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SXSW: Swan Song

Patrick Pitsenbarger (Udo Kier), a retired hairdresser once known as The Liberace of Sandusky, is spending his final days in a nursing home. One day, a lawyer representing Pat’s former client, Rita Parker Sloan (Linda Evans), delivers the news to Pat that Rita has passed on. In her will has requested Pat to do her hair for her funeral and has set aside $25,000 for payment. Given the  fact that Pat still harbors bitter feelings towards Rita, he at first refuses. Many years ago, Rita left his salon for another one, run by Pat’s former protege Dee Dee Dale (Jennifer Coolidge). Pat changes his mind and sets out on an adventure, breaking out of the nursing home and walking down memory lane through Sandusky, Ohio, meeting old friends and making new friends along the way. Pat knows this is his swan song; the very last time he’ll be able to live his life on his terms.

Directed by Todd Stephens, Swan Song is a celebration of individuality and gay identity. According to Stephens the film is inspired by a real person he met in Sandusky and serves  a “love letter to the rapidly disappearing gay culture of America.” Udo Kier is an absolute delight. Even when the plot begins to wander, Kier’s portrayal of Pat keeps us grounded, engaged and interested in what will happen next. I thought it was a misstep not to include more information or a few flashback scenes of Pat’s deceased partner David. You’ll easily find yourself emotionally invested in this story and its characters.

Swan Song had its world premiere at the virtual 2021 SXSW Film Festival.

Update: Swan Song releases in theaters August 6th and on demand August 13th.

Posted BIPOC

SXSW: Soy Cubana

Director Jeremy Ungar and Ivaylo Getov’s new documentary Soy Cubana spotlights four talented women as they travel from Cuba to the US to perform. It also gives viewers offers a window into modern day Cuba. Vocal Vidas is a Cuban acapella quartet made up of Ana Josefina Hernández (Soprano), Maryoris Mena Faez (Contralto-Bass), Koset Muñoa Columbié (Mezzo-Soprano) and Annia del Toro Leyva (Contralto). Together their harmonies are magical. Through song they share various cultures and traditions and captivate audiences with their dulcet tones. In their native Cuba, the Vocal Vidas make money by selling CDs and through tips. They garnered much attention in 2016 when  short documentary hit the film festival circuit. In 2017, they were invited to perform and a full-length documentary was shot to chronicle their life in Cuba, their application for a Visa and their journey to Los Angeles  where they perform at Mambo’s Cafe, the Vibrato club, and for Grand Performances.

The film lightly touches on the problematic relationship between the US and Cuba. It’s interesting to hear the women gently criticize life in Cuba while also defending their homeland. Soy Cubana is well worth the watch if anything to be captivated by this quartet of resilient women. Be prepared to get up and dance. There is plenty of wonderful music to enjoy.

Soy Cubana hd its world premiere at the virtual 2021 SXSW Film Festival.

Posted Documentaries

SXSW: Sophie and the Baron

Directed by Alexandria Jackson, Sophie and the Baron is a sweet documentary about an intergenerational friendship that developed into a unique artistic collaboration. Baron Wolman was Rolling Stone’s first chief photographer. Throughout the 1970s he captured iconic images of Woodstock and performers like Johnny Cash, Jim Morrison, Janis Joplin and Jimi Hendrix, just to mention the Js! Sophie Kipner is an artist who specializes in blind contouring. For Wolman photograph was a means of quieting the chaos. For Kipner, blind drawing was a way to get out of the way of her own artistic expression. These two artists unite in a one-on-one collaboration where Kipner reimagines Wolman’s photographs through her unique art style.

Sophie and the Baron is simply  a delight! And I would love to see a full-length documentary on Baron Wolman’s career.

Sophie and the Baron had its world premiere at the virtual 2021 SXSW Film Festival. Visit the official website of the film for more information.

Posted Documentaries

SXSW: WeWork: or the Making and Breaking of a $47 Billion Unicorn

“The company went from a $47 billion valuation to near bankruptcy in just 6 weeks.”

Adam Neumann had a vision. He wanted to revolutionize the corporate world by creating the largest networking community on the planet. Neumann, alongside Miguel McKelvey, founded WeWork, a real estate company, made to look like a tech company, that offered flexible workplaces for small business. Neumann not only wanted to rebel against current office culture where individuals were locked away in offices and cubes, he wanted to bring people together. He was inspired by the iPhone and took the I turned it into We in order to turn the focus away from the individual to a community. His vision of the future consisted of a corporate world that was driven by small businesses and not by large corporations. It seemed like a brilliant idea. WeWork saw exponential growth in its homebase of New York City. The company was intended to be the next unicorn: a privately held start-up with a valuation of $1 billion or more. WeWork was on that patch. However Neumann’s need for total control and the cult-like aspects of the culture he was developing threatened to drive the company into the ground.

Directed by Jed Rothstein, WeWork: or the Making and Breaking of a $47 Billion Unicorn is an engrossing documentary that takes its viewers on a veritable roller coaster ride. Neumann’s story must be seen to be believed. I’ve watched many documentaries about the business world, deeply flawed corporate individuals and business ideas gone wrong and this is one of the cringiest. I put it up there with both Netflix and Hulu’s competing documentaries on the disastrous Fyre Festival. If you watched and enjoyed either of those, I highly recommend checking this one out.

As an introvert, I couldn’t imagine working at a WeWork facility. Neumann’s focus was on community but he neglected the fact that his spaces were for young extroverts and not for those us who crave or who need some modicum of privacy in order to work. Furthermore, this workplace concept seems like a playground for bullies and sexual deviants looking for easy targets. Just learning about WeWork made me happy that work-from-home culture and social distancing is now part of our everyday lives.

My only small beef with the documentary is there is little information about WeWork co-founder Miguel McKelvey. He’s brought up a couple times but never discussed at length. While the focus of the documentary  is Adam Neumann, and to some extent his wife Rebekah Neumann, I would have liked to learn a bit more about McKelvey. 

WeWork: or the Making and Breaking of a $47 Billion Unicorn  had its world premiere at the virtual 2021 SXSW Film Festival. It streams on Hulu starting April 2nd.

Posted BIPOC

SXSW: Executive Order/ Medida Provisória

“I’ve always believed in the power of words… I used to be black… now I’m high melanin.”

Set in Rio de Janeiro some time in the future, Executive Order/Medida Provisória follows Antônio (Alfred Enoch), a young black lawyer seeking reparations from the government for Brazilian citizens descended from African slaves. In retaliation, the corrupt government offers an alternate: social reparation in the form of repatriation to Africa. At first this is offered as a voluntary option and advertised on television and presented to local communities. When it meets with resistance from black citizens including Antônio, his cousin André (Seu Jorge) and his wife Capitu (Taís Araújo), the government quickly changes the offer to an executive order. Martial law ensues to force anyone with “high melanin” back to Africa and the trio must find a way to fight back.

Directed by Lázaro Ramos, Executive Order/Medida Provisória is a harrowing drama that explores race relations and political corruption through a dystopian lens. The plot lacks cohesiveness but overall the film is fairly effective as a thriller. Fans of the Mexican dystopian thriller New Order/Nuevo Orden will definitely want to check this one out.

Executive Order/Medida Provisória at the virtual 2021 SXSW Film Festival.

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