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OVID streams Patricio Guzmán Chilean documentaries

As someone who devours Spanish-language feature films and documentaries, I was thrilled to learn of streaming service OVID’s new collaboration with PRAGDA, a production and distribution company dedicated to promoting films from Latin America and Spain. This month OVID made seven of Chilean director Patricio Guzman’s documentaries available on their service, timed for the release of his newest film The Cordillera of Dreams/La Cordillera de los sueños.

Over the past 40+ years, Patricio Guzman has been chronicling the natural and sociological history of Chile. Guzman’s home country is one of the most fascinating places in the entire world. It’s the longest and narrowest of countries with 2,700 miles/4,300 kilometers of coast line to the west, mountains that border the east, deserts to the north and a southern tip that is mere miles away from the Antarctic peninsula. The Atacama desert is one of the driest places on earth and because of the clear skies and high altitude, it’s one of the best places for astronomers to observe space and is home to several large scale telescopes. Chile’s history is fraught with political turmoil from the brief presidency of democratic socialist Salvador Allende whose government was overturned by a military coup d’etat in 1973. This was followed by the dictatorship of Augusto Pinochet who was eventually charged with human rights violations and embezzlement. 

Guzman offers poignant and emotionally resonant portrayals of Chile. Let’s take a look at the seven Guzman documentaries available to watch on OVID. 

Guzman’s three part epic depicts the tumultuous days leading to the end of Salvador Allende’s presidency and the beginning of Pinochet’s regime. Guzman and five cameramen were on the ground recording the events as they unfolded. One cameraman even died in action and filmed the last moments of his life as he was by the military in a coup. The documentaries also capture the struggle of the working class who are fighting for their rights as the bourgeoisie rise in power.

The three films include The Battle of Chile: The Insurrection of the Bourgeoisie/La Batalla de Chile: La insurrección de la burguesía (1975), The Battle of Chile: The Coup d’état/La Batalla de Chile: El golpe de estado (1977) and The Battle of Chile: Popular Power/La Batalla de Chile: El poder popular (1979).

If you’re uninformed about the tyrant that was Augusto Pinochet, watching The Pinochet Case (2001) is a great place to start. Guzman’s documentary takes a look at the 1998 arrest of the dictator while on vacation in London. Pinochet came into power in 1974 and ruled Chile as a dictator until 1990. Over the years, countless political opponents disappeared. Those who weren’t able to flee Chile for refuge in other countries were imprisoned and tortured. Many were murdered and buried in desert in unmarked graves. Guzman interviews over a dozen of victims who lost family members and nearly lost their own lives during Pinochet’s regime. Guzman also offers archival footage of Pinochet in London as he was charged and tried for human rights violations.

In Salvador Allende (2004), Guzman chronicles the presidency of Allende from his election campaign to his seemingly impossible win, to his short lived term that ended with a military coup d’etat and his eventual suicide in 1973. Guzman interviews family members, friends and colleagues of Allende, a CIA operative, as well as one of the last people to see Allende alive. Guzman always offers some hard-hitting scenes that really encourage audiences to appreciate the gravitas of the story. In this film, Guzman tries to find someone who witness the bombing of Allende’s home and gets a tour of the exact spot where Allende killed himself.

In Guzman’s documentary Nostalgia for the Light (2010), audiences learn about the Atacama Desert, one of the driest places on earth which is home to important telescopes that capture images of space and is also where many victims of Pinochet’s regime are secretly buried. Because it is such a dry place, the human remains found in the desert date back from as recently as the 1970s to as far back as the 1800s and even further back to pre-1400s. Nostalgia for the Light is a quiet and somber documentary about how this unique landscape holds dark secrets of the past and helps us explore a world beyond our own.

In The Pearl Button (2014), Guzman man moves away from the desert to Chile’s coast and waterways. The title is a reference to Jemmy Button, the native of the Yaghan tribe who was brought to England, civilized and brought back. He was paid for with pearl buttons. Upon his return to his native land, he stripped away his newfound British identity but was never able to assimilate back into his tribe and lived the rest of his life in exile. It’s also a reference to the button found fused on a metal rod used to sink a political prisoner’s body to the bottom of the ocean. The most fascinating part of the documentary is Guzman’s interviews with some of the last remaining indigenous people of Patagonia and we hear words spoken in the Kawesqar language.

OVID streams a variety of independent and foreign films. I’m new to the service and am already loving how much they have to offer. Visit OVID.tv for more information.

Slamdance: Jasper Mall

I grew up in the ’80s and ’90s, the heyday of the American mall. Indoor malls were everywhere. They reinvigorated the retail business and gave the community a place to shop, eat, socialize and even to exercise. With the advent of online shopping and the birth of new retail concepts, the indoor mall is rapidly losing its appeal. Countless videos on YouTube show tours of abandoned malls that only have a few businesses running, are on the verge of foreclosure or are just days before shutting down. It’s quite depressing to watch especially for those of us who remember these malls as bustling hubs of activity. 

Bradford Thomasson and Brett Whitcomb’s new documentary Jasper Mall, chronicles one year in the life of a declining mall: Jasper Mall in Jasper, Alabama. What used to be a happening place swarming with teenagers is now a quiet space with only a handful of shops and eateries still open. What keeps the mall going is the dedication of the mall’s manager, whom the film follows closely throughout the year, the elderly visitors who walk the length of the mall for exercise, the Army recruitment center, and the mall’s one remaining anchor store. Despite all the manager’s attempts to keep the mall going, including hosting community events, a Santa Claus meet and greet and inviting a traveling carnival to use the mostly empty parking lot, the mall continues on its steady decline. It’s not a hopeful documentary but there is something inspiring about watching someone fight for something they care for even when our culture threatens to leave that behind. 

