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Posted Film Festivals

Redux Redux

Irene Kelly (Michaela McManus) is seeking revenge on Neville (Jeremy Holm), the man who killed her daughter. But it isn’t enough to kill him once. She needs to travel through the multiverse killing him again and again in every timeline possible. Her methods of tracking down and killing Neville vary through each scenario and she’s able to escape and restart her mission by way of a coffin-like time machine. Irene has lost track of how many timelines she’s lived through or what exactly happened before she started traveling the multiverse. And while she’s grown weary and bitter, she continues on. However, things change when she meets Neville’s latest victim Mia (Stella Marcus), a headstrong 15-year-old who quickly becomes Irene’s sidekick. The timelines get increasingly complex now that there is a second person and Irene must now come to terms with her purpose while helping Mia escape her dreaded fate.

Image courtesy of the McManus Brothers.
Michaela McManus in Redux Redux. Image courtesy of the McManus Brothers.

Written and directed by Kevin and Matthew McManus, Redux Redux is a riveting revenge thriller held up by two strong female protagonists.

I love how the multiverse and time travel elements are never gimmicky. The conceit flows smoothly through the film and the viewer will enjoy the ride without having to have the technology or methodology explained to them. Irene Kelly is a wonderfully badass yet flawed character and the story really revs up when she’s joined by her younger counterpart Mia. Michaela McManus and Stella Marcus are stellar in their roles. Actor/filmmaker Jim Cummings has a small role as Jonathan, Irene’s grief counseling hookup.

Fans of time loop films like Groundhog Day (1993) and Palm Springs (2020) and multiverse films like Sliding Doors (1998) [which is referenced in Redux Redux] Everything Everywhere All at Once (2022) will find a lot to enjoy in this indie genre film.

Image courtesy of the McManus Brothers.

The filmmaking duo the McManus brothers also wrote and directed another sci-fi horror movie The Block Island Sound (2020) [check out my review here] which also co-starred their sister Michaela McManus.

Redux Redux is produced by Mothership Motion Pictures and had its world premiere at the 2025 SXSW Film and TV Festival.

Redux Redux is distributed by Saban Films and is releasing nationwide in theaters February 20th, 2026.

Posted Film Reviews

Late Night with the Devil

Heeeeeeeere’s the Devil!

TV show host Jack Delroy (David Dastmalchian) needs to find a way to revive his flailing late night show. He’s in steep competition with rival Jack Carson and after the chart-topping episode where Jack brings on his dying wife Madeleine (Georgina Haig) his life has been in a downward spiral. Jack Delroy and his team come up with what will be a sensational special to help revive the show. Special guests include medium Christou (Fayssal Bazzi), hypnotist and paranormal naysayer Carmichael Haig (Ian Bliss)  and Jack’s new girlfriend June Ross-Mitchell (Laura Gordon) whose ward Lilly (Ingrid Torelli) is possessed by a demon referred to as the Wiggler. What Jack and his sidekick Gus McConnell (Rhys Auteri) carry the show with great enthusiasm until the events of the evening take a sinister turn.

Written and directed by Cameron and Colin Cairnes, Late Night with the Devil is a thoroughly enjoyable horror that embraces the aesthetics and the dynamics of 1970s television. The movie has elements of found footage horror and switches from color to black-and-white depending on whether the show is on air or on commercial break. The intro and title card presentation are era specific as are all of the other visual details in the movie’s overall design. Fans of the era—especially those who love The Tonight Show Starring Johnny Carson—will appreciate the costuming, the movie’ filtered sheen and the ’70s kitsch. David Dastamalchian does a fantastic job carrying both the movie and the TV show as the disturbed Jack Delroy. His character as well as Ian Bliss’ disruptive Carmichael skillfully tap into the unsettling nature  of live television.There is a storyline about a Faustian-like bargain that isn’t quite fleshed out which was my only real disappointment with the film.

Possible movie pairings: Network (1976),  Joker (2019), Prime Time (2021), Satan Wants You (2023).

Late Night with the Devil  is distributed by IFC Films.

Posted Film Reviews

Shudder: Offseason

Written and directed by horror filmmaker Mickey Keating, Offseason imagines an isolated resort town as the center of tourism and paranormal activity.

