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Posted Documentaries

Double Exposure Investigative Film Festival: The Art of Political Murder

The brutal Guatemalan Civil War (1960-1996) resulted in the deaths of many civilians, especially those of the indigenous Mayan population. In the days after the war, Bishop Juan Gerardi became an outspoken activist for the Mayan people, seeking justice for the crimes against humanity and giving a voice to the voiceless. He was a truly remarkable individual and one of the key members of REMHI, an organization that sought to bring to light the many human rights violations enacted by the military and government. This unfortunately made him a target and on April 26th, 1998 Bishop Gerardi was brutally murdered.

Directed by Paul Taylor, The Art of Political Murder investigates Bishop Gerardi’s state ordered assassination, the mishandling of the crime scene, the theories behind what exactly happened and the arrest and trial of the three assassins. George Clooney served as one of the film’s executive producers and the documentary is based on Francisco Goldman’s book of the same name. It features interviews with journalists, experts and those who knew Bishop Gerardi both personally and professionally. There isn’t much by way of background on either the Guatemalan Civil War or how Bishop Gerardi came to be involved with his activism. Instead the focus here is on the crime itself. In essence one could call this a biography of a crime as it dissects all the details of the murder, investigation, media coverage, trial, etc. I would have preferred more background on Bishop Gerardi but this was an interesting approach.

The Art of Political Murder is well worth the watch for anyone interested in true crime in general or Guatemalan history in particular.

The Art of the Political Murder recently screened at the 2020 virtual Double Exposure Film Festival.

Posted Documentaries

Double Exposure Investigative Film Festival: Baby God

Dr. Quincy Fortier was a fertility specialist based in Las Vegas in the mid 20th Century. He helped countless women battle infertility. Little did they know that the babies they had, thanks to Fortier’s “treatment”, were also biologically his. Years later, in an age of advanced DNA technology, his offspring find themselves on a harrowing journey of self-discovery.

Directed by Hannah Olson, Baby God is an engrossing and shocking documentary about deceit, manipulation and fractured identity. Dr. Fortier passed away in 2006 at the age of 93 and during his lifetime he got away with using his own sperm to fertilize his patients. It was only in his final years when his patients and their children started to catch on and he was brought to court numerous times. After his death, his actions continue to have ripple effects. The documentary investigates the culture in which Dr. Fortier was able to operate and how he was able to get away with this for so long. Unfortunately, there was no law against what he did and he was not the only doctor to have “worked” in this manner. Fortier genuinely thought he was helping these women.

In the film, we hear from his children, the offspring he raised with his wife, his two adopted daughters, and the half-siblings who discovered their origins in the most shocking of ways. We also hear from the women he treated as well as two of his Las Vegas colleagues. It’s easy to relegate Fortier’s actions to a mid-century naivete. But this documentary clearly demonstrates that Fortier was a deeply disturbed man. 

“Do you want to say your father was a monster? And what does that say about you?”

Baby God can be disjointed at times. I would have preferred a more structured approach rather than its more free-flowing slow build. There was so much to grasp in terms of information, context and meaning that we, the audience, require more guidance. It’s still a highly compelling film that will leave viewers in a state of shock and awe. A must see.

Baby God recently screened at the 2020 virtual Double Exposure Film Festival and is slated to be released on HBO.

Posted Documentaries

Martin Margiela: In His Own Words

“He was the first to do many things.”

Martin Margiela was a disruptor in the fashion world. An avant-garde designer, Margiela became known for shaking things up in an industry that was already prone to convention breaking and disruption. The Belgian-born Margiela knew he wanted to be a fashion designer by the age of 7. He studied in Antwerp, worked as an assistant to Jean Paul Gaultier and quickly developed his own brand. Margiela made a splash in the fashion scene during the early ’80s with highly conceptual designs and his mysterious persona. Margiela knew he wanted his name attached to his work but insisted on anonymity. He never made public appearances, did not show his face to anyone outside of his close circle of employees, collaborators and models, and declined all interviews. The anonymity was a type of self-preservation; a way to protect his creative flow. Margiela’s designed challenged fashion conventions, stirred up controversy and because he never attached his image to his brand, when he abruptly left the fashion industry in 2009, his business transformed into Maison Margiela and would continue on, forever cementing his legacy.

“His hands, his movements, the admiration he has for handcraft, and, most of all, the love he puts in all his creations make us feel his presence at any moment.”

Director Reiner Holzemer on Martin Margiela

Directed by Reiner Holzemer, Martin Margiela: In His Own Words unpacks the history and inspirations behind this legendary designer and offers viewers direct access to the man himself. We never see Margiela’s face, we only hear his voice and see his hands as they open boxes, puts together designs and reveal images and designs from his previous work. The documentary also features many interviews with other designers, former employees, models, critics and fashion experts. There is plenty of archival footage of Margiela’s groundbreaking fashion shows and lingering close-ups on his many designs.

Holzemer offers a compelling portrait of a creative genius who worked on his own terms and put everyone else out of fashion with his edgy and provocative designs. 

Martin Margiela: In His Own Words is available to stream on Amazon Prime, Apple TV, FandangoNow, Google Play, Xbox and Vudu.

