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A Towering Task: The Story of the Peace Corps

“Helping other nations build the strength to meet their own problems, to satisfy their own aspirations, to surmount their own dangers. The problems in achieving this goal are towering and unprecedented. The response must be towering and unprecedented.”

President John F. Kennedy

The Ugly American by William J. Lederer and Eugene Burdick, published in 1958, demonstrated how Americans working abroad failed to integrate with local communities allowing Russians, who did in fact integrate, to spread Communism. President John F. Kennedy read the book and was spurred to action. His goal was to have Americans volunteer to combat hunger, fight for civil rights and promote world peace by working within the communities they were helping. On September 22nd, 1961, Congress voted to make the Peace Corps a permanent agency.

“To help young Americans understand the rest of the world is vital to American leadership. How can you lead a world you don’t understand?”

Photo courtesy of First Run Features

Directed by Alana DeJoseph and narrated by Annette Bening, A Towering Task: The Story of the Peace Corps is a soup to nuts exploration of the history of this government sponsored volunteer program from 1961 to present day. Viewers learn how the agency has evolved over several presidential administrations with notable high and low points. The documentary features extensive interviews with Peace Corps staff, former volunteers and experts. Notable talking heads include former president Jimmy Carter, Maria Shriver, U.S. representative Joe Kennedy III and former Peace Corps director Carrie Hessler-Radelet. There is plenty of archival footage and photographs of those early days of the Peace Corps. The phrase “A Towering Task” is reference to a document that Sargent Shriver, who was assigned by JFK to put his idea into action, and his task force wrote laying out the plans for the Peace Corps.

Perhaps the documentary’s most significant impact will have is through the voice of the volunteers. The story of Peace Corps volunteers in the Dominican Republic today (helping develop an ecotourism business) and during the revolution in the 1960s is very inspiring. My mother’s family lived through that revolution and received help from Peace Corps volunteers. I was particularly moved by one Dominican woman’s account of how a volunteer brought her rice and beans when she would have otherwise starved.

At first I felt the documentary might whitewash the history of the Peace Corps. However, it does explore some of the issues that have plagued the agency including its reputation as a haven for draft dodgers as well as the inaction on the part of higher ups to address sexual assault. It also discusses whistleblower Kate Puzey, a volunteer murdered in Benin. The film addresses the recent Ebola outbreak in Africa but was made before the current Coronavirus pandemic in which the Peace Corps, for the first time in its history, pulled all of its volunteers from service. 

A Towering Task: The Story of the Peace Corps is a comprehensive look at the history of an agency born out of both patriotism and altruism in an effort to good for mankind.

A Towering Task will have a virtual theatrical release on May 22nd. Visit the First Run Features website for more information.

Posted Female Filmmakers

SXSW: I Will Make You Mine

Rachel (Lynn Chen), Erika (Ayako Fujitani) and Yea-Ming (Yea-Ming Chen) have one thing in common: Goh Nakamura. All three women have romantic ties to the singer-songwriter. Rachel lives a cushy life with her wealthy caucasian husband. His marital indiscretions sour the relationship and Rachel rekindles her feelings for her childhood friend. Erika is a professor and Goh’s ex-wife. They have a daughter together, Sachiko (Ayami Riley Tomine), and the two are reunited when Erika makes arrangements for her father’s funeral. Yea-Ming is a free spirit. Like Goh, she’s a singer-songwriter. She’s been trying for years to make it in the music business and she gets some inspiration from Goh when he’s back in town.

I Will Make You Mine is a beautifully sensitive and lyrical film. It explores the deep emotional bonds of the past and how they can be reignited years later. The film was written, produced and directed by Lynn Chen who also stars as Rachel. It was shot in black-and-white and is Chen’s debut as a screenwriter and director of a feature film. Music is an important part of the film and both Goh Nakamura and Yea-Ming Chen (who play versions of themselves) perform. Yea-Ming sings a beautiful rendition of the title song and the credits roll with Goh performing a touching acoustic number.

“The feeling I most want to share with I Will Make You Mine is hope. Hope that it’s not too late to be the person you dreamed you would be.”

Lynn Chen

I Will Make You Mine was set to have its world premiere at the 2020 SXSW Film Festival. Gravitas Ventures is releasing the film on demand and digital on May 26th. You can pre-order the film on iTunes.

Posted Documentaries

SXSW: Good Ol Girl

“Texas is the place where so much of the entire West was born. There is that sense of freedom. And it has to do with ownership of space.”

Joyce Gibson Roach, Folklorist and author of The Cowgirls

Directed by Sarah Brennan Kolb, Good Ol Girl explores the struggle between long-held traditions and female independence and the slow fade of rural life. This documentary profiles three cowgirls as they try to forge a life for themselves in a man’s world. These are women who want to show that they can compete with the guys and do what they do but still be a woman in their own right.

Mandy is a rancher who raises beef cattle and bison. She’s religious and firmly traditional. She struggles with the internal battle of opposing desires: to thrive as an independent business woman and to be a wife and mother. 

