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Posted Film Festivals

SXSW: Blackheads

“Don’t you ever want to do anything destructive?”

Sophia just broke up with her boyfriend. When she calls up her therapist, Dr. Blady, to discuss the matter, Sophia is hit with some outdated advice about gender roles and romantic relationships. It doesn’t help that she can’t get her mind off of her ex or the huge blackhead on her nose. Sometimes you just need to clear your life of toxic people… and clogged pores.

Watching Blackheads is as satisfying as squeezing a clogged pore and watching all the pus come out. I couldn’t help but connect with the story of a woman struggling with anxiety, a bad therapist and self-destructive tendencies. And for those of you who love to pop a zit, the climax of the film features a glorious stop motion extraction. Blackheads clocks in at 7 minutes and 46 seconds and features stop animation with 2D animation. It’s directed by Emily Ann Hoffman, a fine artist and animator who, according to her website, explores “female sexuality, body and vulnerability through a comedic lens.” I’m definitely impressed with Blackheads and eager to see more work from Hoffman.

Blackheads was set to premiere at this year’s SXSW film festival. Filmmaker Emily Ann Hoffman is making Blackheads available to the public on Vimeo from 3/15 to 3/16. You can watch it here. For more information about Hoffman’s work, visit her online portfolio.

Posted Film Reviews

Slamdance: There Were Four of Us

Who did it? Four figures are in a room that is enclosed yet constantly shifting in shape, form and color. The question appears “who did it?” and one of the figures confesses. The vision of the room shifts into other shapes and imaginings. Everything and everyone is awash in bright ’80s retro colors. A narrator whose barely registerable voice becomes clearer as the dream continues tells us a story of loss and the need for closure. Dreams help us process trauma and pain. Even when they give us no clear answers.

Cassie Shao’s experimental short film There Were Four of Us transports the viewer into a chaotic dream world that is sad, beautiful and hypnotizing. Inspired by the passing of her grandfather and a dream she had about four people in a room, Shao’s film gives us a filtered lens that peaks into her mind and soul.

“In the dream we each shared a moment in our life and realised that the symbol of death connected all of us together; that we were essentially one. This dream served as the structure of the film.”

Cassie Shao

There Were Four of Us is an animated short, just under 7 minutes and Shao combines digital 2D characters, 3D graphic elements, pastels, silkscreens and paint and sand on glass to create her visuals.

I love experimental short films because they allow me to dive into the mind of a creator and watch their imagination at work.

There Were Four of Us screened at the 2020 Slamdance Film Festival.

Posted Film Festivals

Maniac Landscapes

Maniac Landscapes is a hypnotic dream. One could even call it a beautiful nightmare. Windows serve as portals through which ethereal sources of light and energy feed the flowering pants below. These life forms snake toward the light, their buds opening dramatically. Streams and drops of liquid fall from an unseen source. Shades of red, pink, blue and purple are set against an infinite black landscape. In the background we hear ghostly sounds that are indistinguishable and haunting. The scene shifts when a skeleton appears, reconciling life with the concept of death. 

Maniac Landscapes is a 7-1/2 minute short film written, directed, edited and animated by Matthew Wade with sound design by Jacob Kinch. It is co-produced by Wade and Sara Lynch. Their short Eyes at the Specter Glass recently premiered at Slamdance (check out my review here). Wade describes the film with the following synopsis:

“As disembodied cries move through the rooms of a house, their emotional intensity provokes a reanimation of the dead, cosmic shifts, and the manipulations of time and place.”

Inspiration came to Wade from a series of dreams which he then interpreted into this this film. He gives it “a kind of dream logic in its final presentation.” It’s quite a surreal experience, as was Eyes at the Specter Glass and I’m looking forward to more from this innovative filmmaker.

If the events in the film were from my own dream, I’d interpret them as representations of the creative forces within us. The light, the liquid and the sounds are all sources of inspiration and the plants would symbolize the growth of ideas and the formation of our creative endeavors into their final artistic form. The skeleton’s presence would be thematic of how we take from past creations and breathe new life into them.

Maniac Landscapes premiered at the San Francisco Film Festival as part of their Best Animated Short competition line-up. It’s also part of the upcoming Alchemy Film and Arts Festival that takes place in Scotland next month.

Posted Documentaries

Period. End of Sentence.

“Women are the base of any society. And women are more powerful. But they don’t recognize themselves. They don’t know how much power they have and what they can do.”

Menstruation. It’s not a subject people like to talk about but it’s one that shouldn’t be ignored. Director Rayka Zehtabchi new documentary Period. End of Sentence., follows a group of women from a small town outside of Dehli, India. We learn that menstruation in this patriarchal culture comes with a deeply rooted stigma. It’s embarrassing to talk about and the women use dirty cloths or whatever they can get their hands on during their time of the month. They’re not allowed to pray when menstruating and are essentially isolated from their community until their cycle is over. Many young women even leave school shortly after they get their first period.

Alarmed by these findings, a group of students from Oakwood High School in Los Angeles, California, with the help of The Feminist Majority Foundation’s Girls Learn International program, banded together to start The Pad Project. They raised funds for the equipment that would help these women create their own sanitary pads. The inventor of the machine, Arunachalam Muruganatham, trained the women in the art of making sanitary pads. With this knowledge, these women were empowered to not only overcome their shame but to start a new phase in their lives as enterprising career women making and selling sanitary pads in their community. For some of them, this was their first job and a chance to learn a trade and become successful at it and to earn money for their household and for themselves.

Out of all the Academy Award nominated documentaries (short subject) this is by far my favorite. Period. End of Sentence. is a feminist manifesto that demonstrates how empowering women can make a huge difference. It’s moving, endearing and full of hope. This film touched my heart and I hope it’ll do the same for you.

“The strongest creature on Earth is not the elephant, not the tiger, but the girl.”

Arunachalam Muruganatham

Period. End of Sentence. is nominated for a 2019 Academy Award for Best Documentary (Short Subject). The film premieres on Netflix February 12th.

Posted 3 Comments on A Night at the Garden Documentaries

A Night at the Garden

On February 20th, 1939, over 20,000 Americans gathered at Madison Square Garden in New York City for a Nazi rally. The organizers invited the press to cover the event and as a result we have footage of this little known event in US history. Director Marshall Curry in his 7 minute short documentary A Night at the Garden, offers a glimpse into this historic event. The film captures A Pledge of Allegiance, a speech as well as a protester who storms the stage only to be apprehended quickly by police detail.

Curry’s film offers a glimpse into an event that happened 80 years ago but is still eerily relevant today. This documentary is as timely as ever with the recent resurgence of white supremacy in the US. The pro-American, Anti-Semitic and anti-press rhetoric from 1939 is no different from rhetoric spoken in 2019. A Night at the Garden is just as much a window into the past and as it is a mirror reflecting the present.

A Night at the Garden is nominated for a 2019 Academy Award for Best Documentary (Short Subject). Visit the official website for more information.

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