Queering the Script is a new documentary written and directed by Gabrielle Zilkha that explores the effect television has on queer women and vice versa. This is a community that has long been craving representation on screen. From the early days of the internet, queer women have been flocking to message boards to discuss subtext. Online they shared ideas and stories and imagined their favorite TV characters in romantic relationships that otherwise wouldn’t have happened on screen. As the internet evolved and queer female characters became more prevalent on TV, the community got bigger, stronger and more outspoken. The fandom became a force to be reckoned with. This community channeled their energy into all sorts of creative outlets including cosplay, fan art, fan fiction, etc. They traveled to festivals and conventions where they were able to meet their favorite celebrities and bond (and fall in love!) with other queer women. This gave birth to Clexacon, the largest fandom event for LGBTQ+ women and allies.
One of the biggest takeaways from Queering the Script is how queer women have been a driving force in entertainment. They have been outspoken about visibility and representation and this has had a direct effect on storylines and relationships between characters. This has lead to more queer characters on screen. However, there has been an adverse affect of the increase in queer female characters in television. Between 2015 and 2017, over 60 of these characters were killed off. Queer characters are not often the lead protagonists thus easier to kill off and this trend, referred to by the community as Bury Your Gays, had a devastating effect.
Various experts, mostly queer female journalists from a variety of outlets but also fans and TV writers, are interviewed in the documentary. Shows discussed include:
Buffy the Vampire Slayer
Jane the Virgin
The L Word
One Day at a Time
Orange is the New Black
Person of Interest
Xena: Warrior Princess
Queering the Script is an enlightening documentary that shines a much needed spotlight on queer representation. It tackles all sorts of subjects and doesn’t shy away from dealing with hot button issues like body image and racial diversity.
Queering the Script is currently part of Outfest 2019.
“He was that rarest of men. One who simply did what he believed was right. Nothing more, nothing less.” – Charlie Mechem
This month marks the 50th anniversary of the Apollo 11 space mission and the landing of the Apollo Lunar Module Eagle on the moon. Astronauts Neil Armstrong, Buzz Aldrin and Mike Collins set out on a dangerous mission and their accomplishment remains unparalleled to this day. Director David Fairhead’s new documentary simply titled Armstrong focuses on Commander Neil Armstrong. Through archival footage and interviews with the family members and peers who knew him best, the film takes us on a journey through the life of an extraordinary yet reserved man. Actor Harrison Ford narrates the film using Armstrong’s own words in the absence of the man himself who passed away in 2012.
As a young boy fascinated with airplanes, Armstrong sought out a pilot license before he even wanted to drive a car. Soaring above the earth was his natural state of being and his early training as a pilot led to his career as a fighter pilot in the Navy. A near death experience during the Korean War changed his life forever and set the course for his future career as an astronaut. The documentary explores his early days as a pilot, his education and transition into NASA, his home life, the tragic loss of his two year old daughter Karen, his work on Project Mercury, Project Gemini and Apollo 11 and most notably Armstrong’s life and career after that epic mission. Helping paint a portrait of this legendary man are his sons Mark and Rick Armstrong, his first wife Janet Armstrong, his sister June, plus various friends and peers as well as astronauts Joe Engle, David Scott, Frank Borman and Mike Collins, all legends in and of themselves.
The biggest takeaway from the documentary is the lost culture of mid-20th Century Cold War America. Throughout the film, Armstrong is presented as this man who believed in working hard, keeping your nose clean, not complaining and moving on from great tragedies. It was also an innovative time when the field of aeronautics and space exploration was new and rapidly changing. There was this intrinsic desire to accomplish big things for the advancement of mankind. It was a challenging era but also a ground-breaking one. Things have shifted so much and we’ve lost that desire to work hard, keep our emotions in check and to achieve goals for something bigger than ourselves.