Sara is the next in line to run the family ranch. However, she bucks with tradition and decides to pursue her dream of becoming a lawyer. 

Martha desperately wants to work in agriculture but can’t find a job. With the encroaching suburbs, land is far more valuable for housing development than it is for ranching making job options scarce.

“I was born and bred to be a cowgirl.”

Martha Santos

Filmmaker Kolb grew up in Texas and says this about what she observed:

“Strict adherence to ‘traditional’ gender roles, political powerlessness over one’s own body, and the assumption that a woman’s place was safe inside a ranch-style house, permeated the lives around me. Like most women, I discovered that accepting the dissonance between the person you are on the inside, and the face you present to the world, is part of growing up.”

Good Ol Girl effectively demonstrates the struggle these women face to live within the confines of their strictly gendered upbringing while also seeking independence through their respective careers. The documentary felt uneven at times. Mandy’s story was far more interesting. For those of you sensitive to footage of dead animals, there is a particularly jarring scene where Mandy discovers one of her heifers died during childbirth. I still can’t get that image out of my mind.

Good Ol Girl was set to have its world premiere at the 2020 SXSW Film Festival. Visit the official website for more information.

Posted Female Filmmakers

SXSW: Crestone

A group of SoundCloud rappers live in isolation in the desert of Crestone, Colorado. The end of the world is nigh and this group of friends spend those final days making music, getting tattoos, eating the last of their food stores and smoking weed. In Crestone they reconnect with themselves and their music. Their seclusion sparks their creativity. However, they ignore the warning signs that they must flee their remote haven. In the midst of it all, a woman director is filming them for her documentary, capturing their spirited rebellion.

“Performing and being became indistinguishable.”

“What does music sound like if there is no one left to repost and share it?”

Directed and co-written by Marnie Ellen Hertzler, Crestone is a hybrid feature film/documentary putting real SoundCloud rappers (Huckleberry, Keem, Mijo Mehico, Benz Rowm, RyBundy, Sadboytrapps, Champloo Sloppy, and Phong Winna) in an imaginary pre-apocalyptic world. Crestone is Hertzler’s debut feature film and it’s quite an auspicious start. Hertzler mixes filmmaking styles, enhances visuals with added designs and creates an inherently contradictory cinematic world by placing internet musicians in a remote natural landscape. So many of us right now are living in seclusion as the coronavirus spreads across the globe. In a weird way, I felt a connection with this group of rappers whose lifestyle is so completely different from my own with the exception of that I too am stuck in isolation and working on my craft.

“I am drawn to this group of people as a filmmaker because of their ability to completely and confidently reinvent themselves over and over. Their transformation isn’t simply a wardrobe change or a new playlist; it is an entire upheaval of their previous lives.”

Marnie Ellen Hertzler

Crestone was set to have its world premiere at the 2020 SXSW Film Festival. Visit the official website for more information about this movie.

Posted Female Filmmakers

SXSW: I’ll Meet You There

“The yearning of the dance was the yearning of the spirit to be reconnected with god.”

Written and directed by Iram Parveen Bilal, I’ll Meet You There is a moving portrayal of a family trying to reconnect with each other. The story follows three generations of a Pakistani-American family living in Chicago. Majeed (Faran Tahir) is a city cop tasked with investigating the local mosque’s potential terrorist ties. It’s a great opportunity for his career but it also means he’ll have to bridge the divide between himself and his faith while also betraying his community. Majeed is a widower trying to raise his teenage daughter Dua (Nikita Tewani) on his own. Dua is a dancer, something she inherited from her mom, who teaches dance at a local nursing home and is preparing to audition for Julliard. But as she connects with her Muslim faith she realizes that her culture and passion for dance are at odds with each other. She takes private lessons with her aunt Shonali (Sheetal Sheth) to learn the dance style her mother used to perform. Dua must hide her freer lifestyle from her grandfather Baba (Qavi Khan). Baba has been estranged from his son Majeed since the death of his daughter Fatima, Dua’s mother. Baba’s traditional ways are at odds with Dua’s more modern lifestyle and Majeed finds himself in the middle of a contentious family dynamic. At the heart of it all is their love for each other which transcends the generational divide.

“I’m a better filmmaker and human being because this film exists; by its existence, this project is questioning mainstream discourse on Muslim American identity, immigrant assimilation and the question of nationalism.”

Iram Parveen Bilal

I’ll Meet You There is a heartfelt film with complex characters who grow and change as the story progresses. It’s a sweet, sensitive film that adeptly explores all the nuances of Pakistani culture and the Muslim community. For Pakistani-Americans it offers a mirror and for everyone else a window into a culture that is not our own. I’m drawn to films like this one that explore the family dynamic and how individuals forge their own destinies. I highly recommend I’ll Meet You There to anyone who wants to broaden their horizons or just wants a sincere family tale.

I’ll Meet You There was set to premiere at the 2020 SXSW Film Festival.