Director Jeremy Ungar and Ivaylo Getov’s new documentary Soy Cubana spotlights four talented women as they travel from Cuba to the US to perform. It also gives viewers offers a window into modern day Cuba. Vocal Vidas is a Cuban acapella quartet made up of Ana Josefina Hernández (Soprano), Maryoris Mena Faez (Contralto-Bass), Koset Muñoa Columbié (Mezzo-Soprano) and Annia del Toro Leyva (Contralto). Together their harmonies are magical. Through song they share various cultures and traditions and captivate audiences with their dulcet tones. In their native Cuba, the Vocal Vidas make money by selling CDs and through tips. They garnered much attention in 2016 when short documentary hit the film festival circuit. In 2017, they were invited to perform and a full-length documentary was shot to chronicle their life in Cuba, their application for a Visa and their journey to Los Angeles where they perform at Mambo’s Cafe, the Vibrato club, and for Grand Performances.
The film lightly touches on the problematic relationship between the US and Cuba. It’s interesting to hear the women gently criticize life in Cuba while also defending their homeland. Soy Cubana is well worth the watch if anything to be captivated by this quartet of resilient women. Be prepared to get up and dance. There is plenty of wonderful music to enjoy.
Soy Cubana hd its world premiere at the virtual 2021 SXSW Film Festival.
“In the 1970s, a new type of crime novel was created in Latin America. It was called Latin Noir.”
The 1970s was a tumultuous decade for many Latin American countries. Many were ruled by dictatorships and corruption infiltrated government, military and law enforcement. It was a time of violence, oppression and abuse of power. Those who spoke up against the powers at be fled for their safety and lived in exile. Writers from Mexico, Cuba, Peru, Argentina, Chile and beyond created their own genre of literature: latin noir/novela negra. These were urban narratives that explores violence, crime and power. It was a subversive type of literature; one that could criticize the dictatorships without being direct. The genre had its roots in crime fiction and film noir. These authors reinvented the genre offering readers thought-provoking literature.
“Violence, dictatorship, corruption, crime, embezzlement and economic woe are painful and present in all the countries of Latin America, creating widespread interest in detectives, guilt and justice.”
Director Andreas Apostolidis
Directed by Andreas Apostolidis, Latin Noir explores the sociopolitical environment that gave birth to this unique literary genre. Apostolidis and crew traveled to five Latin American countries to interview authors, journalists and other experts. Featured in the documentary are Leonardo Padura (Cuba), Luis Sepúlveda (Chile), Paco Ignacio Taibo II (Mexico), Santiago Roncagliolo (Peru) and Claudia Piñeiro (Argentina). Apostolidis sheds light on a lesser known aspect of Latin American history. I wish there had been more information about the books themselves. There is very little and I would have liked to learn more about the path to publication, the impact on readers and the legacy of this literary genre.
Latin Noir is an informative documentary that offers much needed context for a literary genre born out of turmoil.
Latin Noir had its world premiere at the Miami Film Festival