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Double Exposure Film Festival: Burning

The Australian bushfires of 2019/2020,  aka the “black summer”, was one of the most devastating natural disasters in recent history. It would have been one of the defining events of 2020 had the COVID pandemic not spread like wildfire around the world. Over 59 million acres burned causing mass devastation to homes, forests and wildlife and 33 people lost their lives. This catastrophic event is a prime example of the consequences of climate change but many, including Australia’s prime minister Scott Morrison, continue to ignore the warning bells.

Directed by Eva Orner, Burning is a sobering look at the effects of climate change. It’s brutal, unflinching and unfortunately necessary to watch. I’m not sure climate change deniers will be convinced that this situation is real and not caused by “arsons”. But it is enough to wake up anyone even remotely worried about the future of our planet.

Trigger warning: there are images of raging fires and dead animals that some viewers will find disturbing.

Burning was part of the 2021 Double Exposure Film Festival.

Double Exposure Film Festival: The First Wave

Directed by Matthew Heineman, The First Wave chronicles the early days of the pandemic with a focus on Long Island Jewish Medical Center in Queens. New York was one of the hardest hit during the first wave and became the epicenter of this deadly pandemic. This documentary shows ER doctors and nurses in action, trying to save lives, trying to rehabilitate or trying to let go when all other options were exhausted. Two particularly bad COVID cases, that of Ahmed and Brussels, are spotlighted giving viewers painful but necessary insight into what critical COVID patients face in the ICU.

I’ve watched a lot of news coverage and plenty of documentaries about the disastrous effects COVID-19 had on our nation and on the world. None of that prepared me for The First Wave which left me an emotional wreck. I was particularly struck with Ahmed’s story and was rooting for him every step of the way. I can see this film being screened for the public with audience members crying and applauding at different poignant moments. The documentary also touches upon the murder of George Floyd, the subsequent protests and also includes footage of then New York governor Cuomo.

This is an emotional film that serves as a reminder just how truly awful those first months of the pandemic truly were.

The First Wave was part of the 2021 Double Exposure Film Festival.

The First Wave is distributed by Neon.

Double Exposure FIlm Festival: Unrelinquished

Directed by Amina Waheed, Unrelinquished investigates how a lax justice system allows for perpetrators of domestic violence to carry otherwise illegal weapons. In 2018,  22 year Jazmine Willock was found dead in her Tucson, Arizona home. She was the victim of a murder-suicide enacted by her abusive boyfriend. Jazmine is one of many domestic violence victims that die by armed abusers. Waheed’s short documentary examines Jazmine’s case and how others like her are caught in a system that doesn’t fully protect them. The film includes conversations with Jazmine’s mother and sister, a spotlight on another similar case and breaks down the flaws in the justice system. In a time when Gabby Petito’s murde,  and the domestic violence that led to it, has caught national attention, Unrelinquished serves an important role in shedding light on how the system continues to fail these women.

Trigger warning: this film includes crime scene photos, descriptions of domestic violence and audio of Jazmine recounting her boyfriend’s abuse to the police.

Unrelinquished was part of the 2021 Double Exposure Film Festival’s Short Cuts program.

Double Exposure Film Festival: United States vs. Reality Winner

An eye-opening documentary reveals just what went down with the FBI’s treatment and the eventual incarceration of whistleblower Reality Winner.

In 2016, upon discovering crucial information regarding Russian interference with the United States presidential election, Reality Winner leaked confidential documents from her work at the NSA to journalists at The Intercept. What followed was a media showdown, an FBI investigation and a complicated trial. Reality Winner became the eighth whistleblower to be prosecuted under the Espionage Act of 1917 and was soon sentenced to 5+ years in Federal prison. The document she leaked is now public information but at the time of her trial the classified documents couldn’t even be discussed.

Directed by Sonia Kennebeck, United States vs. Reality Winner illuminates the real tension between the public’s right to know crucial information that affects them and the government’s stronghold on that information. It paints a portrait of Reality Winner, someone who believed in exposing the truth but became the pawn in a very dangerous game and paid the price. Throughout the film there are interviews with other whistleblowers, including Edward Snowden, journalists, friends and family, including her mother and sister. It also includes declassified audio of the FBI’s interrogation of Reality Winner, which was released in February 2021  under the Freedom for Information Act.

United States vs. Reality Winner was the opening night film at the 2021 Double Exposure Film Festival.

Double Exposure Film Festival: The Vet Van

Directors Sarah Jenks and Lizzie Mulvey new short documentary The Vet Van follows two low income families as they receive help from a local vet mobile. Lucy the yellow lab is dropping weight quickly. Tabitha has just been diagnosed with Parvo. Their humans seek help from the vet mobile which offers the most affordable options. These dogs bring so much joy to their respective families. But what happens when these much beloved dogs get seriously ill, and treatment, even at a lower rate, is still too expensive?

The Vet Van packs an emotional punch. It’s impossible to watch without shedding a tear or two. In just 30 minutes, the documentary does much to shine a spotlight on an unregulated industry and the low income families who pay the biggest price.

The Vet Van is part of the 2021 Double Exposure Film Festival Short Cuts program.

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