When Marie (Jocelin Donahue) receives word that her mother Ava’s (Melora Walters) grave has been desecrated, she and her ex George (Joe Swanberg) travel to Block Island to meet with the cemetery caretaker. It’s the end of summer and the island has just been closed off to tourists. But Marie and George can’t wait until spring when the island re-opens so they convince the bridgekeeper to let them through. Upon arrival, Marie can’t find the caretaker or  anyone connected to the cemetery. And the year-round residents she does encounter are all behaving oddly. When the two try to leave the island, they discover that all roads lead to nowhere. Marie reveals to George the mythology her mom shared with her about Block Island. After many years of devastating storms, the island residents made a deal with a water monster/demon for eternal salvation. The deal came at a price. Marie doesn’t believe this is true but knows that her mother Ava has always feared this place. Will Marie and George be able to get off the island in time? Or will they be trapped there for eternity?

The Shudder original film Offseason offers some fun summertime spooks especially for those who love demonic/paranormal horror. It’s an interesting concept and I was drawn in by the trailer. Don’t go in expecting too much as it has some confusing mythology and questionable dialogue (ex: “I’m going to shoot you and it’s going to hurt.”). The best part of the film is Melora Walters’ performance as Ava, the tormented mother. Her opening monologue is quite captivating.

Offseason premieres on June 10th on Shudder.

Posted Female Filmmakers

SXSW: Bodies Bodies Bodies

When Sophie (Amandla Stenberg) takes her girlfriend Bee (Maria Bakalova) to David’s (Pete Davidson) mansion for a hurricane party, their reception is tepid at best. Sophie is out of rehab and had stayed away from her booze and drug loving friends for a bit of space. As the group starts to get acquainted, they play a murder mystery game called “Bodies Bodies Bodies” where its tag you’re dead. What starts off as an innocent game starts to get deadly when friends start turning up dead and the hurricane has knocked out the power and cell phone reception. 

Directed by Halina Reijn, Bodies Bodies Bodies is a helluva lot of fun. I attended the world premiere at the Paramount Theatre in Austin, Texas and the crowd roared with laughter. Rachel Sennott  has a standout role as Alice, the daft friend whose much older boyfriend Greg (Lee Pace) becomes the first suspect. She’s got some great lines and is really the heart of the film’s comedic core.

When the lights are off, the characters must navigate through darkness guided by only the light of their smartphones. This adds a cool and creepy element to the movie. There is also a delicious twist at the end. Bodies Bodies Bodies offers a great combination of spooks and laughs that is sure to please horror fans.

Director and cast of Bodies Bodies Bodies at the world premiere.

Bodies Bodies Bodies had its world premiere at the 2022 SXSW Film Festival.

Posted BIPOC

Sundance: Master

“It’s never going to change.”

The presence of three black women at a predominantly white New England college unleashes a dark and mysterious force in the new horror movie Master. Written and directed by Mariama Diallo in her feature debut, the film stars Regina Hall as Gail Bishop, the new “Master”, aka dean of students, for the fictional Ancaster College. As Bishop tries to settle into her new role at Ancaster, she’s tasked with guiding the board of directors in deciding whether the only black professor on campus, Liv Beckman (Amber Gray), deserves tenure. One of Beckman’s students, freshman Jasmine Moore (Zoe Renee), is struggling to acclimate to Ancaster as she’s constantly confronted with subtle but potent forms of racism from faculty, staff, and fellow students. Ancaster is known to be haunted by a former student and Jasmine happens to have been assigned the same room where the student had committed suicide decades before. As the holidays approach, the deeply rooted racism that has been part of Ancaster’s history from the very beginning manifests itself into an evil force that is hellbent on destroying the women.

Master tackles one of the horrors of our everyday world. In the film, racism haunts its victims like a ghost. It’s a mysterious force that takes many forms and is passed down through generations. It persists no matter how much the characters struggle against it or how much they’re gaslit to believe that progress has been made. Diallo effectively demonstrates the power of racism in pretty much every aspect of this film. The message is there: racism will never truly go away. And that is a horrifying reality.

A must-watch, especially for the performances by Regina Hall and Zoe Renee.

Master premiered at the 2022 Sundance Film Festival and will be available on Amazon Prime March 18th.

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