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2022 SXSW Film Festival: My Picks

The 2022 SXSW Film Festival is about to start and I’m thrilled to be back in Austin. This year’s festival is hybrid and while I will be doing some of my coverage from the virtual space I’ll also be on site sharing my thoughts on my experiences and all the wonderful films I get to watch from this year’s slate.

Make sure you follow me on Twitter @RaquelStecher and on Instagram @QuelleMovies for even more coverage.

Here are the films I’m most excited to check out this year!

Documentaries

Facing Nolan — dir. Bradley Jackson

This sports documentary explores former baseball pitcher Nolan Ryan’s extraordinary, yet overlooked career. As a kid I was a big Ryan fan so this is a must-see for me.

Nolan Ryan at Dell Diamond in Round Rock | Credit: The Ranch Productions, LLC

Clean — dir. Lachlan McLeod

Trauma cleaning is both difficult and important job. This documentary explores the business with a particular focus on one cleaner as she approaches both her work and her search for her birth mother.

Sandra Pankhurst attending a trauma cleaning job. | Credit: Louis Dai

Diamond Hands: The Legend of WallStreetBetsdir. Drea Cooper and Zackary Caneperi

Reddit users threw the stock market for a loop when they single-handedly made both AMC and GameStop surge. This documentary focuses on GameStop and how Reddit users tried to “democratize trading”.

Jazz Fest: A New Orleans Story — dir. Frank Marshall and Ryan Suffern

SXSW always offers up some great music documentaries. I’m most interested in this one which features performances, interviews as well as archival footage of this iconic music festival.

The Kennedy-Marshall Company. Courtesy of Sony Pictures Classics

Feature Film Highlights

The Cow — dir. Eli Horowitz

This thriller follows a couple to a remote cabin where they discover the place has been double booked and another couple is already staying there. They all agree to stay together for one night until two of them mysteriously disappear. Stars Winona Ryder and Dermot Mulroney.

Raquel 1:1 — dir. Mariana Bastos

I couldn’t pass up an opportunity to watch a film about another Raquel! This Brazilian drama follows a religious teenager who believes she’s received a mission from God.

Credit: Vans Bumbeers

Out of the Past

The following films will be reviewed at my sister site Out of the Past.

Still Working 9 to 5 — dir. Camille Hardman and Gary Lane

The iconic workplace comedy 9 to 5 (1980) shed light on how women are treated in the workplace. Four decades later the film still resonates. This documentary revisits the film as well as workplace culture and includes interviews with Jane Fonda, Dolly Parton, Lily Tomlin and Rita Moreno.

Photo by Steve Schapiro/Corbis via Getty Images

The Last Movie Stars — dir. Ethan Hawke

The first chapter of this six chapter film will be premiering at SXSW and will have a future release on CNN+ and HBO Max. It follows the story of the beloved movie star couple Joanne Woodward and Paul Newman. I can’t wait for this one!

Genre films

Linoleum — dir. Colin West

This sci-fi drama starring Jim Gaffigan, Rhea Seehorn, Michael Ian Black, Tony Shalhoub follows the story of middle-aged father who tries to transform a satellite into a rocket ship after it fell and hit their home.

Bodies Bodies Bodies —dir. Halina Reijn

This horror film follows a group of wealthy 20-somethings who throw a hurricane party that ultimately turns deadly. Stars Amandla Stenberg, Maria Bakalova, Pete Davidson, Rachel Sennott, Myha’la Herrold, Chase Sui Wonders and Lee Pace.

Credit: Gwen Capistran

Sissy — dir. Hannah Barlow and Kane Senes

This horror film follows two best friends who have grown apart. After being reunited, things take a turn for the worst when they become isolated in a remote cabin. Stars Aisha Dee and Hannah Barlow.

Aisha Dee as Cecilia in SISSY | Credit: Steve Arnold ACS

What I missed from Sundance

Fire of Love — dir. Sara Dosa

I’ve been hearing nothing but rave reviews about this documentary. It follows the love story of French scientists Katia and Maurice Krafft whose fascination with volcanoes led to their untimely demise.

Cha Cha Real Smooth — dir. Cooper Raiff

Another hit from Sundance that had everyone buzzing, Cha Cha Real Smooth stars Cooper Raiff as a 20 something college grad trying to find his way in life. Also in the cast are Dakota Johnson and Leslie Mann.

Stay tuned for more 2022 SXSW coverage!

SXSW: The Fallout

For Vada (Jenna Ortega), it was just an ordinary day at her high school. After a false alarm from her younger sister Amelia (Lumi Pollack), Vada hangs out in the bathroom with fellow student Mia (Maddie Ziegler), a beautiful Instagram dancer. They catch each other’s eye but that moment of flirtation is ripped away from them when they hear gunshots. A shooter causes chaos in the school, killing some and injuring others. Vada and Mia’s lives will never be the same again. After the shooting, Vada spends her days avoiding school, drinking with Mia, getting high and going to therapy. Her parents Patricia (Julie Bowen) and Carlos (John Ortiz) try their best to give Vada space to recover. But how do you life your life after such a traumatic event?

