Skip to content
Latest

Yes, God, Yes

Alice (Natalia Dyer)’s sexual curiosity is getting her unwanted attention at her Catholic high school. After an illicit AOL chat and a rumor about her performing a sexual act on another student, high school is now even more awkward for the already awkward Alice. When an opportunity arises to go to a supposedly life-changing spiritual treat, Alice jumps at the chance. However, at the retreat she quickly learns that the perception of purity is toxic especially when everyone has their own secrets, including her.

Written and directed by Karen Maine, Yes, God, Yes is a gentle coming-of-age story that examines problems with purity culture. Set during the time when AOL chats and Yahoo! searches online were the norm, Alice navigates the online world to discover her own sexuality. The film tackles all sorts of topics, including gossip, misogyny, homosexuality, and shaming, with a light touch. As someone who had a strict religious upbringing and grew up during this technological era, I found Alice’s story very relatable. The film could have delved into some other aspects of purity culture and religion or given us more background on the characters. However, doing so would have made the story more heavy-handed. Instead, Maine gives us a movie that is equal parts enjoyable and revelatory.

The Killing of Two Lovers

David (Clayne Crawford) points the barrel of his gun at his wife Nikki (Sepideh Moafi) and her lover Derek (Chris Coy) as they sleep soundly in bed. Completely intent on killing them, he changes his mind at the last minute. What follows for David is a journey to mend his broken relationship and reconnect with his four children. However, he’s desperately holding onto a past that no longer exists and struggles to come to terms with his new normal.

Written and directed by Robert Machoian, The Killing of Two Lovers is a brooding and atmospheric drama . Set in a desolate region of Utah, the story is quiet and spare. The subtleties speak volumes. The setting, the story and the characters are given room to breathe even when the tension starts to mount. It seems like the perfect movie to come out of a pandemic. Over the course of the film,  sounds seem to haunt David: the squeaky floor beneath his feet, the opening and closing of a door, and the gun itself. These sounds are added over the scenes and almost act like a narrator. This is a technique I’ve never witnessed before and I found it quite effective.

The Killing of Two Lovers is a must see.

The Killing of Two Lovers is now in theaters and on video on demand. Visit Neon’s website for more information.

Together Together

What happens when you’re more than ready for your next journey but life hasn’t caught up with you yet? Matt (Ed Helms) wants to have a  baby.  He’s 45 years old, a successful app developer, financially stable and emotionally ready for parenthood. The trouble is he doesn’t have a partner. Matt takes the next step and hires surrogate. Anna (Patti Harrison) is a 20-something barista who agrees to the arrangement so she can afford to go back to college. Parent and surrogate are supposed to remain emotionally distant but Matt wants to be involved in every step of the process. The two form a bond that crosses the boundaries they were supposed to set for each other. What will happen when the baby finally arrives?

Written and directed by Nikole Beckwith, Together Together is a sweet, quirky movie about the curveballs life throws at you and how relationships don’t always fit easily into societal molds. Beckwith was inspired by “the idea of strangers coming together in such an intimate and complicated circumstance.” The movie takes its time exploring all the nuances of Matt and Anna’s situation with all the ups and downs that come with it. Helms is fantastic as the neurotic soon-to-be-dad and Harrison is a delight as the emotionally conflicted Anna. The film suffers from an abrupt ending that will leave some viewers frustrated. Despite that, I recommend you watch this charming and heartfelt movie.

Together Together is in theaters now and releases on digital May 11th.

The Place That Makes Us

Youngstown, Ohio is a steel mill city on the Rust Belt that has seen a major decline over the past few decades. The mills closed and the subsequent loss of jobs sent its residents fleeing. For those left behind, they were faced with a crumbling infrastructure, an uptick in violence and crime and hundreds of vacant homes. 

Directed by Karla Murthy, The Place That Makes Us spotlights a group of Youngstown residents seeking to transform their hometown. Filmed over the course of three years, the documentary follows members of the city council and organizers of YNDC (Youngstown Neighborhood Development Committee) as they work to rebuild Youngstown’s abandoned homes and make plans to boost their community. While the documentary is specifically about Youngstown, it could really be about any shrinking city or town in America. What the film does really well is drive home the message that any community can be transformed but it takes its residents, not outsiders, to really enact that change.

The Place That Makes Us premieres today on the WORLD channel series America Reframed. Visit the official website for more information.

Echoes of Violence

What starts as an ordinary day for real estate agent Alex (Heston Horwin) quickly spirals out of control. While waiting for prospective clients, he hears gunshots in the distance. By chance he’s able to scare away a hit man, Kellin (Chase Cargill), from killing his target, Marakya (Michaella Russell). Alex ushers Marakya to safety only to discover that now he’s in grave danger. Marakya is a South African woman living in L.A. who unwillingly became part of a dangerous sex trafficking ring that targets young immigrant women. She’s on the run from her immigration lawyer/trafficker Anthony (Taylor Flowers) and his goons and now Alex is too.

Written and directed by Nicholas Woods, Echoes of Violence is an engrossing thriller that will leave you on the edge of your seat from beginning to end. It’s got great performances by the three principal leads (Russell, Cargill and Horwin), interesting characters and the pacing is just right. As the mystery unfolds, we learn more about these characters and their backgrounds. I would have liked to have seen Kellin’s meeting with his father pan out a bit differently. And I was curious as to why Marakya refers to South Africa as just Africa. With that said, the movie gives us just the right amount of background information so we can become emotionally invested in these characters without ruining their allure.

I usually steer clear of human trafficking films because some cross over into the realm of conservative propaganda. Echoes of Violence is not that kind of film and the trafficking mostly serves an impetus for the action. However, some viewers might see it as a thriller with an agenda. I encourage you to put any qualms you might have aside and give this one a try.

Echoes of Violence recently premiered at Cinequest.

JustWatch.com