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Black Sheep

“The only way I’m going to survive is if I become like them. If I fit in.”

Cornelius Walker

On November 27th, 2000, 10 year old Damilola Taylor, a Nigerian British boy was murdered. Cornelius Walker was the same age and same skin color as Damilola. Walker’s mom feared for her son’s safety and the family moved away from London and into Essex. Unfortunately for Cornelius, he faced relentless racism by white supremacist kids in his new neighborhood and school. When things escalated to violence, Cornelius decided enough was enough. He needed to fit in. Then began his transformation. He changed his clothes, learned how to speak like the locals, straightened his hair, bleached his skin and wore blue contact lenses. The white kids accepted him as one of their own but it came at a great cost. 

Black Sheep is directed by Ed Perkins and distributed by The Guardian. The documentary begs the question: what lengths would you go to fit in? For Cornelius the joy in acceptance came with the shame of how it was achieved. His story is told through an extended interview with Cornelius Walker and reenactments of the scenes performed by Kai Francis Lewis. This is a compelling documentary about a difficult subject. It strips Cornelius’ story down to its basics. This is not about Damilola Taylor or about white supremacy in England. This is simply the story of a young black man struggling with identity due to this tremendous hatred he faced simply because of the color of his skin.

Black Sheep is nominated for a 2019 Academy Award for Best Documentary (Short Subject).

Posted 1 Comment on Slamdance: Slip Road Film Festivals

Slamdance: Slip Road

A man drives down a slip road into the woods. With him inside the vehicle is a mysterious creature. They exchange no words. The car stops when the man encounters children, all dressed in white, who proceed bang on the car from the outside. Once they disappear, he makes his way through a group of adults who are partying in front of a bonfire. The creature is waiting on the other side of a muddy pond. It’s time for the man to fulfill his end of the bargain with the creature and continue his journey.

Slip Road is an ominous and mysterious short film that begs the viewer to extrapolate their own meaning from the series of events in the story. I saw the film as a metaphor for creation and sacrifice. The slip road and the children represent a birth. It’s also the first sacrifice the man must make. He must ignore the children, and the prospect of being a father. He then makes his way through the party but choses not to participate. When he brings a sacrificial offering to the creature, a baby wrapped in a white blanket, the creature drowns him and another version of the man appears. To me this represented more sacrifice. The man must abandon the party life if he wants to fulfill his end of the bargain with the creature and become a creator. I also reinterpreted the whole film as the abandonment of one way of living in order make way for another.

Slip Road was written, produced and directed by Australian filmmaker Raphael Dubois. It stars Izaak Love as the man ‘Wendell’ and Sohaib Zaman as the creature. There is no dialogue but some powerful yet quiet performances from the two stars. It’s beautifully shot with stunning imagery. I was very excited to see this after watching the trailer and it was even more mysterious than I expected.

Slip Road premiered at Slamdance 25 as part of the Anarchy Shorts series.