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SXSW: Blackheads

“Don’t you ever want to do anything destructive?”

Sophia just broke up with her boyfriend. When she calls up her therapist, Dr. Blady, to discuss the matter, Sophia is hit with some outdated advice about gender roles and romantic relationships. It doesn’t help that she can’t get her mind off of her ex or the huge blackhead on her nose. Sometimes you just need to clear your life of toxic people… and clogged pores.

Watching Blackheads is as satisfying as squeezing a clogged pore and watching all the pus come out. I couldn’t help but connect with the story of a woman struggling with anxiety, a bad therapist and self-destructive tendencies. And for those of you who love to pop a zit, the climax of the film features a glorious stop motion extraction. Blackheads clocks in at 7 minutes and 46 seconds and features stop animation with 2D animation. It’s directed by Emily Ann Hoffman, a fine artist and animator who, according to her website, explores “female sexuality, body and vulnerability through a comedic lens.” I’m definitely impressed with Blackheads and eager to see more work from Hoffman.

Blackheads was set to premiere at this year’s SXSW film festival. Filmmaker Emily Ann Hoffman is making Blackheads available to the public on Vimeo from 3/15 to 3/16. You can watch it here. For more information about Hoffman’s work, visit her online portfolio.

SXSW: Basic

A dumb lil’ ho doing lil’ ho things.

Kaylinn (Georgia Mischak) is basic. She’s pretentious as fuck, has no friends and documents her sad life with endless selfies. Gross. At least that’s what Gloria (Chelsea Devantez) wants to believe as she scrolls through Kaylinn’s Instagram. Gloria is dating Nick (Nelson Franklin) and is participating in the time-honored tradition of projecting one’s insecurities by cyber stalking her boyfriend’s ex. Maybe it’s time for Gloria to get over it? Or maybe she needs to scroll through a few more pictures first?

Basic packs a punch in a mere 3 minutes and 3 seconds. This short is written, produced and directed by Chelsea Devantez who also stars in the film. Basic is relatable in so many ways. For many women dating in the age of social media, there’s so much at stake with our already fragile egos and the pressure to present ourselves in the best possible light. And in the early days of a relationship, building confidence is difficult and takes time. It’s easy to slip and become infatuated with a perceived threat that doesn’t really exist. I’ve been in Gloria’s situation before. I have cyber-stalked a boyfriend’s ex. I have said some things that reveal some deep-seated insecurities and pettiness.

Basic is funny, engaging and endlessly watchable. It was shot over 2 days in LA with a small crew and tiny budget. The production quality is fantastic and I really loved the aesthetics and the film’s soundtrack. All three actors were great but I was especially entranced by Mischak and Devantez’ performances. If you’re on the lookout for a relatable comedy, look no further than Basic.

Basic was set to premiere at the 2020 SXSW Film Festival. It will be released online on 3/19 as part of the Shorts of the Week’s SXSW virtual fest

Update: You can watch Basic over on Vimeo!

Period. End of Sentence.

“Women are the base of any society. And women are more powerful. But they don’t recognize themselves. They don’t know how much power they have and what they can do.”

Menstruation. It’s not a subject people like to talk about but it’s one that shouldn’t be ignored. Director Rayka Zehtabchi new documentary Period. End of Sentence., follows a group of women from a small town outside of Dehli, India. We learn that menstruation in this patriarchal culture comes with a deeply rooted stigma. It’s embarrassing to talk about and the women use dirty cloths or whatever they can get their hands on during their time of the month. They’re not allowed to pray when menstruating and are essentially isolated from their community until their cycle is over. Many young women even leave school shortly after they get their first period.

Alarmed by these findings, a group of students from Oakwood High School in Los Angeles, California, with the help of The Feminist Majority Foundation’s Girls Learn International program, banded together to start The Pad Project. They raised funds for the equipment that would help these women create their own sanitary pads. The inventor of the machine, Arunachalam Muruganatham, trained the women in the art of making sanitary pads. With this knowledge, these women were empowered to not only overcome their shame but to start a new phase in their lives as enterprising career women making and selling sanitary pads in their community. For some of them, this was their first job and a chance to learn a trade and become successful at it and to earn money for their household and for themselves.

Out of all the Academy Award nominated documentaries (short subject) this is by far my favorite. Period. End of Sentence. is a feminist manifesto that demonstrates how empowering women can make a huge difference. It’s moving, endearing and full of hope. This film touched my heart and I hope it’ll do the same for you.

“The strongest creature on Earth is not the elephant, not the tiger, but the girl.”

Arunachalam Muruganatham

Period. End of Sentence. is nominated for a 2019 Academy Award for Best Documentary (Short Subject). The film premieres on Netflix February 12th.

A Night at the Garden

On February 20th, 1939, over 20,000 Americans gathered at Madison Square Garden in New York City for a Nazi rally. The organizers invited the press to cover the event and as a result we have footage of this little known event in US history. Director Marshall Curry in his 7 minute short documentary A Night at the Garden, offers a glimpse into this historic event. The film captures A Pledge of Allegiance, a speech as well as a protester who storms the stage only to be apprehended quickly by police detail.

Curry’s film offers a glimpse into an event that happened 80 years ago but is still eerily relevant today. This documentary is as timely as ever with the recent resurgence of white supremacy in the US. The pro-American, Anti-Semitic and anti-press rhetoric from 1939 is no different from rhetoric spoken in 2019. A Night at the Garden is just as much a window into the past and as it is a mirror reflecting the present.

A Night at the Garden is nominated for a 2019 Academy Award for Best Documentary (Short Subject). Visit the official website for more information.

End Game

“There’s nothing inherently medical in dying. It’s much larger than medicine. It’s purely human.”

Death is not something we want to talk about but it’s something we have to talk about. Directors Rob Epstein and Jeffrey Friedman’s documentary End Game explores this final phase of life through the stories of 5 terminally ill patients living through it: Mitra, Pat, Kym, Thekla and Bruce. Filmed at the Zen Hospice Guest House in San Francisco, End Game primarily focuses on Mitra an Iranian woman dying of a terminal illness. We see her family, notably her husband and mother, struggle with the decision to fight to keep her or to let her go. As Mitra condition worsens, the window of time they have to make that decision gets shorter and their options are fewer. Through the other stories we see how different individuals make those final choices of how they will live until they die.

In 2015, my father passed away in hospice after a long decline. His death was brought on by a sudden condition that left him in much pain. I know what it’s like to have those long difficult conversations about how your loved one should die, how you should honor their wishes and how to give them the most comfort in their final days.

End Game is painful to watch and maybe you’ll think you can’t get through all 40 minutes of it. But you can and you will and you’ll be better for it. It tackles a difficult subject in a sympathetic and respectful way. 

End Game is nominated for a 2019 Academy Award for Best Documentary (Short Subject). It’s available to watch on Netflix.

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