Jasper Mall is a fascinating look at a dying enterprise: the American mall.

Jasper Mall had its world premiere at the 2020 Slamdance as part of their Documentary competition. 

Slamdance: Shoot to Marry

“I was hoping to be married by my next colonoscopy.”

Steve Markle

Steve Markle wants to get married. After his disastrous Christmas day proposal to his longtime girlfriend ends in heartbreak, the 42 year old filmmaker goes on a journey to learn more about women, relationships and himself. Over the course of a year he interviews a variety of interesting women, either to date them or to be educated by them. These women include his elementary school crush, a lumberjack, a pilot, a heart transplant recipient, a professional cuddler, a hat designer, a sensual massage coach, a dominatrix, a tattoo artist, another filmmaker, a sex club owner, etc. Steve is willing to try new things and put himself outside of his comfort zone. In traveling to meet with these women, he finds disappointment and enlightenment along the way. Of all the women he meets it’s Erin, the serial date who blogs about only dating for the free meals, whom Steve finds a meaningful connection with. Ultimately, Steve has to learn that his desperation for marriage won’t get the final result he desires. Instead he has to be content with the present if there ever is going to be a future.

Shoot to Marry is a heartfelt documentary that is equal parts introspective, quirky, funny, sad and joyful.

Usually in a review like this I would refer to the filmmaker by his or her last name. But this is such an intimate documentary that in a weird way I felt like I really go to know Steve and through his film I made a new friend. I found myself rooting for him from the very beginning and even felt second hand embarrassment at his failures and sheer joy at his accomplishments. Steve is genuine and funny. I found myself heartily laughing at his one liners. Going for a routine colonoscopy he jokes “it’s probably just cancer.” While filming a tattoo artist named Danielle tattooing another Danielle he observes that what he’s doing is “fucked up” and quips, “I should be making a real documentary about climate change or spelling bees.”

Steve wrote, produced, starred, directed and edited Shoot to Marry. The film chronicles his year long pursuit, which is fascinating on its own, but it’s the coda that comes 5 years later that really makes the documentary something special. And I’ll admit it, I had a good cry by the end. Bring some tissues for this one.

Shoot to Marry premieres at the 2020 Slamdance Film Festival. You can find out more information about this documentary at the official website.

NewFest: All We’ve Got

Lesbian spaces are on the decline. Bars, bookstores and community centers have been closing. What has worked for the lesbian community in the past no longer seems to work now. The language connected to inclusion has shifted and changed. But for queer people in general, a physical space where the community can gather to not only feel safe but to thrive is absolutely crucial.

Director Alexis Clements new documentary All We’ve Got, explores the history behind lesbian spaces with a focus specifically on a selection of existing ones that continue to serve the community and why they have stuck around. The spaces include a lesbian bar in Oklahoma City, The Lesbian Herstory Archives in Brooklyn, a community center in San Antonio, a cafe theatre in New York City and the Trans Ladies Picnic gatherings that happen nationwide.

With each story we learn why these spaces are important, why they fade out and what can be done to help them continue to serve future generations. The viewer spends time not only observing these spaces but hearing from the people who run them. It’s a fairly intimate documentary and broaches a subject that is not only important but timely. The film overall is fairly unpolished and rough around the edges and sometimes noticeably so. I’d love to see this documentary picked up by PBS where I think would be the perfect home for it.

All We’ve Got recently premiered at Newfest in New York City.

Queering the Script

Queering the Script is a new documentary written and directed by Gabrielle Zilkha that explores the effect television has on queer women and vice versa. This is a community that has long been craving representation on screen. From the early days of the internet, queer women have been flocking to message boards to discuss subtext. Online they shared ideas and stories and imagined their favorite TV characters in romantic relationships that otherwise wouldn’t have happened on screen. As the internet evolved and queer female characters became more prevalent on TV, the community got bigger, stronger and more outspoken. The fandom became a force to be reckoned with. This community channeled their energy into all sorts of creative outlets including cosplay, fan art, fan fiction, etc. They traveled to festivals and conventions where they were able to meet their favorite celebrities and bond (and fall in love!) with other queer women. This gave birth to Clexacon, the largest fandom event for LGBTQ+ women and allies.

One of the biggest takeaways from Queering the Script is how queer women have been a driving force in entertainment. They have been outspoken about visibility and representation and this has had a direct effect on storylines and relationships between characters. This has lead to more queer characters on screen. However, there has been an adverse affect of the increase in queer female characters in television. Between 2015 and 2017, over 60 of these characters were killed off. Queer characters are not often the lead protagonists thus easier to kill off and this trend, referred to by the community as Bury Your Gays, had a devastating effect.

Various experts, mostly queer female journalists from a variety of outlets but also fans and TV writers, are interviewed in the documentary. Shows discussed include:

  • The 100
  • Black Lightning
  • Brooklyn Nine-Nine
  • Buffy the Vampire Slayer
  • Carmilla
  • Ellen
  • Glee
  • Jane the Virgin
  • The L Word
  • One Day at a Time
  • Orange is the New Black
  • Orphan Black
  • Person of Interest
  • Riverdale
  • Supergirl
  • Wynonna Earp
  • Xena: Warrior Princess

Queering the Script is an enlightening documentary that shines a much needed spotlight on queer representation. It tackles all sorts of subjects and doesn’t shy away from dealing with hot button issues like body image and racial diversity.

Queering the Script is currently part of Outfest 2019. 

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