Maniac Landscapes is a hypnotic dream. One could even call it a beautiful nightmare. Windows serve as portals through which ethereal sources of light and energy feed the flowering pants below. These life forms snake toward the light, their buds opening dramatically. Streams and drops of liquid fall from an unseen source. Shades of red, pink, blue and purple are set against an infinite black landscape. In the background we hear ghostly sounds that are indistinguishable and haunting. The scene shifts when a skeleton appears, reconciling life with the concept of death.
Maniac Landscapes is a 7-1/2 minute short film written, directed, edited and animated by Matthew Wade with sound design by Jacob Kinch. It is co-produced by Wade and Sara Lynch. Their short Eyes at the Specter Glass recently premiered at Slamdance (check out my review here). Wade describes the film with the following synopsis:
“As disembodied cries move through the rooms of a house, their emotional intensity provokes a reanimation of the dead, cosmic shifts, and the manipulations of time and place.”
Inspiration came to Wade from a series of dreams which he then interpreted into this this film. He gives it “a kind of dream logic in its final presentation.” It’s quite a surreal experience, as was Eyes at the Specter Glass and I’m looking forward to more from this innovative filmmaker.
If the events in the film were from my own dream, I’d interpret them as representations of the creative forces within us. The light, the liquid and the sounds are all sources of inspiration and the plants would symbolize the growth of ideas and the formation of our creative endeavors into their final artistic form. The skeleton’s presence would be thematic of how we take from past creations and breathe new life into them.
Maniac Landscapes premiered at the San Francisco Film Festival as part of their Best Animated Short competition line-up. It’s also part of the upcoming Alchemy Film and Arts Festival that takes place in Scotland next month.