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CategoryShort Films

Slamdance: In France Michelle is a Man’s Name

Michael (Ari Damasco) travels back home to visit his estranged parents in the rural countryside. His mother (Olga Sanchez) and father (Jerry Carlton) are still coming to terms with Michael being their transgender son who previously went by Michelle. Michael and his father travel into the city where his father tries to initiate Michael into what he considers the standard right of passage into manhood.

In France Michelle is a Man’s Name is a quiet yet powerful short film about identity and the cruelty of our gender binary culture. Directed by Em Weinstein, the film explores themes of acceptance, understanding and the pressure of societal norms. I was particularly struck by Damacso and Carlton’s performances. They play well off each other. The tension between the two is palpable but so is the unspoken love they have for each other, even if it leads to the father’s misguided actions. 

In France Michelle is a Man’s Name was screened as part of the virtual 2021 Slamdance Film Festival.

Slamdance: Autoscopy

A sound engineer escapes into the Swedish countryside to record nature sounds. On this venture he stumbles upon an abandoned flotation device. After a night of sound mixing and imbibing homemade mushroom tea, he has an out of body experience that is out of this world.

Directed by Claes Nordwall, Autoscopy is a 14 minute short film that speaks to the mystery and magic of nature. It’s more than a short film, it’s an experience. It offers stunning aerial cinematography and out-of-this-world sound effects. The director writes “this short film stands on its own but is also intended as a proof of concept for a feature currently in development.” Now that’s a feature film I would watch!

AFI Fest: The Lost Astronaut

Representation matters. When a young Edward Dwight Jr. saw a photo of an  African-American jet pilot in the newspaper, everything he dreamed about suddenly became a possibility. That one photo sparked something inside him and Dwight set out to achieve his dreams. He proved to be an excellent pilot and served as a captain in the Air Force. Dwight was selected as a NASA astronaut trainee by the Kennedy administration, the first African-American to be chosen. And while he was an exceptionally trained pilot, he never made it passed phase two of the training. It’s clear that the world wasn’t ready for a black astronaut. Dwight could have let this disappointment drag him down but instead he reinvented himself.

Directed by Ben Proudfoot, The Lost Astronaut is an intimate short documentary that profiles an extraordinary man. This 14 minute film is part of The New York Times series Almost Famous while profiles subjects in similar circumstances. The extreme close up on Dwight’s face as he recounts the story of his life makes the viewer feel like Dwight is an old friend that we care deeply about. What’s so exceptional about Captain Edward Dwight Jr.’s story is that his career happened during what the director refers to as “collision of the space race and the civil rights movement.” Had he been born a few decades earlier he may never have become a pilot. Had he been born a few decades later he might have become a NASA astronaut.

The Lost Astronaut was screened as part of the Meet the Press program for the 2020 virtual AFI Fest.

Fantasia Festival: Don’t Text Back!

Directed by Mariel Sharp and Kaye Adelaide, Don’t Text Back! is a highly satisfying queer horror-comedy short film about toxic masculinity and the literal horrors of dating.

Kelly (Danielle LaPointe) is a 30-something woman who is seeking the help of an energy healer Jaren (Nancy Webb). She’s in dire straits as the necklace she wears is strangling her and cannot be removed. It tightens every time the guy she’s seeing texts her and only lets up when she texts him back. Jaren helps Kelly uncover that her heteronormative relationship with a men’s right group activist is toxic on many levels. But Kelly needs to discover something about herself first before she can be free.

Gratifying and funny, Don’t Text Back! is a must see for any woman who has felt the effects of toxic masculinity… so pretty much everyone. And I definitely want to see much much more from this filmmaking duo!

Don’t Text Back! had its Canadian premiere at the virtual 2020 Fantasia Film Festival.

SXSW: Short Films

While the 2020 SXSW Film Festival was canceled the films still live on. Recently SXSW announced their collaboration with Amazon Prime for an online film festival. They are currently in the process of allowing filmmakers to opt-in or opt-out and will host the festival at the end of April. As someone who refuses to use Amazon Prime, I was happy to see that you don’t have to have the service to attend the festival. It’s free to the public and all you need is an Amazon account.

Something that did not get as much fanfare was SXSW’s other collaboration with MailChimp which is hosting SXSW short films on their website. MailChimp Presents SXSW 2020 Shorts #SupportheShorts offers a variety of short films that would have been screened at the film festival. The categories include: Animated (7), Documentary (11), Made in Texas (8), Midnight (8), Narrative (15), Texas High School (15). It’s not clear how long these shorts will be available to view online. I hope it will be long term. Because I had press pass for the festival I was able to view many of these shorts ahead of time. Three of them I reviewed on this site. 

If you love short films as much as I do and want to know which SXSW shorts to watch, here are some recommendations:

Basic — dir. by Chelsea Devantez

A hilarious short about pettiness and dating in the era of social media. I laughed out loud and watched this one on repeat. A must see!

Read my full review of BASIC here.

Blackheads — dir. by Emily Ann Hoffman

A highly satisfying animated short film about a woman dealing with a break-up, a bad therapist and a giant blackhead.

Read my full review of Blackheads here.

Figurant — dir. Jan Vejnar

A short Czechian drama about a middle-aged man whose curiosity got the better of him as he finds himself hired for a mystery job. Amazing build-up and cinematography.

Read my full review of Figurant here.

Blocks — dir. by Bridget Moloney

An overwhelmed mom vomits lego blocks. Sounds crazy right? The overall theme of finding time for oneself really struck a chord with me. Don’t let the whacky concept turn you away from this one!

The Claudia Kishi Club — dir. by Sue Ding

In the 1980s/1990s there was a noticeable lack of Asian-American characters and those that existed were stereotypes. Claudia Kishi of The Babysitters Club books was a noticeable exception. A group of Asian-American artists and creators discuss the character’s impact.

Modern Whore — dir. by Nicole Bazuin

A retro style documentary with highly stylized re-enactments. Features a former sex worker describing her experience with escort message board review culture.

I’m Happy, I Promise — dir. by Mimi Cave

A whacky short comedy, told through a series of phone calls, about a nut-obsessed man who tries to ignore his past indiscretions.

Summer Hit — dir. by Berthold Wahjudi

Two exchange students from Iceland and Spain have a summer affair in Germany. What starts off as a meaningless fling blossoms into something much deeper.

Single — dir. by Ashley Eakin

A disability romance about a feisty young woman won’t take shit from anybody, including her blind date. The ending was so satisfying! 

Face to Face Timedir. by Izzy Shill

Perfect viewing for our quarantine culture. A woman calls up her new love interest for a sexy Facetime session. But things don’t turn out quite how she expected them to.

Lions in the Corner — dir. by Paul Hairston

A riveting documentary short about an ex-convict who starts a fight club to encourage youths to take out their battles in a boxing ring. His efforts help reduce needless violence and eventual incarceration.

JustWatch.com