Skip to content

TagSundance Film Festival

Posted BIPOC

Sundance: La Guerra Civil

When Oscar de la Hoya and Julio César Chávez went head-to-head in the boxing ring, it was an event. Referred to as the “Ultimate Glory”, this 1996 match not only pitted two of the most talented boxers against each other, it also started a cultural war. Julio César Chávez was the pride and joy of Mexico. He holds the record of the longest undefeated streak which began with his very first professional match. He was a champ that Mexicans could get behind. Oscar de la Hoya represented the expats. The Mexicans who left their home country years ago to seek opportunities in the States. De la Hoya showed promise at an early age and admired the great Chávez. But the Mexicans scored de la Hoya. Despite his 100% Mexican heritage and being fluent in Spanish, they felt he wasn’t Mexican enough. Not like Chávez. So when it came to that fateful day in 1996, Chávez stood with his country rallying behind him. But de la Hoya came armed with youthful vigor and a secret weapon: a brilliant coach who taught him how to take Chávez down.

Directed by Eva Longoria Bastón, La Guerra Civil expertly demonstrates not only the importance of the Chávez vs de la Hoya fight but also how the careers of these two boxing champions were intrinsically tied to their cultural identities. Both Chávez and de la Hoya were interviewed for the documentary along with sports journalists, latinx celebrities, family members and various experts. There is an air of familiarity in the film. Perhaps the friendly vibe prevented the documentary from going more in-depth into serious matters involving the two subjects including their drug addictions and various tragedies. These are briefly mentioned but not discussed at length.

The documentary is bilingual with interviewees speaking English and Spanish. 

La Guerra Civil premiered at the 2022 Sundance Film Festival.

Posted Female Filmmakers

Sundance: Call Jane

Call Jane stars Elizabeth Banks as Joy, a stay-at-home wife pregnant with her second child. Joy and her husband Will (Chris Messina) soon discover that Joy’s pregnancy is causing her congestive heart failure. The doctor gives her two options: die carrying the child or have an abortion. It’s 1968, still a few years away from Roe vs. Wade, and abortions are illegal underground operations. After a scare, Joy discovers  “Call Jane” a service involving a network of suburban woman who arrange abortions for women in need. The initiative is run by Virginia (Sigourney Weaver) who takes Joy under her wing. Corrupt doctor Dean (Cory Michael Smith) charges $600 per procedure which is out of reach for most women who seek the service. Joy and Virginia team together to make abortions available to more applicants but do so in a safe, affordable yet unconventional way. Joy does all of this while keeping it secret from her husband, daughter (Grace Edwards) and neighbor Lana (Kate Mara).

Based on the true story of the Jane Initiative, Call Jane is directed by Phyllis Nagy, best known for her stunning adaptation Carol (2015). Call Jane has similar pacing as Carol. The film takes its time telling its story. Patient viewers will be greatly rewarded. Call Jane shines a spotlight on the history of abortion but also offers us a look into a future where abortions may become illegal again. Women will seek out abortions regardless of their legality and while the Jane Initiative saw no casualties, many other women have died from botched back alley abortions. This film won’t change anyone’s mind about abortion. But it does serve as a reminder of how far we’ve come and what we have to lose.

Call Jane premiered at the 2022 Sundance Film Festival.

Posted Documentaries

Sundance: Downfall: The Case Against Boeing

“This is the cost of doing business as usual.”

Garima Sehti

Directed by Rory Kennedy, Downfall: The Case Against Boeing is a scathing look at how corporate greed led to the deaths of hundreds of 737 Max passengers.

In October 2018, Lion Air Flight 610 departed from Jakarta only to crash 13 minutes after take off. The plane was a new 737 Max from Boeing, a redesigned and more fuel-efficient plane that was launched a few years earlier. At first aviation experts thought that the crash was due to pilot error. But it was soon discovered that it was a flaw with the MCAS system, which had been added to the 737 Max. However, pilots were not only not trained on the new system, they had no clue it even existed or let alone what to do if it malfunctioned. Several months later, Ethiopian Airlines Flight 302 crashed in a similar fashion, only 6 minutes after takeoff, killing everyone on board. The two mass casualties, so close together and both with 737 Max airplanes sent the world reeling. 

Downfall is an incredible work of investigative journalism. Every facet of this story is explored including the crashes themselves, the aftermath, the effect on the victims’ families, the congressional investigation and the recent problematic history of Boeing which led those in power at the company to value financial results over safety. Talking heads include victims’ family members, aviation experts (including Captain Sully, politicians, former Boeing employees.

The subject matter is very upsetting but it is a must watch. 

Note: Boeing did not participate in the documentary but they did share a written response which appears before the end credits.

Downfall: The Case Against Boeing had its world premiere at the 2022 Sundance Film Festival. It premieres on Netflix February 18th.

Posted Film Festivals

Sundance: John and the Hole

John (Charlie Shotwell) has his family trapped in a hole. Why? Because he’s tired of being a kid and craves the freedom adults have. And his family simply gets in the way. So one by one he drugs his dad Brad (Michael C. Hall), his mom Anna (Jennifer Ehle) and his sister Laurie (Taissa Farmiga) and drags them to an abandoned cement foundation on the property. The hole is deep enough to prevent the family members from climbing out and secluded enough that no one will hear their screams for help. John occasionally visits them to leave them food, water and some other items. Otherwise he’s content with having the family mansion, car and bank account all to himself. Just how long will John be able to keep this up before something happens?

DIrected by Pascual Sisto and written by Nicolás Giacobone, John and the Hole is an enthralling thriller that offers plenty of suspense. The biggest disconnect for me was feeling sympathy for the characters. This is clearly a rich white family who enjoys a lot of privilege. I might have felt more connected had the story been about relatable characters. However, maybe that was the intent. Maybe the audience was meant to enjoy seeing these characters tormented.

John and the Hole is a captivating feature debut by director Pascual Sisto and I would recommend it for its slow build and unique concept.

John and the Hole premiered at the virtual 2021 Sundance Film Festival as part of their U.S. Dramatic Competition.

Update: John and the Hole releases in theaters and  on digital on August 6th.

Posted Film Festivals

Sundance: Mass

Years after their tragic loss, Jay (Jason Isaacs) and Gail (Martha Plimpton) are ready to confront the parents of their young son’s killer. Richard (Reed Birney) and Linda (Ann Dowd) agree to meet the two in a private room at an Episcopalian church. Everything has been set up so they can have a safe space to confront the situation head on. What Jay and Gail want is to learn more about the villain they have come to paint as true evil in their minds. They’re frustrated when Richard and Linda don’t have ready answers for their probing questions. As their conversation unfolds, we learn more about the circumstances of the tragedy, the history of the troubled boy turned killer and how both couples have handled their very different types of mourning.

Mass is Fran Kranz’ writing and directorial debut. It’s a gripping drama that takes on the difficult job of exploring both sides of this kind of tragedy which unfortunately is now a regular part of American society. The film locks its audience in a confined space so they can fully experience the tension as it builds. The majority of the action happens in the one room. And while the dialogue driven drama works to some extent I wish flashback scenes were incorporated. Mass would make for a great stage play but it underutilized film as a visual medium. With that said, I believe  we’ll see more films like this in the future as quarantine, lockdowns and social distancing will put pressure on filmmakers to tell stories with small casts.

Mass premiered at the virtual 2021 Sundance Film Festival.

UPDATE: Mass hits theaters October 2021.

JustWatch.com