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Posted Female Filmmakers

Carmen

Eat Pray Love (2010) meets Corpus Christi (2019) in this tender drama about a middle-aged woman reclaiming her life after years of service in the church.

Set in Malta during the 1980s, Carmen stars Natascha McElhone, the sister of the local priest. Per Maltese customs, when a priest is ordained, his oldest sister must make the sacrifice of abandoning any hopes of a career, relationship or family of her own in order to take care of her brother in service. Carmen has done since from the age of 16 until 50. When her brother passes away, she creates a new life for herself. With her newfound freedom, she pretends to be the new priest and takes confessionals in secret. She spends her days people watching and connecting with the locals. She forms a romantic bond with Paulo (Steven Love), a young Maltese-Canadian man to whom she tries to sell stolen goods from the church. Soon enough, Carmen’s new-found joie de vivre starts to have an effect on the community around her.

“Carmen is inspired by an old Maltese tradition… Many women’s voices were squashed, and their spirits dampened. This happened to my Aunt, now 95 years old… This film is for my Aunt and all the women who’ve suffered this tradition under the patriarchy.” — director Valerie Buhagiar

Directed by Valerie Buhagiar, Carmen is brimming with optimism despite the trials and tribulations endured by its protagonist. Natascha McElhone is absolutely charming as Carmen. She imbues the character with a sense of curiosity and wonderment that is quite fetching. When Carmen comes out of her situation, she receives a makeover and we see a raven haired beauty dressed in bright red emerge from her cocoon. Malta is its own character depicted both with a sense of beauty and a sense of social injustice. The plot can get a bit murky but doesn’t take away much from the overall experience.

Carmen is currently in theaters and available to rent on VOD.

Posted Film Festivals

Charcoal/Carvão

Set in the outskirts of São Paulo, Brazil, Charcoal/Carvão tells the story of an impoverished family who make an almost Faustian bargain to lift themselves up out of their situation. Irene (Maeve Jinkings) cares for her ailing father but between that, raising her son Jean (Jean Costa) and dealing with her husband Jairo’s (Romulo Braga) reckless behavior, she is overwhelmed. When a nurse, Juracy (Aline Marta), offers Irene a shady deal to help the family, after much consideration Irene agrees. The plan involves getting rid of Irene’s father and secretly replacing him with  Miguel (César Bordón), an Argentine drug lord who faked his own death and is now in hiding. Irene and her family keep up appearances. Jean goes to school, Jairo continues to work harvesting charcoal and Irene sells her chicken dinners. But the influx of cash and the looming danger that hangs over this volatile stranger, threatens to push the family over the edge.

“Charcoal is my attempt to understand how violence, religion and hypocrisy have taken over our lives and bodies in a way that we don’t’ even notice any more.”

Carolina Markowicz

Written and directed by Carolina Markowicz, Charcoal/Carvão is an unrelentingly brutal film about the lengths people will go to escape their situation. The film is deceptively quiet which makes certain scenes all that more shocking. Bookended with religious scenes and music, the story aptly explores how desperation takes away our morals and basic humanity. The performances came across so natural that it’s easy to forget we’re watching actors playing roles and not real people living their lives. Markowicz does a brilliant job enveloping the audience in the world of her characters that it feels like we are right there with them. 

Charcoal/Carvão is emotionally devastating and draining. It’s a film to watch. But only once.

Note to add: both Portuguese and Spanish are spoken in the film.

Charcoal/Carvão premiered at the 2022 Toronto International Film Festival.

Posted BIPOC

Three Thousand Years of Longing

“There is no story about wishing that is not a cautionary tale”

Dr. Alithea Binnie (Tilda Swinton) embraces solitude. When she’s not teaching at the university, she spends her time reading and studying and feels the independence of not being attached to a spouse, child or family network. As a scholar of mythology and storytelling, she often travels to faraway lands to be in the world of the fantastical stories that she teaches. On one trip to Turkey, she finds a unique looking bottle in a shop. Upon opening it in her hotel room, suddenly a Djinn (Idris Elba) appears, offering her three wishes for whatever her heart desires (with a few rules of course). But Dr. Binnie knows better. Wishes never turn out how the asker intended them and Djinns like the one she conjured are often tricksters. Djinn taps into Dr. Binnie’s hunger for engaging storytelling and recounts the times he’s been released and trapped in a bottle. As the Djinn tells his stories, Dr. Binnie must come to terms with whether she should or should not ask for the three wishes offered.