Armstrong is an intimate portrait of an extraordinary individual and required viewing for anyone who appreciated Damien Chazelle’s biopic First Manbut craved more. (You can read my review of that film here.) The greatest value this documentary has to offer is the abundance of pristine archival footage, including home video, news clips, footage from NASA, some of which has never before been seen by the public. It plays with format presenting much of this footage in the center of the screen rather than stretching it out to fit the widescreen. A biographical documentary or even a biopic that has the blessing of the subject’s family can be a double-edged sword in terms of output. There’s a benefit of having so much access to people close to the subject but it will come with an inherent bias that will filter the story. Viewers can take the documentary with a grain of salt while still appreciating the fresh new material it has to offer. I for one appreciate what biographic documentaries can do that biopics cannot; rely on the real footage and real stories to tell the story that needs to be told.
Armstrong released in theaters and on VOD from Gravitas Ventures on Friday July 12th.
Moe Berg was an extraordinary human being. The son of immigrant Jewish parents, he developed prowess as a baseball player, studied at Princeton, received his law degree at Columbia, traveled the world, spoke over 10 languages, was the star of the trivia show Information Please and just happened to be a spy for the U.S. government during WWII.
Aviva Kempner’s documentary The Spy Behind Home Plate paints a portrait of the human phenomenon that was Moe Berg. A catcher with a 15 year career in the Major Leagues, Berg went against his father’s wishes to pursue his baseball dreams. From those early days he already showed potential for a future career as a spy. He used Latin and Sanskrit to create secret codes for his fellow baseball players so they could communicate without informing the other team. Berg was part of a diplomatic mission to Japan, led by Babe Ruth, to train Japanese players and share the mutual love of the sport in an effort bridge the growing divide. Berg, the quintessential polyglot, spoke fluent Japanese and hung around in Japan then traveled to Asia and already started gathering intelligence photographing and filming in areas that were forbidden by the local government. During WWII, he was recruited for the OSS Operational Group. He had proven his chops with his fluency in a variety of languages, including German.
A man of the world, Moe Berg was the epitome of brain and brawn. We learn about his extraordinary life through interviews with family members, experts, historians, filmmakers, athletes, sports columnists and figures as well as archival footage and photographs. This documentary is multi-faceted, much like the man himself. It’s a satisfying combination of baseball and WWII history but works on its own as a biographical documentary about a fascinating subject. The film gets a bit muddled with all of the details during Berg’s time in the OSS but those who are well-versed in military history will find much to enjoy here. Film buffs will appreciate the variety of clips from classic war movies included in the documentary.
The Spy Behind Home Plate is presented by The Ciesla Foundation. It released in theaters Friday and there are screenings nationwide through July and August. Visit the official website for information on screenings.
On April 27th, 1953 President Dwight D. Eisenhower signed Executive Order #10450. This order enabled his administration to orchestrate a witch hunt seeking out anyone in the federal government who might be homosexual. These employees were either encouraged to resign or outright fired. They were also denied employment in other branches and sectors of the government. Homosexuals were deemed a “security risk” and denied clearance. They were often threatened with exposure and coerced to name names much like the Communist witch hunt of the McCarthy era. This persecution, known as the “lavender scare”, continued for over four decades until the Clinton administration ended the ban. In the years in between, tens of thousands of employees lost their jobs. Careers ended and lives were forever changed. However in the midst of the Cold War paranoia of the lavender scare, the seed was planted for the gay rights movement. What originally was intended as a moral crackdown helped spur a rebellion against oppression.
Director Josh Howard’s new documentary The Lavender Scare examines a dark time in the history of our government and our culture. The film was inspired by David K. Johnson’s non-fiction book by the same name. Talking heads include Johnson himself, other historians, former government employees who were victims of the bans, their family members and even their persecutors. Notable figures include Joan Cassidy, who served as a captain in the Navy Reserve, and Frank Kameny, an astronomer turned activist. Kameny is by far the most interesting subject in the film. Known as the grandfather of the gay rights movement, he was the first person to fight back against the ban and organized a protest outside the White House in 1965.
“It’s a story that’s both tragic and triumphant. It tells of the heartbreak of those who lost their jobs and their careers – and even their lives – as a result of the government’s brutal tactics. But it is uplifting as well. It shows how the policy of discrimination stirred a sense of outrage and activism among gay men and lesbians and helped ignite what was to become the gay rights movement.”
