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SXSW: We Feed People

“Food is an agent of change.”

José Andrés

World renowned chef José Andrés’s humanitarian efforts are the subject a new documentary by director Ron Howard. We Feed People chronicles Andrés and his team at the World Central Kitchen as they provide much needed food to communities suffering from aftermath of natural catastrophes. 

Andrés is a remarkable chef in his own right with 30 restaurants in the US, several cookbooks, his own cooking show and bragging rights for introducing Spanish tapas to the American dining scene. But his work as a humanitarian has elevated him to veritable hero status. The story begins with the 2010 earthquake in Haiti. Andrés heard of the disaster and traveled there to help provide food to Haitians in need. He realized that not only was food necessary for disaster relief, these people needed real meals, not just shelf-stable rations. Andrés realized that meals that could be made on site, were easily transportable and were part of the already established local cuisine would bring sustenance and comfort to the people. The documentary captures the work of the World Central Kitchen in Puerto Rico after Hurricane Marica, Guatemala after a volcanic eruption, the Bahamas after Hurricane Dorian, Arizona during COVID and more.

If We Feed People is the official application for Andrés’s future Nobel Peace Prize it’s a good one at that. Howard’s documentary clearly demonstrated that Andrés is one of the great humanitarians of our time. However it does not glamorize Andrés. We witness the stress, the financial burden and the many challenges that come with the important work Andrés has done. This film will move audiences to tears and hopefully inspire some to take on their own philanthropic cause.

We Feed People is awe-inspiring and simply brilliant.

“I’m good in seeing opportunity when others see mayhem.”

José Andrés

We Feed People had its world premiere at the 2022 SXSW Film Festival. It’s distributed by National Geographic Films.

Sundance: Piggy

13 year old Sara (Laura Galán) is incessantly bullied by her peers because of her weight. On a hot summer day, after helping her dad out at his butcher shop, she heads over to the pool to cool off. There she endures harassment by the local girls who call her “Piggy” and stealing her backpack and shoes. When she makes the treacherous walk back home, she witnesses a mysterious stranger kidnaping the three girls who only moments ago were tormenting her. This man has been killing random people in the area but has a particular interest in punishing the people who hurt Sara. She’s conflicted by the attention given to her by this man and whether to help the local community find the girls before it’s too late.

Written and directed by Carlota Pereda, Piggy is enjoyable light horror with some problematic elements. It’s based on the short film by the same name released in 2018. It expands the story into a full length horror film. It reminded me greatly of the last 20 minutes of Catherine Breillat’s 2001 film Fat Girl. Both feature heavyset 13 year old girls who are favored by a much older serial killer and must endure the trauma of not being accepted because of their appearance. 

In Piggy, the actress playing Sara is in her mid 30s yet the character is 13. The age difference is very apparent and we have to really suspend our disbelief in order to buy that the character is a pre-teen and not a grown woman. Also, there were a couple of scenes in which Sara devours junk food. These do not serve the plot whatsoever and could have easily been removed to avoid reinforcing stereotypes.

Piggy premiered at the 2022 Sundance Film Festival.

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