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Fantasia Festival: Indemnity

Cape Town firefighter Theo (Jarrid Geduld) is suffering from PTSD after a particularly deadly fire killed his fellow fighters and left him sidelined. He’s put into psychotherapy and on psychotropics to deal with his persistent nightmares and in hopes that he may get back on his feet. His journalist wife Angela (Nicole Fortuin) is contacted by  Sam Isaacs (Abduragman Adams) a whistleblower who is determined against all odds to uncover a political conspiracy that seeks to take over all the governments in Africa. Theo is on the books as a potential pawn for these conspirators. Soon Theo finds himself on the run from the police for a murder he’s positive he didn’t commit. Was he framed? Or did one of his violent nightmares cause him to do something he didn’t mean to do?

Written and directed by Travis Taute, Indemnity is an edge-of-your-seat thriller that puts the effects of trauma front and center. It offers psychological drama  coupled with some great action sequences. Jarrid Geduld offers a multi-dimensional performance offering the audience a damaged and empathetic hero that we can easily root for.

As someone who suffers from PTSD, I was intrigued by how Taute presented  the disorder throughout the story. It’s consistently part of Theo’s story and becomes a critical plot point in the climax of the film. It’s unclear if the movie is criticizing psychotherapy or  using it simply as a plot device. That’s up to the audience to decide.

Indemnity had its world premiere at the 2021 Fantasia Film Festival.

Fantasia Festival: Dreams on Fire

“I want to become a dancer… I will become a dancer.”

Yume

 Have you ever felt that life was just a series of roadblocks getting in the way of your most cherished dream? For Yume (Bambi Naka), the road to becoming a dancer is littered with obstacles and disappointments. Despite her father’s disapproval, Yume leaves her small town and ventures to Tokyo where she’s determined to make it as a professional dancer. Yume takes a free hip-hop class at a local dance studio and is immediately hooked. To pay for her micro apartment, her expenses and  her dance classes, Yume becomes a costume hostess. With her job and other hustles she pursues along the way, the threat of crossing over to sex work and getting away from the dance world lingers. Yume perseveres, taking classes, entering competitions and participating in auditions. With each new venture comes plaguing self-doubt and a heaping dose of bad luck but some new friends are there to give her the emotional boost she needs.

Written and directed by Philippe McKie, Dreams on Fire pulsates with life and sheer joy despite the major hurdles the protagonist faces. Bambi Naka leads this coming-of-age story with passion and grace. It’s been a long time since I’ve felt this intense of an emotional bond with a fictional character. This speaks to the brilliant story and its charismatic star. There are plenty of dance numbers, shots of Tokyo streets and extreme angles that showcase the city skyline which add visual delights to this already endearing film. A must watch.

Dreams on Fire had its North American premiere at the 2021 Fantasia Film Festival. Visit the film’s official website for more information.

Fantasia Festival: Agnes

“Shall we go see about your poor lost lamb?”

When Sister Agnes (Hayley McFarland) is suddenly possessed by demons, the nuns at Santa Teresa look to Father Black (Ben Hall) and Father Benjamin (Jake Horowitz) for help. Sister Mary (Molly C. Quinn) witnesses the attempts at exorcism and something about the experience and an encounter she has with Agnes changes her. Mary sheds her nun’s habit and goes back to secular life. But is she ready for it?

Written by Mickey Reece, who also directed, and John Selvidge, Agnes is a modern take on the classic story of religious life and exorcism. It’s light on horror elements focusing more on the drama surrounding Sister Mary. The film feels disjointed at times and I couldn’t help but feel like titling the story Agnes is misleading. Agnes is merely a supporting player in what ends up being Mary’s story. Molly C. Quinn is brilliant as the lead. Her eyes express the character’s pain and she has this angelic countenance that makes her perfect for playing a religious neophyte and a lost soul. The film offers some really fantastic cinematography which adds to its decidedly modern feel. This would pair nicely with Agnes of God (1985) as a double bill.

Rita Scranton, Zandy Hartig, Cait Brasel, Mary Buss, Molly Quinn, Azrial Greene-Pina, Cheryl McConnell, and Rachel True as the Sisters of Santa Teresa 
Photographer: Stephan Sutor 

Agnes had its international premiere at the 2021 Fantasia Film Festival.

Never Gonna Snow Again

Zhenia (Alec Utgoff), a survivor of the Chernobyl disaster, is a masseuse with almost magical abilities. He can move objects telekinetically, is proficient in hypnosis and his hands can either heal his clients or kill them. Zhenia travels to a large Polish city where he finagles a resident permit and offers his massage services to those living in an upscale gated community. The wealthy residents live sad existences in their generic and cookie cutter community. They’re plagued by broken marriages, insolent children and sheer boredom. Zhenia mesmerizes his new clientele. He’s handsome, mysterious, patient and a perhaps a little radioactive.

Written and directed by Malgorzata Szumowska and Michal Englert, Never Gonna Snow Again/Sniegu juz nigdy nie bedzie is a hypnotic and mysterious drama that gently touches upon some big themes. These include anti-immigrant sentiment, prejudice,  income inequality and global warming. Utgoff delivers a solid performance as the elusive Zhenia. The film offers moments of stunning cinematography and is light on the fantastical elements. It can be a bit difficult to follow or to understand the main character’s motivations. Watching Never Gonna Snow Again is like taking a ride down a gentle stream. There’s no rush to get anywhere. Just enjoy the ride.

Fans of Stranger Things will recognize Alec Utgoff who plays the lead role of Zhenia. Never Gonna Snow Again was Poland’s submission to the 93rd Academy Awards for Best International Feature Film.

Never Gonna Snow Again is distributed by Kino Lorber and opens in theaters and virtual cinemas on July 30th. Visit Kino Marquee for more details.

La Dosis

Marcos (Carlos Portaluppi) is a nurse working the night shift at a private hospital. He takes pity on the patients who have no chance of survival and  secretly euthanizes them so they can die in peace. He’s able to commit his crime unnoticed until the arrival of a mysterious new nurse Gabriel (Ignacio Rogers). Marcos’ quiet existence is about to be thrust into utter chaos. Gabriel is a charmer, seducing the other night nurse Noelia (Lorena Vega) and ingratiating himself to upper management. But Gabriel is also killing patients and does it both with ill intentions and inhumanely. When the rise in patient deaths becomes noticeable, it’s time for Marcos and Gabriel to come face to face in a battle for survival.

Director Martin Kraut was inspired by a 2012 story about two Uruguayan nurses who were caught euthanizing patients. In an interview Kraut says:

I am interested in investigating what happens when doctors and nurses know there is no chance of survival yet they must keep the bodies alive while they can: Keeping patients on life support or alive is also a very important and profitable business. This fact coupled with the immense power that some nurses like Marcos have while working the night shift, and who devote their time to the care of others in those conditions, can lead them to extreme situations.

Martin Kraut

La Dosis is a restrained psychological thriller with a terrific slow build. The tension sneaks up on the viewer as the two nurses must confront their secrets. It does a great job exploring the toxic social dynamics that occur in a hospital environment between nurses, doctors, patients and management. There is an LGBTQ element to the story that isn’t explored enough to make any sense. It lacks in some character building, especially in regards to the main character Marcos. Overall, the direction, the performances, the moody lighting and slow build make this one to watch.

Kudos to whoever designed the movie’s poster because it not only captures the essence of the story and the dynamic between the two main characters, it’s also amazing how one eye can seem to belong to both men at the same time. Amazing!

La Dosis is distributed by Samuel Goldwyn Films available on demand and on digital.

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