, where the collective consciousness is reduced to survival.”

This film gave me serious Fritz Lang vibes. I couldn’t help but think of Destiny (1921)  and Metropolis (1927). The visuals in Bare Bones are absolutely stunning. Watch it once as a meditation and a second time as art.

Bare Bones was screened as part of the virtual 2021 Slamdance Film Festival. Learn more about the film here.

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