Posted Film Reviews

Summerland

“Trust yourself. You’ll find your connection.”

Three teenagers hop into their RV and set out on the road headed to Summerland, a Coachella-like concert in the desert. What starts as a typical road trip quickly gets sidetracked as each of the friends finds themselves at a crossroads in their lives. Bray (Chris Ball) is coming to terms with his sexuality. He’s made a connection with Shawn (Dylan Playfair) online and the two plan to meet up at Summerland. Problem is, Shawn thinks Bray is a girl. Bray has been masquerading as Veronica using pictures of Stacey (Maddie Phillips), his friend Oliver’s (Rory J. Saper) girlfriend. When Oliver and Stacey agree to join Bray on the trip to Summerland, Bray thinks he has the perfect set-up to meet Shawn. However, Oliver and Stacey bring their own baggage. Stacey wants a deeper connection with Oliver who seems emotionally distant. Little does she know that Oliver is harboring a big secret.

Directed by Lankyboy (a pseudonym for the directing team Kurtis David Harder and Noah Kentis), Summerland is a hormone-fueled coming-of-age story with all the hallmarks of your typical road trip comedy but with an added layer of meaning. The first act is shallow and self-indulgent but as the film enters its second act we see the characters, especially Bray, start to explore what it means to be true to oneself. There are times when the viewer must suspend their disbelief as there are plenty of chance encounters that don’t seem at all realistic. However they work for the film and situations more grounded in realism would have been more tiresome. The female lead played by Maddie Phillips is being manipulated throughout both by her friend Bray and her boyfriend Oliver. I love how she finds her agency and takes charge of her journey. It’s an empowering moment in an otherwise male-driven story.

More than just your run-of-the-mill road trip movie, Summerland offers a youthful exploration of meaningful connections and self discovery.

Summerland is available to stream on Amazon Prime, iTunes, Google Play and Vudu.

Posted Film Reviews

Spiral

Review by Ally Russell

When same-sex couple Malik (Jeffrey Bowyer-Chapman) and Aaron (Ari Cohen) move to a small suburban town with their 16-year-old daughter Kayla (Jennifer Laporte), they hope the new home will give them a chance to relax and resolve some underlying family drama. However, their dreams of a quiet life spiral downward as the family is plunged into a toxic and paranoia-inducing environment that is rife with homophobia and the occult.

We follow the story through Malik’s eyes—a character with whom we immediately empathize as flashbacks reveal that he was the victim of a hate crime. This crime has left Malik vulnerable and on a daily diet of medication, but it doesn’t define him. He is also the peacekeeper in his home, and instead of the tired evil step-parent trope, we’re treated to a warm stepfather-stepdaughter relationship between Malik and Kayla, whom he affectionately calls Booger. However, as the short winter days turn to long nights in a cold and unfamiliar landscape, Malik’s sanity is compromised and his sense of time warped.

Whenever a film presents sinister neighbors as villains, I immediately think of Rosemary’s Baby—a film that expertly explores the theme of living and being at home amongst people who make you uncomfortable. Spiral (directed by Kurtis David Harder) may not dissect the subject of strange neighbors with as much precision, but the same way that Rosemary’s Baby made viewers want to abandon urban apartment buildings, Spiral will make viewers question the safety of the suburbs.

For viewers looking for that Get Out (2017) ambiance, Spiral mostly delivers on that mood. In addition to the microaggressions that Black characters are often forced to silently endure, Malik has the added weight of tackling homophobia in his new community and in his home. This Get Out atmosphere is most prominently felt when we are confronted with Malik’s work as a ghost writer—a job that requires him to listen to a doctor espouse hateful views about gay conversion therapy and the importance of the “traditional family unit” via grainy VHS tapes. While these scenes effectively convey homophobia as a driver for the horror elements in the film, I do wonder if the LGBTQIAA community is exhausted with watching this kind of trauma unfold on screen.

The film is compelling and creepy, but it’s not perfect. Additional details about the significance of the occult symbols and ritual practices would have yielded a more complete story and left me with fewer questions. However, the film does an excellent job of adeptly highlighting one unequivocal fact: humans will always find something to fear.

Spiral is a dark and brooding horror film that requires multiple viewings to fully appreciate some of its more subtle storytelling, but with each watch, viewers will unearth information that they may not have noticed before.

Spiral is available on Shudder.

AllyRussellAbout the writer: Ally Russell has a ghastly passion for horror writing. She has created podcasts episodes and written content for the Horror Writers Association’s Young Adult & Middle Grade blog, Scary Out There, and has written for Night Worms and reviewed horror films for Out of the Past and QuelleMovies.com. She also hosts the FlashFrights podcast, which can be found on Apple Podcasts and SoundCloud. Ally holds an MFA in writing for children from Simmons University. When her childhood dreams of becoming a full-time witch didn’t work out, she settled for a career in publishing. She lives in Boston but hails from Pittsburgh—ground zero for the zombie apocalypse. She can be found on Instagram at @OneDarkAlly.

Raquel’s thoughts: Get Out meets Rosemary’s Baby, Spiral demonstrates the horrors of othering in a way that is both modern and classic.

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