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I Care a Lot

Marla Grayson (Rosamund Pike) craves the kind of power-wielding money rich people have. In order to get her hands on that money, she becomes a professional caretaker. But not just any caretaker. A grifter. Working alongside her girlfriend Fran (Eiza Gonzalez) and a network of shady doctors and nursing home executives, she finds targets for her scam: wealthy older people, many without next of kin, whom she can lure into her trap. She becomes their legal guardian, strips them of all of their assets and waits for them to wither away in a nursing home. Marla’s next target,  Jennifer Peterson (Dianne Wiest), seems  like an ideal candidate for her scam. But Marla gets much more than she bargained for as she faces Roman (Peter Dinklage), Jennifer’s son and the head of a dangerous underground network of criminals.

Directed by J Blakeson, I Care a Lot is a satisfyingly twisted tale. The villains are decidedly nasty and when they enter an all out battle of wits and violence, you don’t know who to root for. Rosamund Pike plays Marla with an icy cool and strength that makes her character endlessly fascinating. She’s not a one-note character. Audiences with be conflicted by their feelings towards Marla. They’ll hate her but they’ll hate her opposition more.

Every twist and turn of the story kept me guessing. Even when I thought I had found something I thought would be predictable, the plot goes in a different direction. I recommend going into this film knowing as little as possible (hence the spoiler free summary above). 

I do wish we knew a bit more about the characters and how they became criminals. Pike says one line about money and power that seemed absolutely key to her character’s motivation but we only get that one nugget. The movie focuses more on plot than character development. I also didn’t care for the depiction of vaping which is problematic at best.

I  Care A Lot is streaming on Netflix.

Wheels

“We work during the day. We dream at night.”

Max (Arnstar) is a Brooklyn DJ who dreams of making it big. But for now, he’s working at the local grocery store and relegated to playing music at kids’ birthday parties.  When he’s not working, Max is taking care of his grandma (Dorothi Fox) and trying to keep out of trouble. The latter is difficult to do when his brother Terry (Joshua Boone), fresh out of prison, gets caught up with a local gang. Max meets Liza (Shyrley Rodriguez), a dance teacher, and the two are drawn to each other. They both have the talent and the drive to make things happen but something is holding Max back.

Directed by Paul Starkman, Wheels is a sensitive portrayal of an artist’s struggle to survive and thrive despite his circumstances. The film has a decidedly classic sensibility with its black and white cinematography and ’70s TV style intro. It has a great sense of place with many beautiful shots of Brooklyn’s urban landscape. The music in the film is infectious and hooks you in. Arnstar and Rodriguez have playful chemistry on screen and Boone and Arnstar play well off each other as brothers who don’t see eye-to-eye but care for each other deeply. DJ Max is sincere and earnest and Arnstar brings an authenticity to the character that makes these elements shine through.

Wheels is available on iTunes, Vudu, Tubi, Amazon Prime and other streaming/rental services. Find out more information about the film on the official website.

Slamdance: Bare Bones

Meryem Lahlou’s short film Bare Bones is a magnificent piece of experimental cinema. It’s a visual masterpiece that in a mere 10 minutes makes the the viewer contemplate the meaning of their own existence. The film begs the question: who  are we when we all share the same face? Stripped of everything that gives us our individuality, what kind of existence would that be? In this 3D animated short, we see homogenous creatures in motion, moving about in minimalist spaces. A disembodied voice dissects the human experience.

The filmmaker was inspired to tell a story about identity. In her director’s statement Meryem Lahlou writes

“I chose to put humanity in a hostile and extreme context, where the earth has lost its abundance, where plastic is the most available resource, where the collective consciousness is reduced to survival.”

This film gave me serious Fritz Lang vibes. I couldn’t help but think of Destiny (1921)  and Metropolis (1927). The visuals in Bare Bones are absolutely stunning. Watch it once as a meditation and a second time as art.

Bare Bones was screened as part of the virtual 2021 Slamdance Film Festival. Learn more about the film here.

Slamdance: Autoscopy

A sound engineer escapes into the Swedish countryside to record nature sounds. On this venture he stumbles upon an abandoned flotation device. After a night of sound mixing and imbibing homemade mushroom tea, he has an out of body experience that is out of this world.

Directed by Claes Nordwall, Autoscopy is a 14 minute short film that speaks to the mystery and magic of nature. It’s more than a short film, it’s an experience. It offers stunning aerial cinematography and out-of-this-world sound effects. The director writes “this short film stands on its own but is also intended as a proof of concept for a feature currently in development.” Now that’s a feature film I would watch!

Slamdance: Workhorse Queen

With the worldwide popularity of RuPaul’s Drag Race,  drag queens are having a renaissance. For Ed Popil (aka Mrs. Kasha Davis) getting on to the show was the ultimate dream. It would give him the fame and opportunity to take his career to the next level.

After years of trying to conform to the heteronormative ideal imposed on him by his parents and community, Ed Popil left it all behind in order to go on a journey of self-discovery. He landed in Rochester, New York to start afresh. It was there he developed his drag queen persona, Mrs. Kasha Davis, a sassy ’60s housewife who loves a good cocktail. He became part of the local drag community and with the help of his husband became a personality. But can Ed take his Mrs. Kasha Davis persona to the next level?

Directed by Angela Washko, Workhorse Queen is an intimate portrait of a drag queen’s personal and professional transformation. It documents the ups and downs of Ed Popil’s life and career. It’s themes of being true to yourself and achieving your dreams will resonate with audiences. The film has a positive vibe but avoids being a puff piece by demonstrating the struggles along with the triumphs. A must see for fans of RuPauls’ Drag Race.

Workhorse Queen  premiered at the virtual 2021 Slamdance Film Festival.

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