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CategoryShort Films

Slamdance: cosboi

Directed by Gosha Shapiro (they/them), cosboi is a short film that follows the story of a genderqueen teen who goes on a journey of self-discovery through TikTok and anonymous Uber-type rides. Through the power of the For You Page on TikTok, the teen is inspired by advice and wisdom to venture out and practice new forms of themselves in conversation with rideshare drivers. This film beautifully demonstrates a pivotal time in a teen’s life when they are discovering who they are through self-reflection, media consumption, practice and rebellion.

cosboi premiered at the 2022 Slamdance Film Festival.

Slamdance: Signs and Gestures

Florist Clara (Grace Whitford) is excited about her first date with Simon (Craig McCulloch), a man she’s been chatting with on a dating app. Clara hasn’t told Simon yet that she’s blind, hoping that a blind date would be a good time to reveal this. But when Clara arrives for the date it turns out that he’s deaf but she mistakes his lack of communication with a rebuff. 

Directed by Itandehui Jansen, Signs and Gestures is a sweet romantic comedy about how connection can transcend disability.

AFI Fest: Love, Dad/Milý Tati

Any woman who has grown up in a culture that prizes male heirs over female children know all too well the pain of being a father’s disappointment. Diana had a great relationship with her Vietnamese father during her childhood in the Czech Republic. However, when, after three miscarriages, her mother finally got pregnant again, their relationship came to an abrupt end. Diana’s father left the family, looking to start again in hopes of continuing the bloodline with his name. 

Love, Dad/Milý Tati is a heart-wrenching short film about a young girl who remembers her dad and the bond they had before it was cruelly taken away. It’s beautiful, poetic and deeply melancholic. Directed by Diana Cam Van Nguyen, it tells the story through letters, memories and gorgeous cut paper art.

I was quite moved by this 13 minute film. I’m the third of a string of daughters born to a man who desperately wanted a son. I was lucky that my father never expressed any form of disappointment in only having daughters but I did feel the pang of guilt when the family name died with him. 

Love, Dad/Milý Tati premiered at the 2021 AFI Fest as part of their Shorts Competition.

AFI Fest: The Death Cleaner/El limpiador

Based in Mexico City, forensic cleaner Donovan Tavera does the work that few others are willing to do. With the highest respect for the deceased, Tavera will come into a home and clean up the aftermath, offering loved ones one of the final steps in the healing process. Directed by Louise Monlaü, The New York Times documentary short The Death Cleaner/El limpiador, paints a portrait of a unique businessman who offers a compassionate service. This short is available to watch on YouTube (player embedded below).

The Death Cleaner/El limpiador premiered at the 2021 AFI Fest as part of the Shorts Competition.

AFI Fest: Coded: The Hidden Love of J.C. Leyendecker

J.C. Leyendecker was one of the most influential commercial artists working in the early 20th century. His work graced many magazine covers, including The Saturday Evening Post, and his character The Arrow Collar Man was one highly recognized figure in advertising. He influenced how illustrators approached advertising and magazine art and was an early inspiration for Norman Rockwell. But perhaps more importantly, Leyendecker, a gay man whose lover Charles Beach was the primary model for his work, coded his art with homoerotic imagery that was both subtle and subversive. 

Directed by Ryan White, Coded: The Hidden Love of J.C. Leyendecker is a fascinating portrait of a lesser known LGBTQ icon. The documentary explores his work, his long-term relationship with his partner/model Charles Beach and the many ways he influenced advertising and popular culture through art. It includes  interviews, examples of his art and animated sequences.The film tries to make a direct connection to the modern day representations of LGBTQ models in commercial photography but not very effectively. It’s 29 minutes long and I think it could be expanded into a feature length documentary to offer more biographical details and historical context.

Coded: The Hidden Love of J.C. Leyendecker premiered at the 2021 AFI Fest as part of their Meet the Press programming.

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