Directed by Megan Park, The Fallout is a coming-of-age story that will ring true for many young people who unfortunately have suffered through this kind of trauma. Mass shootings are a reality of American life and despite what your thoughts are on gun control, it’s important for us to see how these events affect its victims. The Fallout is a poignant story about one young person’s response to trauma and in the same way it’s a universal tale about growing up, finding yourself and surviving something horrific. Audiences will appreciate the LGBTQ and BIPOC inclusivity.

The Fallout had its world premiere at the virtual 2021 SXSW Film Festival.

SXSW: Introducing, Selma Blair

Directed by Rachel Fleit, Introducing, Selma Blair chronicles the actress’ battle with Multiple Sclerosis, an incurable disease that attacks the spinal cord and brain. Told through interviews, with Selma Blair herself and others, smartphone diaries and Instagram posts, the documentary puts a human face to this terrible disease. Blair was diagnosed in 2018 and has struggled with a variety of health and mobility issues ever since. In the film Blair is candid to a fault. It takes real vulnerability to share this difficult time in her life. She shares with the viewer her struggle with being a mom, her difficult relationship with her mother and her journey to get chemotherapy and stem cell transplants in an effort to slow the progression of her MS. The film is an intimate and revealing portrait of a unique individual faced with an incredible challenge. One can’t help but be inspired by Selma Blair’s resiliency.

Introducing, Selma Blair had its world premiere at the virtual 2021 SXSW Film Festival. It’s slated to stream on Discovery+.

SXSW: Violet

Violet (Olivia Munn) is plagued by self-doubt. The Voice (Justin Theroux) is constantly reminding her of her insecurities, negating anything positive she thinks about herself and is sending her down  path of self-destruction. As a high-powered executive in the film industry, this inhibits her from personal and professional growth and from achieving any form of happiness. It doesn’t help that past traumas, her mother’s neglect, her brother’s disdain and a failed relationship that ended in literal flames, come back to haunt her. The Voice is in constant battle with her self-confidence, which offers Violet little glimmers of hope. There are good things in her life and good people too. Including Red (Luke Bracey), a handsome and understanding screenwriter whose opinion of her far exceeds her own for herself. Women in business, regardless of the industry, have an uphill battle, not only to breakthrough the barriers set by outdated gender norms but to fight against the impostor syndrome that society imposes upon us. Regardless of Violet’s support system of friends and colleagues, she must find a way to tap into that self-confidence and suppress the Voice on her own.

Written and directed by Justine Bateman, Violet visualizes self-doubt in a way that will resonate deeply with audiences, especially women who are often the victims of mansplaining and impostor syndrome. The Voice is presented through a man’s narration which epitomizes how society devalues women. Self-confidence is shown in the form of white cursive writing on screen. This visual-auditory representation of Violet’s thought process was incredibly effective. Bateman has hit a homerun with this brilliant depiction of internal strife and self-destruction and Munn delivers a wonderful performance as the title character.

Violet had its world premiere at the virtual 2021 SXSW Film Festival.

SXSW: Swan Song

Patrick Pitsenbarger (Udo Kier), a retired hairdresser once known as The Liberace of Sandusky, is spending his final days in a nursing home. One day, a lawyer representing Pat’s former client, Rita Parker Sloan (Linda Evans), delivers the news to Pat that Rita has passed on. In her will has requested Pat to do her hair for her funeral and has set aside $25,000 for payment. Given the  fact that Pat still harbors bitter feelings towards Rita, he at first refuses. Many years ago, Rita left his salon for another one, run by Pat’s former protege Dee Dee Dale (Jennifer Coolidge). Pat changes his mind and sets out on an adventure, breaking out of the nursing home and walking down memory lane through Sandusky, Ohio, meeting old friends and making new friends along the way. Pat knows this is his swan song; the very last time he’ll be able to live his life on his terms.

Directed by Todd Stephens, Swan Song is a celebration of individuality and gay identity. According to Stephens the film is inspired by a real person he met in Sandusky and serves  a “love letter to the rapidly disappearing gay culture of America.” Udo Kier is an absolute delight. Even when the plot begins to wander, Kier’s portrayal of Pat keeps us grounded, engaged and interested in what will happen next. I thought it was a misstep not to include more information or a few flashback scenes of Pat’s deceased partner David. You’ll easily find yourself emotionally invested in this story and its characters.

Swan Song had its world premiere at the virtual 2021 SXSW Film Festival.

Update: Swan Song releases in theaters August 6th and on demand August 13th.

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