“Aloha sustains Hawai’ians by reminding us who we are.”
Hawai’i is one of the most beautiful places on earth and the Kanaka (Native Hawai’ians) feel a strong connection to their homeland. However, over the years life on the islands has become too expensive for the Kanaka to live and thrive. Many move to the mainland to raise their families including director Cris Romento’s family who moved to Vancouver, Washington over thirty years ago. In Romento’s short documentary Dear Aloha, she interviews members of the Hawai’ian diaspora, in particular her father Eric who still mourns losing his homeland. He still feels the pride of his homeland as many in the diaspora do.
The film explores this displacement of Hawai’ians and the ongoing fight for the Kanaka to stay. A tender and bittersweet film with a lot of heart and a bit of hope for the future. I would love to see this expanded into a full-length feature. There are many films about immigration but not enough about diasporas. And the plight of the Hawai’ian diaspora is one that definitely needs to be spotlighted.
Description: “Two Native Hawai’ians living in the Pacific Northwest reflect on how Aloha sustains them amidst distance, loss, and longing.” (source)
Dear Aloha is part of 2025 SIFF’s cINeDIGENOUS festival program.
“If you go back to any industry or anybody coming to this valley, the only thing they’ve been after is natural resources. It was never to build something here. It was always to take something…”
“If you go back to any industry or anybody coming to this valley, the only thing they’ve been after is natural resources. It was never to build something here. It was always to take something…”
When President Andrew Jackson and Congress enacted the Indian Removal Bill, the Choctaw people were the first to be removed from their ancestral land. They were relocated by force to the Kiamichi River valley in Oklahoma. Jackson promised that Native Americans would possess their land “as long as the grass grows and the river runs.” Now in present day, the Choctaw Nation, the energy industry is threatening to stop that flow of water by creating a dam on the Kiamichi River. This puts the rural community and the delicate ecosystem of the valley at great risk. Water is life and changing the flow risks relocating the Choctaw people just like their ancestors had been years before.
Directed by Colleen Thurston, Drowned Land handles a serious subject with delicacy. The breathtaking beauty of the Kiamichi River valley is put on display with some amazing drone footage. Wisdom of the Choctaw members and the concerned locals shines through. The film serves as both a nature documentary and one about Native American history. Drowned Land is a true gem of a film.
Drowned Land is part of 2025 SIFF’s cINeDIGENOUS festival program.
Dana Tiger’s life has been one of both artistic success and great tragedy. Her father was an artistic genius and when he died tragically at the age of 26, Dana, her mother and her siblings took on the family business. They used the father’s art and created their own to start the Tiger silk screening t-shirt business. Highly successful through the 1990s the family thrived until death knocked on their door once again.
Directed by Loren Waters (Cherokee Nation/Kiowa), Tiger is a poetic exploration of art, family, and tragedy. With her body ravaged by the effects of Parkinson’s disease, Dana Tiger exemplifies spiritual strength. She is a gifted storyteller and conveys the importance of carrying her family’s legacy so beautifully in the film. A powerful piece of work made even more potent with its brevity.
Description: “Dana Tiger explores the art of her father, legendary Muscogee Creek artist Jerome Tiger, as a way to know him, the richness of her culture, and her family’s artistic tradition.” (source)
“Building MASS MoCA from the ground up consumed the next 28 years of my life. Those of us who took part in its evolution know that we experienced something rare. I’ve moved on from the museum, but I knew I had to finish writing the story I’d started nearly three decades ago.
It was simply too big, too beautiful, too improbable to leave untold.”
Director Jennifer Trainer
When The Massachusetts Museum of Contemporary Art (MASS MoCA) was conceived it was a revolutionary idea. Instead of fitting the mold of what was expected for an art museum, the team behind MASS MoCA sought out a space beyond the confines of a metropolitan center. Presenting contemporary art—which already breaks many rules on its own—in a larger space and in an area you wouldn’t expect meant limitless possibilities but also an uphill battle just to get the project started. MASS MoCA opened in 1999 in the former Sprague Electric factory in North Adams, MA. This small New England city used to be a thriving hub of factories but like many other cities in America felt the economic after effects when many of these factories closed in the 1980s. MASS MoCA took over a large campus of building complete with bridges and moats and 100k square feet of gallery space. They believed in a light touch; keeping the integrity of the buildings and maintaining their historic dignity while also making each building a functional gallery space. MASS MoCA transformed North Adams into an artist’s community and remains one of the largest spaces for contemporary art in the world.
On the 20th anniversary of MASS MoCA, the documentary Museum Town (2019) tells the fascinating story of the museum’s conception, development and present day work all in the scope of the people who made it happen and the community it exists in. The documentary was directed by Jennifer Trainer, a journalist who in the mid 1980s covered the story of MASS MoCA’s conception and soon became part of its development, Museum (2019). It includes narration by Meryl Streep as well as various talking heads, including local politicians, museum curators and a volunteer who had worked for over 40 years at Sprague and continued to dedicated herself to the campus that had meant so much to her. I was particularly interested in how the film followed the exhibition of artist Nick Cave known for his mixed media art which includes sculptures, found objects and performance art. We get insight into what it takes to plan and install a large scale contemporary art exhibit.
Museum Town beautifully captures a community in transition and a space that offers limitless possibilities for displaying contemporary art in its many forms. It will have you booking your trip to North Adams for a visit.
Donna Summer achieved a level of fame and adoration that few singers have been able to attain. “Love To Love You”, “Last Dance”, and “She Works Hard for the Money” were all major hits and became anthems for sexuality, indulgence and feminism. Despite her incredible celebrity, Donna Summer had always been an enigma. Fiercely private, when she wasn’t on stage Summer was off-limits.
Directed by Roger Ross Williams and Summer’s daughter Brooklyn Sudano, Love To Love You, Donna Summer gives viewers a peak at the real woman behind the iconic image. The documentary is comprised with archival footage from performances, television appearances and home movies along with a few scenes of Brooklyn Sudano in present day interacting with her family. There is no real narration, instead Summer’s story is told primarily through audio interviews with family members and some archival interviews from Summer herself. The film does address her religious beliefs and the controversy surrounding them during the 1980s.
Love To Love You, Donna Summer isn’t as revelatory as it promises to be and leaves the audience with more questions than answers. Donna Summer was and continues to be an enigma and although this documentary gives us a look at her celebrity and personal life, it does so in a fairly biased and roundabout way that will ultimately leave viewers unsatisfied.
Love To Love You, Donna Summer had its US premiere at the 2023 SXSW Film Festival and will be released by HBO in May.