Directed by George Miller, Three Thousand Years of Longing is a fanciful meditation on the power of human connection and stories. It’s light on the world building, focusing on small stories to tell a bigger tale of humanity and desire. Idris Elba and Tilda Swinton are fantastic in their individual roles but ultimately lacked chemistry with each other. The movie is based on A.S. Byatt’s short story The Djinn in the Nightingale’s Eye and adapted to the screen by Miller and Augusta Gore.

The screening I attended began with a message from the director thanking the audience for watching the film on the big screen. It’s definitely a film best viewed on the big screen. It’s a visual spectacle with some amazing cinematography by John Seale, who also worked with Miller on Mad Max: Fury Road. I do think it’s a film that could also be enjoyed at home. There are some subtle details, especially with Dr. Binnie’s mannerisms that can be seen with the female characters in Djinn’s stories. Repeat viewing will enrich the experience, finding those subtleties that were missed the first time around.

Three Thousand Years of Longing premiered at the 2022 Cannes FIlm Festival and is currently in theaters in the U.S., distributed by MGM.

Posted Documentaries

Free Puppies! The True Story of Rescue Dogs

Directed and produced by Samantha Wishman and Christina Thomas, Free Puppies!: The True Story of Rescue Dogs explores the lives of abandoned and neglected dogs in the rural South and the extraordinary efforts made to rescue them and to control the ever-growing population in the community.

This documentary focuses primarily on the work of Monda Wooten, a small business owner and city commissioner for Trenton, Georgia, who has made it her life’s mission to help rescue dogs in her area.  We follow along as Wooten and other rescuers as they work with locals to get dogs spayed and neutered and to place abandoned dogs in loving homes. 

This film really touched my heart because my dog Rollie is a rescue from a rural region of West Virginia. He and another dog were abandoned on the side of the road and with the help of a nice lady they were rescued, fostered and ultimately transported up to New England where they were adopted.

A rescue puppy arrives on transport and meets her new owner at the Vince Lombardi Service Station in NJ, as seen in Free Puppies!, a film by Samantha Wishman and Christina Thomas. A First Run Features release. (Photo courtesy of First Run Features)

The work Wooten and the rescuers do is invaluable, especially all of their efforts to make spaying and neutering affordable for low-income families. In the doc we see a veterinarian whose sole job is to spay and neuter which keeps her overhead costs down so she can offer the service to these communities. This is such a fantastic idea.

Free Puppies! will take viewers on a gentle rollercoaster ride of hope and heartbreak. It’s both rewarding to see the rescuers at work and sad to see the state of things. This film offers an abundance of empathy for both the dogs and the people in the community.

Free Puppies! is distributed by First Run Features. It hits theaters across North America on August 12th, 2022. Visit the official website for more details.

Posted Documentaries

The Unmaking of a College

Directed by Amy Goldstein, The Unmaking of a College chronicles a turbulent time in Hampshire College’s recent history. The title is a play on The Making of a College, a book written about Hampshire College in Amherst, MA and its alternative approach to higher education. Over the years, the school has suffered from one financial crisis after another. When the new president Miriam Nelson was instated in 2018, it quickly became clear that Hampshire was being set up to be shut down. This documentary follows the most volatile days in Nelson’s administration when students staged a sit-in to protest and spark talks about the school not taking a freshman class for 2019. 

While the subject matter is fascinating in its own right, this documentary was hard to get through. It meandered aimlessly and it became difficult to follow the thread of the story. Interview subjects were positioned in awkward places and some had projected video footage on their faces which seemed unnecessary. It distracted from the important things they had to say. If the film was trying to be quirky, it definitely failed in that regard. With that said, there were some redeeming moments in the documentary. The footage of the sit-in, student talks, meetings and an interview with alum Ken Burns were definite highlights.

The Unmaking of a College is available from Zeitgeist Films on DVD, Blu-Ray and digital VOD.

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