Director Josh Howard
Howard’s documentary is an interesting mix of first and second hand accounts, FBI files and other written documents as well as plenty of context about the era of the lavender scare. It’s narrated by Glenn Close and features the voices of Cynthia Nixon, Zachary Quinto, T.R. Knight and David Hyde Pierce.
I do wish there was a bit more information about the post WWII when the LGBT community moved to Washington D.C. in search of government work. There were some other bits of history I wanted to know more about (Kinsey Report findings, the AIDS epidemic of the 1980s, etc.) but I felt like the documentary did a surface level look and not a deep dive. There was perhaps too much going on and it lost focus. However, this film serves as an important primer on a lesser known aspect of our government’s history. The Lavender Scare doesn’t leave us in despair but fills us with hope that this dark history is behind us and we can learn from it for a better future.
The Lavender Scare released in NY and Los Angeles this month in time for the 50th anniversary of the Stonewall Riots. Visit the official website to check out dates for future screenings. It will have it’s nationwide PBS premiere on June 18th.
I had first heard about The Creation Museum by way of the Duggars. You remember them. The Quiverfull family who had their own hit show on TLC that went from 17 to 18 to 19 Kids and Counting. It was eventually pulled off the air when their oldest son was involved in a sex abuse scandal and a spin-off show eventually replaced it. On one episode of the 18 Kids and Counting, the Duggar clan visits said museum and I was both fascinated and horrified by what I saw. The fierce protection of their literal interpretation of the book of Genesis meant that dinosaurs had to be explained and Darwin’s theory of evolution had to be debunked. Led by Ken Ham, the president and founder of Answers in Genesis, the museum’s sole purpose is to prove that the Bible is scientifically accurate.
A new documentary, We Believe in Dinosaurs, directed by Clayton Brown and Monica Long Ross visits Petersburg, KY, home of The Creation Museum and the center of a turbulent battle between creationists and pro-science communities. Shot over the course of four years, it chronicles the building of the Ark Encounter, a life-size replica of Noah’s Ark. In addition to interviews with creationists who work for the museum or support its cause, the documentary also follows two outspoken critics. First there is Dan, a pro-science geologist who has had a lifelong fascination with dinosaurs. Then there is David, a former creationist with a lifelong membership to the museum whose Christian beliefs have evolved away from the psuedo-science of creationism. The events in the documentary lead up to the unveiling of the Ark Encounter and the consequent protest. As a whole the film serves as a portrait of a rural conservative town that has a complicated relationship with the Creation Museum and the economic growth that it promises to bring but ultimately fails to.
I’m impressed by how We Believe in Dinosaurs takes a balanced approach to this subject matter even though it’s clear that this is a critique on creationism. We hear from both sides which is quite extraordinary as the creationists are very protective of their ideology. Ken Ham is not interviewed but several others are including a lecturer, one of the artists working on the Ark Encounter and a pastor who orchestrates a protest to the protest.
“The film echoes the present political climate as Americans stare across a divide at one another, science growing ever more politicized and truth dependent on one’s worldview. Given this highly polarized state of affairs, we understand that WE BELIEVE IN DINOSAURS will not convert creationists to the truth of evolution. However, we do believe the film will spark a vibrant dialogue about the thorny intersection of belief, religion, and science, penetrating the cultural “bubbles” in which so many Americans seem to exist.”
– from the directors’ statement by Clayton Brown and Monica Long Ross
As someone who grew up in a Christian denomination that promoted a problematic interpretation of Genesis, I felt closest to David. I wanted to hear more from him. In fact, this would have been a better documentary had David been the center of the story. He’s an in-between figure; someone who’s been on both sides of the creationist vs. science debate and can offer a unique perspective. It would have grounded the story and made it more relatable.
We Believe in Dinosaurs opens up a dialogue about America’s problematic relationship with science. It’s a difficult subject to broach and will make some viewers angry. Where it lacks in storytelling it makes up for in starting the much needed conversation that we’ve all been avoiding.
We Believe in Dinosaurs had its world premiere at SFFilm.