“Jazz is the soundtrack of New York.”
The year is 2017 and the Cabaret Law is still in effect in New York City. Enacted in 1926 during Prohibition, the law states that any business serving food and drink must pay for a license in order to also allow their patrons to dance. This prohibitive law proved to be inherently racist as it hurt minority run businesses in poorer neighborhoods, especially those who couldn’t afford the fee. And now the days of this obscure but hurtful law are numbered.
Written and directed Christina Kallas, Paris is in Harlem takes place during the final days of the Cabaret Law. It follows various characters, all of whom eventually visit the Paris Blues, a legendary Jazz bar in Harlem once run by Samuel Hargress Jr. to whom the film is dedicated. Much like with Kallas’ film The Rainbow Experiment, Paris is in Harlem employs split screens, cuts and varying perspectives to offer the viewer a multi-character mosaic. While there are many storylines, everything is anchored by the ongoing angst caused by institutional racism, the threat of gun violence, cancel culture and the Cabaret Law. Even tackling these heavy subjects, Paris is in Harlem is a film brimming with hope and joy. It serves as a reminder the power of community and human connection.
Paris is in Harlem premiered at the 2022 Slamdance Film Festival.